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ORCID40th ICMC 2014: Athens, Greece
- Music Technology meets Philosophy - From Digital Echos to Virtual Ethos: Joint Proceedings of the 40th International Computer Music Conference, ICMC 2014, and the 11th Sound and Music Computing Conference, SMC 2014, Athens, Greece, September 14-20, 2014. Michigan Publishing 2014
- Gérard Assayag:
Creative Symbolic Interaction. - John Chowning:
Mathews' Diagram and Euclid's Line: Fifty Years Ago. - Peter Nelson:
What Is Sound? - Jean-Claude Risset:
Sound and Music Computing Meets Philosophy. - Curtis Roads:
Rhythmic Processes in Electronic Music. - Clarence Barlow:
Chorale Synthesis by the Multidimensional Scaling of Pitches. - Cort Lippe:
Musings on the Status of Electronic Music Today. - Alan Marsden:
Echoes in Plato's Cave: Ontology of Sound Objects in Computer Music and Analysis. - Agostino Di Scipio:
The place and meaning of computing in a sound relationship of man, machines, and environment. - Makis Solomos:
Xenakis's Philosophy of Technology Through Some Interviews. - Georgia Spiropoulos:
Real-Time Composition of Sound Environments. - George Tzanetakis:
Computational ethnomusicology: a music information retrieval perspective. - Panayiotis Kokoras:
Auditory Fusion and Holophonic Musical Texture in Xenakis's Pithoprakta. - Ivan Zavada:
Chronotope: the mutual dependency of time and space in visual music. - Dariusz Jackowski, Francho Melendez, Andrzej Bauer, Pawel Hendrich, Cezary Duchnowski:
Computer Game Piece: Exploring Video Games as Means for Controlled Improvisation. - José Luis Besada:
Computer, Formalisms, Intuition and Metaphors. A Xenakian and Post-Xenakian Approach. - Jeremy C. Baguyos:
Contemporary Practices in the Performance and Sustainability of Computer Music Repertoire. - François-Xavier Féron:
Could the endless progressions in James Tenney's music be viewed as sonic koans? - Kostas Paparrigopoulos:
Creativity Through Technology And Science In Xenakis. - Richard Hoadley:
December Variations (on a Theme by Earle Brown). - Jessica Aslan:
Degrees of Interpretation in Computer Aided Algorithmic Composition. - Bridget Johnson, Michael Norris, Ajay Kapur:
Diffusing Diffusion: A History of the Technological Advances in Spatial Performance. - Alexander Dupuis, Carlos Domínguez:
Digitally Extending the Optical Soundtrack. - Jonathan Weinel, Darryl Griffiths, Stuart Cunningham:
Easter Eggs: Hidden Tracks and Messages in Musical Mediums. - Danielle Sofer:
Eroticism and Time in Computer Music: Juliana Hodkinson and Niels Rønsholdt's Fish & Fowl. - Michael Musick:
Examining the Analysis of Dynamical Sonic Ecosystems: in Light of a Criterion for Evaluating Theories. - Tone Åse:
Expanding the Vocalist's Role Through the Use of Live Electronics in Real-Time Improvisation. - Oliver Hödl
, Geraldine Fitzpatrick, Simon Holland:
Experimence: Considerations for Composing a Rock Song for Interactive Audience Participation. - Lindsay Vickery:
Exploring a Visual/Sonic Representational Continuum. - Raphaël Marczak, Pierre Hanna, Jean-Luc Rouas, Jasper van Vught, Gareth Schott:
From Automatic Sound Analysis of Gameplay Footage [Echos] to the Understanding of Player Experience [Ethos]: an Interdisciplinary Approach to Feedback- Based Gameplay Metrics. - George Kosteletos, Anastasia Georgaki:
From Digital 'Echos' to virtual 'ethos': Ethical aspects of Music Technology. - Michael Clarke, Frédéric Dufeu, Peter D. Manning:
From Technological Investigation and Software Emulation to Music Analysis: An integrated approach to Barry Truax's Riverrun. - Maddalena Murari, Antonio Rodà, Osvaldo Da Pos, Sergio Canazza, Giovanni De Poli, Marta Sandri:
How blue is Mozart? Non verbal sensory scales for describing music qualities. - Alberto de Campo:
Lose control, gain influence - Concepts for Metacontrol. - Emery Schubert, Giovanni De Poli, Antonio Rodà, Sergio Canazza:
Music Systemisers and Music Empathisers - Do they rate expressiveness of computer generated performances the same? - Ivica Ico Bukvic, Cody Cahoon, Ariana Wyatt, Tracy Cowden, Katie Dredger:
