| dbo:abstract
|
- List of pieces using polytonality and/or bitonality.
* Samuel Barber
* Symphony No. 2 (1944)
* Béla Bartók
* Mikrokosmos Volume 5 number 125: The opening (mm. 1-76) of "Boating", (actually bimodality) in which the right hand uses pitches of E♭ dorian and the left hand uses those of either G mixolydian or dorian
* Mikrokosmos No. 105, "Playsong"
* Bagatelles (1908) 1st Bagatelle, RH: C♯ minor, LH: C Phrygian.
* Jeff Beal
* Theme from House of Cards
* Heinrich Biber
* Battalia à 10 (1673)
* Benjamin Britten
* Sea Interludes (1945)
* Fanfare for St Edmundsbury (1959)
* Folk Songs of the British Isles, Vol. 1, No. 6
* Vicente García
*
* Alberto Ginastera
* Danzas Argentinas - 1. "Danza del viejo boyero" (1937), RH: white keys, LH: black keys
* Philip Glass
* Symphony No. 2, used for ambiguity
* Jerry Goldsmith
* Planet of the Apes (1968)
* Patton (1970)
* The Omen (1976)
* Percy Grainger
* Lincolnshire Posy
* Gustav Holst
* The Planets (Neptune)
*
* Arthur Honegger
* Symphony for Strings, III
* Bruce Hornsby
* "What The Hell Happened" (from Halcyon Days, 2004)
* Charles Ives
* Variations on "America" (1891-1892), polytonal interludes added 1909-1910
* Adeste fidelis for organ (1897)
* Sixty-seventh Psalm (1898–99)
* Piano Sonata No. 2 (Ives) III. The Alcotts, presence of bitonality (right hand in B♭ major and left hand in A♭ major)
* Captain Beefheart
* Frownland, from Trout Mask Replica (1969)
* Hair Pie: Bake Two, from Trout Mask Replica (1969)
* Petrified Forest, from Lick My Decals Off, Baby (1970)
* Making Love to a Vampire with a Monkey on My Knee, from Doc At The Radar Station (1980)
* John Kander
* Cabaret (1966), in the Finale Ultimo
* Colin McPhee
* Concerto for Piano, with Wind Octette Acc. (1928)
* Darius Milhaud
* Scaramouche, in the first movement "Vif"
* Sorocaba, from Saudades Do Brasil
* Le Boeuf sur le toit
* (1920)
* Ennio Morricone
* The Untouchables (1987)
* Wolfgang Amadeus Mozart
* Ein musikalischer Spass
* Sergei Prokofiev
* Lieutenant Kijé Suite (mov. V, "The Burial of Kijé")
* Sarcasms, Op. 17. The third movement uses two different key signatures for each hand.
* Alfred Reed
* A Festival Prelude
* Julius Röntgen
* Symphony No. 9 "The Bitonal" (Sept 8, 1930)
* Arnold Schoenberg
* "Gavotte", Suite for Piano Op. 25 (1923)
* William Schuman
* George Washington Bridge
* Igor Stravinsky
* Petrushka, opening fanfare
* Symphony of Psalms - 3rd Movement
* Symphonies of Wind Instruments (1947), rehearsal No. 11
* "Rite of Spring"
* Karol Szymanowski
* String Quartet No. 1 in C major Movement 3 (1917). Each part has its own key: Cello, C; Viola, 3 flats; Violin 2, 6 sharps; Violin 1, 3 sharps. See score.
* Jeff Wayne
* The War of the Worlds - "The Red Weed (Parts 1 & 2)" (B and G major)
* John Williams
* Star Wars (1977)
* Jaws (1975)
* John Zdechlik
* Chorale and Shaker Dance (en)
|
| rdfs:comment
|
- List of pieces using polytonality and/or bitonality.
* Samuel Barber
* Symphony No. 2 (1944)
* Béla Bartók
* Mikrokosmos Volume 5 number 125: The opening (mm. 1-76) of "Boating", (actually bimodality) in which the right hand uses pitches of E♭ dorian and the left hand uses those of either G mixolydian or dorian
* Mikrokosmos No. 105, "Playsong"
* Bagatelles (1908) 1st Bagatelle, RH: C♯ minor, LH: C Phrygian.
* Jeff Beal
* Theme from House of Cards
* Heinrich Biber
* Battalia à 10 (1673)
* Benjamin Britten
* Sea Interludes (1945)
* Fanfare for St Edmundsbury (1959)
* Folk Songs of the British Isles, Vol. 1, No. 6
* Vicente García
*
* Alberto Ginastera
* Danzas Argentinas - 1. "Danza del viejo boyero" (1937), RH: white keys, LH: black keys
* Philip Glass
* Symphony No. (en)
|
