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About: Prosodion

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Prosodion (Greek: προσόδιον) in ancient Greece was a processional song to the altar of a deity, mainly Apollo or Artemis, sung ritually before the Paean hymn. It is one of the earliest musical types used by the Greeks. The prosodion was accompanied by the aulos, whereas the associated paean (performed while standing) was accompanied by the kithara. Prosodia were composed by Alcman, Pindar, Simonides of Ceos, Bacchylides, Eumelus of Corinth, and Limenius (whose prosodion follows its paean, rather than preceding it), as well the various winners in art competitions (Mouseia). The etymology of the word is related to ὁδός hodos road and not with ᾠδή ôidê song. According to Soterichus, the music of the prosodia by Alcman, Pindar, Simonides, and Bacchylides was written in the Dorian tonos "becaus

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  • Προσόδιο -από τη λέξη πρόσοδο που σημαίνει προσέλευση- λέγεται το είδος της αρχαίας ελληνικής λυρικής ποίησης που τραγουδιόταν ή ψαλλόταν με συνοδεία αυλού κατά τη μετάβαση ή την είσοδο στους ναούς ή τους βωμούς. Το προσόδιο επειδή ήταν θρησκευτικό άσμα είχε πομπικό ή τελετουργικό χαρακτήρα. (el)
  • Prosodion (Greek: προσόδιον) in ancient Greece was a processional song to the altar of a deity, mainly Apollo or Artemis, sung ritually before the Paean hymn. It is one of the earliest musical types used by the Greeks. The prosodion was accompanied by the aulos, whereas the associated paean (performed while standing) was accompanied by the kithara. Prosodia were composed by Alcman, Pindar, Simonides of Ceos, Bacchylides, Eumelus of Corinth, and Limenius (whose prosodion follows its paean, rather than preceding it), as well the various winners in art competitions (Mouseia). The etymology of the word is related to ὁδός hodos road and not with ᾠδή ôidê song. According to Soterichus, the music of the prosodia by Alcman, Pindar, Simonides, and Bacchylides was written in the Dorian tonos "because of its grandeur and dignity". The only complete surviving prosodion (part of the Second Delphic Hymn by Limenius), however, is composed in the Lydian tonos. (en)
  • Il prosodio (τὸ προσόδιον μέλος, il canto della processione) è un antico canto greco intonato durante i riti in onore di Apollo e di Artemide. Era cantato coralmente da un corteo di ragazzi e ragazze che portavano doni durante la processione diretta al tempio del dio celebrato. Il più noto, il prosodio per eccellenza, era quello cantato in onore di Apollo ogni anno a Delo, cui partecipavano le principali città greche. (it)
  • Prosodion, prozodion (gr. προσοδιον) – jeden z gatunków melicznych w starożytnej Grecji, pieśń błagalna lub dziękczynna skierowana do bogów. Śpiewana była przez chór przy akompaniamencie aulosu, przy okazji procesji do świątyń bądź ołtarzy, stanowiąc wstęp do uroczystości. (pl)
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  • Προσόδιο -από τη λέξη πρόσοδο που σημαίνει προσέλευση- λέγεται το είδος της αρχαίας ελληνικής λυρικής ποίησης που τραγουδιόταν ή ψαλλόταν με συνοδεία αυλού κατά τη μετάβαση ή την είσοδο στους ναούς ή τους βωμούς. Το προσόδιο επειδή ήταν θρησκευτικό άσμα είχε πομπικό ή τελετουργικό χαρακτήρα. (el)
  • Il prosodio (τὸ προσόδιον μέλος, il canto della processione) è un antico canto greco intonato durante i riti in onore di Apollo e di Artemide. Era cantato coralmente da un corteo di ragazzi e ragazze che portavano doni durante la processione diretta al tempio del dio celebrato. Il più noto, il prosodio per eccellenza, era quello cantato in onore di Apollo ogni anno a Delo, cui partecipavano le principali città greche. (it)
  • Prosodion, prozodion (gr. προσοδιον) – jeden z gatunków melicznych w starożytnej Grecji, pieśń błagalna lub dziękczynna skierowana do bogów. Śpiewana była przez chór przy akompaniamencie aulosu, przy okazji procesji do świątyń bądź ołtarzy, stanowiąc wstęp do uroczystości. (pl)
  • Prosodion (Greek: προσόδιον) in ancient Greece was a processional song to the altar of a deity, mainly Apollo or Artemis, sung ritually before the Paean hymn. It is one of the earliest musical types used by the Greeks. The prosodion was accompanied by the aulos, whereas the associated paean (performed while standing) was accompanied by the kithara. Prosodia were composed by Alcman, Pindar, Simonides of Ceos, Bacchylides, Eumelus of Corinth, and Limenius (whose prosodion follows its paean, rather than preceding it), as well the various winners in art competitions (Mouseia). The etymology of the word is related to ὁδός hodos road and not with ᾠδή ôidê song. According to Soterichus, the music of the prosodia by Alcman, Pindar, Simonides, and Bacchylides was written in the Dorian tonos "becaus (en)
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  • Προσόδιο (el)
  • Prosodio (it)
  • Prosodion (en)
  • Prosodion (pl)
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