OPERAcraft: Blurring the Lines between Real and Virtual. - Apostolos Loufopoulos, Georgios P. Heliades, Minas Emmanouil, Fanis Matagkos:
Realism, Art, Technology and Audiovisual Immersion into the Environment of the Ionian Islands. - Ryan Maguire:
The Ghost in the MP3. - David Hirst:
The Use of Rhythmograms in the Analysis of Electroacoustic Music, with Application to Normandeau's Onomatopoeias Cycle. - Michael Musick, Tae Hong Park:
Timbral Hauntings: An Interactive System Re-Interpreting the Present in Echoes of the Past. - Marko Ciciliani:
Towards an Aesthetic of Electronic-Music Performance Practice. - Alexis Story Crawshaw:
Towards Defining the Potential of Electroacoustic Infrasonic Music. - Georgios N. Marentakis, David Pirrò, Raphael Kapeller:
Zwischenräume - A Case Study in the Evaluation of Interactive Sound Installations. - Niklas Klügel, Andreas Lindström, Georg Groh:
A Genetic Algorithm Approach to Collaborative Music Creation on a Multi-Touch Table. - Matt McVicar, Satoru Fukayama, Masataka Goto:
AutoRhythmGuitar: Computer-aided Composition for Rhythm Guitar in the Tab Space. - Ian Whalley:
Broadening Telematic Electroacoustic Music by Affective Rendering and Embodied Real-time Data Sonification. - Andrea Agostini, Éric Daubresse, Daniele Ghisi:
cage: a high-level library for real-time computer-aided composition. - Georgia Kalodiki:
Interactive Performance Systems Conceptual interacting strategies in forming electroacoustic sound identities. - Gilberto Bernardes, Matthew E. P. Davies, Carlos Guedes, Bruce W. Pennycook:
Considering Roughness to Describe and Generate Vertical Musical Structure in Content-Based Algorithmic-Assisted Audio Composition. - Jakob Leben, George Tzanetakis:
Declarative Composition and Reactive Control in Marsyas. - Jason Cullimore, Howard Hamilton, David Gerhard:
Directed Transitional Composition for Gaming and Adaptive Music Using Q-Learning. - Dalia El-Shimy, Steve Cowan, Jeremy R. Cooperstock:
EmbodiComp: Embodied Interaction for Mixing and Composition. - Luke Keunhyoung Kim, Woon Seung Yeo:
Griddy: a Drawing Based Music Composition System with Multi-layered Structure. - Rodrigo F. Cádiz, Patricio de la Cuadra:
Kara: a BCI approach to composition. - David Johnson, Bill Z. Manaris, Yiorgos Vassilandonakis, Seth Stoudenmier:
Kuatro: A Motion-Based Framework for Interactive Music Installations. - André V. Perrotta, Flo Menezes, Luis Gustavo Martins:
Modelling the live-electronics in electroacoustic music using particle systems. - Amalia de Götzen, Nicola Bernardini, Alvise Vidolin:
Musical perspectives on composition, sonification and performace. - Stefano Alessandretti, Giovanni Sparano:
NEYMA, interactive soundscape composition based on a low budget motion capture system. - Jérémie Garcia, Philippe Leroux, Jean Bresson:
pOM: Linking Pen Gestures to Computer-Aided Composition Processes. - Ge Wang:
Principles of Visual Design for Computer Music. - Tiago Fernandes Tavares, Jônatas Manzolli:
Query-by-Multiple-Examples: Content-Based Search in Computer-Assisted Sound-Based Musical Composition. - Daichi Ando:
Real-time Breeding Composition System by means of Genetic Programming and Breeding Procedure. - Adriano Baratè, Goffredo Haus, Luca A. Ludovico:
Real-time Music Composition through P-timed Petri Nets. - Panayiotis Kokoras:
Sense: an electroacoustic composition for surround sound and tactile transducers. - Charles Nichols, Mark Lorang, Mark Gibbons, Nicole Bradley Browning, Amber Bushnell:
Sound of Rivers: Stone Drum: a Multimedia Collaboration, with Sonified Data, Computer-Processed Narration, and Electric Violin. - Maximos A. Kaliakatsos-Papakostas, Andreas Floros, Konstantinos Drossos, Konstantinos Koukoudis, Manolis Kyzalas, Achilleas Kalantzis:
Swarm Lake: A Game of Swarm Intelligence, Human Interaction and Collaborative Music Composition. - Georgios Diapoulis, Ioannis Zannos:
Tangibility and Low-Level Live Coding. - Theodoros Lotis:
The Creation and Projection of Space-Source in Electroacoustic Music. - Robert Hamilton:
The Procedural Sounds and Music of ECHO: : Canyon. - Pete Furniss, Richard Dudas:
