This article casts a spotlight on Khashabi Theatre, one of several independent Palestinian venues in Haifa. It explores Khashabi's dramaturgical–performative discourse with ghosts, and thereby examines how it produces a ‘dual presence’ of Palestinian urbanism: the ghostly presence of victims of history who were uprooted from the city, and the presence of the contemporary community that, by converging at the theatre, plays a key part in the revival of urban leisure culture. The article discusses the particular location of the theatre in the city and the dramaturgical characteristics of the two plays staged in the first season. It also examines the objects and the actors’ bodies as elements that evoke and conjure up ghosts, and shows how artistic practice, which allows alternative places to be established, plays a key role in the struggle for the ‘right to the city’, which is also the struggle for the ‘right of return’.

中文翻译：

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卡沙比剧院如何呈现巴勒斯坦城市主义的“双重存在”？《幽灵与记忆》第一季，海法，2015-2016

本文重点关注卡沙比剧院，这是海法几个独立的巴勒斯坦场所之一。它探讨了卡沙比与鬼魂的戏剧表演性话语，从而探讨了它如何产生巴勒斯坦城市主义的“双重存在”：被从城市连根拔起的历史受害者的鬼魂存在，以及当代社区的存在，通过汇聚在剧院，在城市休闲文化的复兴中发挥着关键作用。文章讨论了剧院在城市中的特殊位置以及第一季上演的两部剧目的戏剧特点。它还将物体和演员的身体视为唤起和召唤鬼魂的元素，并展示了艺术实践如何允许建立替代场所，