About: Inversions higher than third

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Inversions higher than the third require extended chords; the fourth inversion requires a ninth chord, the fifth an eleventh chord, etc. If you're working with extended chords, there are more than two possible inversions. For example, the third inversion of a seventh chord puts the seventh in the bass; the fourth inversion of a ninth chord puts the ninth in the bass.

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dbo:abstract	Inversions higher than the third require extended chords; the fourth inversion requires a ninth chord, the fifth an eleventh chord, etc. If you're working with extended chords, there are more than two possible inversions. For example, the third inversion of a seventh chord puts the seventh in the bass; the fourth inversion of a ninth chord puts the ninth in the bass. (en)
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dbp:caption	Fifth inversion of dominant F11 chord . (en) Fourth inversion of dominant F9 chord . (en) Sixth inversion of dominant F13 chord . (en)
dbp:direction	vertical (en)
dbp:header	(en) F major chord (en)
dbp:image	Dominant eleventh on F in fifth inversion.png (en) Dominant ninth on F in fourth inversion.png (en) Dominant thirteenth on F in sixth inversion.png (en)
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dcterms:subject	dbc:Chords dbc:Chord_factors dbc:Voicing_(music)
rdfs:comment	Inversions higher than the third require extended chords; the fourth inversion requires a ninth chord, the fifth an eleventh chord, etc. If you're working with extended chords, there are more than two possible inversions. For example, the third inversion of a seventh chord puts the seventh in the bass; the fourth inversion of a ninth chord puts the ninth in the bass. (en)
rdfs:label	Inversions higher than third (en)
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