Transcription, Adaptation and Maintenance in Live Electronic Performance with Acoustic Instruments. - Christopher Jette, Kelland Thomas, Javier Villegas, Angus Graeme Forbes:
Translation as Technique: Collaboratively Creating an Electro-Acoustic Composition for Saxophone and Live Video Projection. - Luiz Naveda, Ivani Santana:
"Topos" toolkit for Pure Data: exploring the spatial features of dance gestures for interactive musical applications. - Andrew Robertson:
Bassline Pitch Prediction for Real-Time Performance Systems. - Andrew John Lambert, Tillman Weyde, Newton Armstrong:
Beyond the Beat: Towards Metre, Rhythm and Melody Modelling with Hybrid Oscillator Networks. - Tae Hong Park, Michael Musick, Johnathan Turner, Charlie Mydlarz, Jun Hee Lee, Jaeseong You, R. Luke DuBois:
Citygram One: One Year Later ... - Cécile Le Prado, Stéphane Natkin:
Design process for interactive sound installations: the designer, the interactor and the system. - Winfried Ritsch:
ICE - towards distributed networked computermusic ensemble. - Davi Mota, Mauricio Alves Loureiro, Rafael Laboissière:
Influence of Expressive Coupling in Ensemble Performance on Musicians' Body Movement. - Nathan Bowen, David Reeder:
Mobile Phones as Ubiquitous Instruments: Towards Standardizing Performance Data on the Network. - Steven T. Kemper, Wendy F. Hsu, Carey Sargent, Josef Taylor, Linda Wei:
Movable Party: A bicycle-powered system for interactive musical performance. - Philippe Kocher:
Polytempo Network: A System for Technology-Assisted Conducting. - Diogo Cocharro, George Sioros, Marcelo F. Caetano, Matthew E. P. Davies:
Real-time Manipulation of Syncopation in Audio Loops. - Gerhard Eckel, Martin Rumori:
StiffNeck: The Electroacoustic Music Performance Venue in a Box. - Joanne L. Armitage, Kia Ng:
Tactile Composition: Configurations and communications for a musical haptic chair. - Alyssa Aska:
The Black Swan: Probable and Improbable Communcation Over Local and Geographically Displaced Networked Connections as a Musical Performance System. - Rui Dias, Carlos Guedes, Telmo Marques:
A computer-mediated Interface for Jazz Piano Comping. - Thor Kell, Marcelo M. Wanderley:
A High-Level Review of Mappings in Musical iOS Applications. - Romain Michon, Julius O. Smith III:
A Hybrid Guitar Physical Model Controller: The BladeAxe. - Joel Eaton, Duncan Williams, Eduardo R. Miranda:
Affective Jukebox: A Confirmatory Study of EEG Emotional Correlates in Response to Musical Stimuli. - Sean Soraghan:
Animating Timbre - A User Study. - Jun-qi Deng, Francis Chi-Moon Lau, Yu-Kwong Kwok:
ArmKeyBoard: A Mobile Keyboard Instrument Based on Chord-scale System and Tonal Hierarchy. - Thomas Coffy, Arshia Cont, Jean-Louis Giavitto:
AscoGraph: A User Interface for Sequencing and Score Following for Interactive Music. - Annie Luciani:
Being There & Being With: The Philosophical and Cognitive Notions of Presence and Embodiment in Virtual Instruments. - Tzu-En Ngiao:
Building a Gamelan from Bricks. - Leontios J. Hadjileontiadis:
Conceptual Blending in Biomusic Composition Space: The "Brainswarm" Paradigm. - Jan C. Schacher:
Corporeality, Actions and Perceptions in Gestural Performance of Digital Music. - Takayuki Hamano, Hidefumi Ohmura, Ryu Nakagawa, Hiroko Terasawa, Reiko Hoshi-Shiba, Kazuo Okanoya, Kiyoshi Furukawa:
Creating a Place as a Medium for Musical Communication Using Multiple Electroencephalography. - Caspar Mølholt Kjellberg, David Meredith:
CriticalEd: A Tool for Assisting with the Creation of Critical Commentaries. - Lamtharn Hantrakul, Konrad Kaczmarek:
Implementations of the Leap Motion in sound synthesis, effects modulation and assistive performance tools. - Yuri De Pra, Federico Fontana, Linmi Tao:
Infrared vs. Ultrasonic Finger Detection on a Virtual Piano Keyboard. - Martin Ritter, Alyssa Aska:
Leap Motion As Expressive Gestural Interface. - Jim W. Murphy, Dale A. Carnegie, Ajay Kapur:
Little Drummer Bot: Building, Testing, and InterfacingWith a New Expressive Mechatronic Drum System. - Israel Neuman, Charles Okpala, Cesar E. Bonezzi:
