This article focuses on the five-part miniseries, Chernobyl (2019), with its contaminated landscape that deals with a troubled, traumatic history. It takes inspiration from the work of Walter Benjamin and his concept of historical materialism, but principally draws on theoretical paradigms dealing with transcultural memory, to advance a discussion on memory work, (re)mediation of historical events and televisual representation. Specifically the essay explores the strategies through which the Anglo-American co-production between Sky and HBO, the first of its kind, offers a collective remembrance of this man-made ecological disaster from 1986 in 2019, awakened in (re)mediated landscapes.

中文翻译：

---

唤醒受污染的土地：（重新）调解景观作为跨文化电视记忆工作，天空/HBO迷你剧案例研究，切尔诺贝利（2019）


本文重点介绍由五部分组成的迷你剧《切尔诺贝利》（Chernobyl，2019 年），该剧讲述了一段受污染的景观，讲述了一段充满麻烦和创伤的历史。它从沃尔特·本雅明的作品和他的历史唯物主义概念中汲取灵感，但主要借鉴了处理跨文化记忆的理论范式，以推进对记忆工作、历史事件的（重新）调解和电视再现的讨论。具体来说，本文探讨了 Sky 和 ​​HBO 之间的英美联合制作的策略，这是同类中的第一部，它提供了对 1986 年到 2019 年这场在（重新）调节的景观中唤醒的人为生态灾难的集体记忆。