Papers by Abigail Winograd
The Transhistorical Museum: Mapping the Field, 2018, ISBN 978-94-92095-52-7, págs. 180-189, 2018
Portable gray, Mar 1, 2022
This paper examines the curatorial visions guiding the Mercosul Biennial (1997), curated by Frede... more This paper examines the curatorial visions guiding the Mercosul Biennial (1997), curated by Frederico Morais, and Inverted Utopias (2004), co-curated by Mari Carmen Ramírez and Héctor Olea. Both strove to shift the association of Latin American art with the fantastic that had dominated the region’s historiography. The structural metaphors used to frame these shows demonstrated differing aims: Morais’s desire to create an autochthonous historiography versus Ramírez and Olea’s wish to revise constructions of global modernism. Nonetheless, both exhibitions showcased similar works and helped to consolidate a revised vision of Latin American art.
Artl S Bulletin, 2015
This paper examines the curatorial visions guiding the Mercosul Biennial (1997), curated by Frede... more This paper examines the curatorial visions guiding the Mercosul Biennial (1997), curated by Frederico Morais, and Inverted Utopias (2004), co-curated by Mari Carmen Ramírez and Héctor Olea. Both strove to shift the association of Latin American art with the fantastic that had dominated the region’s historiography. The structural metaphors used to frame these shows demonstrated differing aims: Morais’s desire to create an autochthonous historiography versus Ramírez and Olea’s wish to revise constructions of global modernism. Nonetheless, both exhibitions showcased similar works and helped to consolidate a revised vision of Latin American art.
Artl S Bulletin, 2015
This paper examines the curatorial visions guiding the Mercosul Biennial (1997), curated by Frede... more This paper examines the curatorial visions guiding the Mercosul Biennial (1997), curated by Frederico Morais, and Inverted Utopias (2004), co-curated by Mari Carmen Ramírez and Héctor Olea. Both strove to shift the association of Latin American art with the fantastic that had dominated the region’s historiography. The structural metaphors used to frame these shows demonstrated differing aims: Morais’s desire to create an autochthonous historiography versus Ramírez and Olea’s wish to revise constructions of global modernism. Nonetheless, both exhibitions showcased similar works and helped to consolidate a revised vision of Latin American art.
Books by Abigail Winograd
The Transhistorical Museum: Mapping the Field, 2018
The Other Transatlantic: Kinetic and Op Art in Eastern Europe and Latin America, , 2018
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Papers by Abigail Winograd
Books by Abigail Winograd