22'50", 1971 ""Pointing at my own image on the video monitor: my attempt is to keep my finger constantly in the center of the screen—I keep narrowing my focus into my finger. The result [the TV image] turns the activity around: a pointing away from myself, at an outside viewer." -- Vito Acconci, "Body as Place-Moving in on Myself, Performing Myself," Avalanche 6 (Fall 1972) ""By its very mise-en-s
ブックマーク / www.ubu.com (11)
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youpy 2011/09/08
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UbuWeb Film & Video
The following films are presented for educational and non-commercial use only. All copyrights belong to the artists. About UbuWeb Film & Video UbuWeb is pleased to present thousands of avant-garde films & videos for your viewing pleasure. However, it is important to us that you realize that what you will see is in no way comparable to the experience of seeing these gems as they were intended to be
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UbuWeb Film & Video: Standish Lawder - Col1orfilm (1971)
Further examining the medium of film itself, Colorfilm is a work Lawder made while trying to make a minimalist, "pure color" film. Using spliced-together strips of colored film leader in white, yellow, blue, red, green, etc., Lawder ran the film through a projector and found the results to be quite boring. While he was running the film, though, he noticed how beautiful the colored strips of film l
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UbuWeb Film & Video: Johan Grimonprez - Dial H-I-S-T-O-R-Y (1997)
DIAL H-I-S-T-O-R-Y, the acclaimed hijacking documentary that eerily foreshadowed 9-11. We meet the romantic skyjackers who fought their revolutions and won airtime on the passenger planes of the 1960's and 1970's. By the 1990's, such characters were apparently no more, replaced on our TV screens by stories of anonymous bombs in suitcases. Director Johan Grimonprez investigates the politics behind
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UbuWeb Film & Video: Lawrence Weiner - Do You Believe in Water? (1976)
1976, 39 min, color, sound In Do You Believe in Water?, conceptual artist Lawrence Weiner employs minimalist props and scenarios to stage an oblique psychological drama. In a nearly bare loft space, Weiner's performers cluster around an octagonal pink table, enacting a series of what seem to be choreographed exercises or processes: playing patty-cake, grappling for possession of rectangular blocks
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UbuWeb Film & Video: Fluxfilm Anthology
Fluxfilm Anthology (1962-1970) Nam June Paik - Zen For Film (1962-64) Dick Higgins - Invocation of Canyons and Boulders (for Stan Brakhage) (1966) George Maciunas - End After 9 (1966) Chieko Shiomi - Disappearing Music for Face (1966) John Cavanaugh - Blink (1966) James Riddle- 9 Minutes (1966) George Maciunas - 10 feet (1966) George Maciunas - 1000 Frames (1966) Yoko Ono - Eye Blink (1966) George
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