Nicolette S . Trahoulia

Publication Date: 1997

Publication Name: Ph.D. Dissertation, Harvard University

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Publication Name: in Trpimir Vedris, Gabor Klaniczay, and Dorottya Uhrin (eds.), The Saints of Rome: Diffusion and Reception from Late Antiquity to the Early Modern Period (Zagreb: Jürgen Ehgartner, 2021) 305-17.

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Publication Name: in Vasiliki Tsamakda (ed.), A Companion to Byzantine Illustrated Manuscripts (Leiden: Brill, 2017), 169-76.

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The Byzantines had a long tradition of using the Old Testament king David as an imperial paradigm in both art and imperial panegyric. 1 By the eleventh century, this concept of David as a model for the emperor was an accepted part of... more

The Byzantines had a long tradition of using the Old Testament king David as an imperial paradigm in both art and imperial panegyric. 1 By the eleventh century, this concept of David as a model for the emperor was an accepted part of imperial ideology. Thus there was always the possibility that a psalter, containing the words of David, could be illustrated to emphasize particular issues relevant to the emperor or affairs of state. This paper examines Vat. gr. 1927, a psalter with illustrations that possess a markedly didactic tone, suggesting it was in fact intended as a kind of "mirror of princes". It is also a psalter that is often grouped together with Vat. gr. 752. Ernest De Wald published their miniatures in companion volumes, and later scholars have tended to refer to these psalters as in a category of their own. 2 Both psalters incorporate illustrations on gold ground

Publication Name: in Barbara Crostini and Glenn Peers (eds.), A Book of Psalms from Eleventh-Century Constantinople: On the Complex of Texts and Images in Vat. gr. 752 (Rome: Vatican Library Studi e Testi, 2016), 547-67.

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Publication Name: in Ruth Macrides (ed.), History as Literature in Byzantium (Surrey: Ashgate, 2010) 145-65.

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Publication Name: Arte Medievale VII, 1 (2008) 33-40.

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Publication Date: 1997

Publication Name: Ph.D. Dissertation, Harvard University

Publication Name: in Trpimir Vedris, Gabor Klaniczay, and Dorottya Uhrin (eds.), The Saints of Rome: Diffusion and Reception from Late Antiquity to the Early Modern Period (Zagreb: Jürgen Ehgartner, 2021) 305-17.

Publication Name: in Vasiliki Tsamakda (ed.), A Companion to Byzantine Illustrated Manuscripts (Leiden: Brill, 2017), 169-76.

Publication Name: in Barbara Crostini and Glenn Peers (eds.), A Book of Psalms from Eleventh-Century Constantinople: On the Complex of Texts and Images in Vat. gr. 752 (Rome: Vatican Library Studi e Testi, 2016), 547-67.

Publication Name: in Ruth Macrides (ed.), History as Literature in Byzantium (Surrey: Ashgate, 2010) 145-65.

Publication Name: Arte Medievale VII, 1 (2008) 33-40.

Publication Name: Dumbarton Oaks Papers 47 (1993) 195-219.

Publication Name: Jahrbuch der Österreichischen Byzantinistik 52 (2002) 271-85.

Nicolette S . Trahoulia

Publication Date: 1997

Publication Name: Ph.D. Dissertation, Harvard University

Publication Name: in Trpimir Vedris, Gabor Klaniczay, and Dorottya Uhrin (eds.), The Saints of Rome: Diffusion and Reception from Late Antiquity to the Early Modern Period (Zagreb: Jürgen Ehgartner, 2021) 305-17.

Publication Name: in Vasiliki Tsamakda (ed.), A Companion to Byzantine Illustrated Manuscripts (Leiden: Brill, 2017), 169-76.

Publication Name: in Barbara Crostini and Glenn Peers (eds.), A Book of Psalms from Eleventh-Century Constantinople: On the Complex of Texts and Images in Vat. gr. 752 (Rome: Vatican Library Studi e Testi, 2016), 547-67.

Publication Name: in Ruth Macrides (ed.), History as Literature in Byzantium (Surrey: Ashgate, 2010) 145-65.

Publication Name: Arte Medievale VII, 1 (2008) 33-40.

Publication Name: Dumbarton Oaks Papers 47 (1993) 195-219.

Publication Name: Jahrbuch der Österreichischen Byzantinistik 52 (2002) 271-85.

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