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The Count of Luxembourg is an operetta in two acts with English lyrics and libretto by Basil Hood and Adrian Ross, music by Franz Lehár, based on Lehár's three-act German operetta Der Graf von Luxemburg which had premiered in Vienna in 1909. Lehár made amendments to his Viennese score to accommodate the two-act adaptation. He also interpolated into the score three new pieces: a waltz that he had written for a commemorative performance of Der Graf in Vienna; a song from his first operetta, Wiener Frauen; and a Russian dance from the opera Tatjana.

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  • The Count of Luxembourg is an operetta in two acts with English lyrics and libretto by Basil Hood and Adrian Ross, music by Franz Lehár, based on Lehár's three-act German operetta Der Graf von Luxemburg which had premiered in Vienna in 1909. Lehár made amendments to his Viennese score to accommodate the two-act adaptation. He also interpolated into the score three new pieces: a waltz that he had written for a commemorative performance of Der Graf in Vienna; a song from his first operetta, Wiener Frauen; and a Russian dance from the opera Tatjana. The original production opened at Daly's Theatre in London in 1911 and ran for 345 performances, starring Lily Elsie, Huntley Wright, W. H. Berry and Bertram Wallis. It was followed by a UK tour and also had a good run at the New Amsterdam Theatre in New York in 1912 with the libretto further adapted by Glen MacDonaugh. It played in Australia in 1913. Adaptations included a 1967 BBC television production and an American silent film version made in 1926. A new English language adaptation of Der Graf von Luxemburg, more closely following the original score and libretto, was produced under the name The Count of Luxembourg and recorded by New Sadler's Wells Opera in 1983 and toured by the D'Oyly Carte Opera Company in 1997. (en)
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  • The Count of Luxembourg is an operetta in two acts with English lyrics and libretto by Basil Hood and Adrian Ross, music by Franz Lehár, based on Lehár's three-act German operetta Der Graf von Luxemburg which had premiered in Vienna in 1909. Lehár made amendments to his Viennese score to accommodate the two-act adaptation. He also interpolated into the score three new pieces: a waltz that he had written for a commemorative performance of Der Graf in Vienna; a song from his first operetta, Wiener Frauen; and a Russian dance from the opera Tatjana. (en)
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  • The Count of Luxembourg (en)
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