George Younge
My research explores the production and use of literary texts in England during the high medieval period (1000–1300). It focuses on cooperation between vernacular compilers and the European clerical elites that migrated to England after the Conquest. I am particularly interested in the changing contexts of literary production in the second half of the twelfth century, cross-fertilisation between English and French literature, and the role of Old English as a stimulus for vernacular writing in other regions of Europe.
In October 2012, I successfully defended my doctoral thesis: ‘The Canterbury Anthology: an Old English Manuscript in its Anglo-Norman Context’. Supervised by Dr Richard Dance at the University of Cambridge, the dissertation presents a detailed analysis of London, BL, Cotton Vespasian D.xiv, an Old English anthology produced at Christ Church cathedral, Canterbury around 1150. I argue that the compilation was assembled by a sophisticated editor, who rewrote pre-Conquest sources and combined them with newly commissioned translations. The thematic layout of the anthology and its eclectic reuse of earlier material has close parallels with contemporary Latin encyclopaedias, such as the ‘Liber Floridus’ (c.1120) and the ‘Hortus deliciarum’ (1185).
In 2012, I began a three year Postdoctoral Research Fellowship at the Centre for Medieval Literature (CML), based at the University of York. The CML is a centre for excellence that brings together scholars working on a range of European vernacular languages. I am currently writing a monograph entitled ‘The Old English Renaissance of the Twelfth Century’ (OUP). Additional work in progress includes an article on ‘Saint Anselm and the Anglo-Saxon Chronicle’, and a study of the ‘The English Origins of Honorius Augustodunensis’ Speculum Ecclesiae’.
Supervisors: Dr Richard Dance
Address: Centre for Medieval Studies
University of York
King's Manor
York
Y017EP
In October 2012, I successfully defended my doctoral thesis: ‘The Canterbury Anthology: an Old English Manuscript in its Anglo-Norman Context’. Supervised by Dr Richard Dance at the University of Cambridge, the dissertation presents a detailed analysis of London, BL, Cotton Vespasian D.xiv, an Old English anthology produced at Christ Church cathedral, Canterbury around 1150. I argue that the compilation was assembled by a sophisticated editor, who rewrote pre-Conquest sources and combined them with newly commissioned translations. The thematic layout of the anthology and its eclectic reuse of earlier material has close parallels with contemporary Latin encyclopaedias, such as the ‘Liber Floridus’ (c.1120) and the ‘Hortus deliciarum’ (1185).
In 2012, I began a three year Postdoctoral Research Fellowship at the Centre for Medieval Literature (CML), based at the University of York. The CML is a centre for excellence that brings together scholars working on a range of European vernacular languages. I am currently writing a monograph entitled ‘The Old English Renaissance of the Twelfth Century’ (OUP). Additional work in progress includes an article on ‘Saint Anselm and the Anglo-Saxon Chronicle’, and a study of the ‘The English Origins of Honorius Augustodunensis’ Speculum Ecclesiae’.
Supervisors: Dr Richard Dance
Address: Centre for Medieval Studies
University of York
King's Manor
York
Y017EP
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