Mapping Motion to Timbre: Orientation, FM Synthesis and Spectral Filtering. - Jim W. Murphy, Ajay Kapur, Dale A. Carnegie:
Mechatronic Keyboard Music: Design, Evaluation, and Use of a New Mechatronic Harmonium. - Spencer Salazar, Ge Wang:
miniAudicle for iPad: Touchscreen-based Music Software Programming. - Alex Migicovsky, Jonah Scheinerman, Georg Essl:
MoveOSC - Smart Watches in Mobile Music Performance. - Gwendal Le Vaillant, Rudi Giot:
Multi-touch Interface for Acousmatic Music Spatialization. - Mo H. Zareei, Dale A. Carnegie, Ajay Kapur, Dugal McKinnon:
Mutor: Drone Chorus of Metrically Muted Motors. - Blake Johnston, Josh Bailey, Dugal McKinnon:
NICO: An Open-Source Interface, Bridging the Gap Between Musician and Tesla Coil. - N. J. van Nispen tot Pannerden:
NLN-live, an application for live nonlinear and interactive instrumental music. - Yuan-Yi Fan:
Organic Oscillator: Experiments using Natural Oscillation Sources from Audiences. - Zacharias Vamvakousis, Rafael Ramírez:
P300 Harmonies: A Brain-Computer Musical Interface. - Roger B. Dannenberg, Thomas P. Neuendorffer:
Scaling Up Live Internet Performance with The Global Net Orchestra. - Alberto Boem:
SCULPTON: A Malleable Tangible Interface for Sound Sculpting. - Antonio Deusany de Carvalho Junior:
Sensors2PD: Mobile sensors and WiFi information as input for Pure Data. - Avneesh Sarwate, Jeff Snyder:
SkipStep: A Multi-Paradigm Touch-screen Instrument. - Claude Cadoz, Annie Luciani, Jérôme Villeneuve, Alexandros Kontogeorgakopoulos, Iannis Zannos:
Tangibility, Presence, Materiality, Reality in Artistic Creation with Digital Technology. - Kevin Schlei:
TC-Data: Extending Multi-Touch Interfaces for Generalized Relational Control. - Joe Cantrell, Colin Zyskowski, Drew Ceccato:
The Breath Engine: Challenging Biological and Technological Boundaries through the Use of NK Complex Adaptive Systems. - Marco Marinoni:
The feature extraction based hypersampler in Il grifo nelle perle nere: a bridge between player and instrument paradigm. - Edward Jangwon Lee, Woon Seung Yeo:
Towards Touch Screen Live Instruments with Less Risk: A Gestural Approach. - Edward Kingsley Rutter, Tom Mitchell, Chris Nash:
Turnector: Tangible ControlWidgets For Capacitive Touchscreen Devices. - Keita Tsuzuki, Tomoyasu Nakano, Masataka Goto, Takeshi Yamada, Shoji Makino:
Unisoner: An Interactive Interface for Derivative Chorus Creation from Various Singing Voices on the Web. - Bridget Johnson, Michael Norris, Ajay Kapur:
tactile.motion: An iPad Based Performance Interface For Increased Expressivity In Diffusion Performance. - Martin Neukom:
Ambisonics User Defined Opcodes for Csound. - Stephen A. Pearse, David Moore:
An Agent Based Approach to Interaction and Composition. - Miguel Cerdeira Negrão:
ImmLib - A new library for immersive spatial composition. - David Wagner, Ludger Brümmer, Götz Dipper, Jochen Arne Otto:
Introducing the Zirkonium MK2 System for Spatial Composition. - Gerriet K. Sharma, Franz Zotter, Matthias Frank:
Orchestrating wall reflections in space by icosahedral loudspeaker: findings from first artistic research exploration. - Ignacio Pecino:
Spatial and Kinematic Models for Procedural Audio in 3D Virtual Environments. - Brian Hansen:
Spatial Utilization of Sensory Dissonance and the Creation of Sonic Sculpture. - Eric D. Lyon:
The Future of Spatial Computer Music. - Anne Sèdes, Pierre Guillot, Eliott Paris:
The HOA library, review and prospects. - Jan C. Schacher, Chikashi Miyama, Trond Lossius:
The SpatDIF library - Concepts and Practical Applications in Audio Software. - Fernando Lopez-Lezcano:
Towards Open 3D Sound Diffusion Systems. - John Mourjopoulos:
A Paradigm Shift for Modelling Sound Sensation. - Michael Schoeffler, Jürgen Herre:
About the Different Types of Listeners for Rating the Overall Listening Experience. - Alexander Sigman, Nicolas Misdariis:
ALARM/WILL/SOUND: Perception, Characterization, Acoustic Modeling, and Design of Modified Car Alarms. - Elena Partesotti, Tiago Fernandes Tavares:
Color and emotion caused by auditory stimuli. - Duncan Williams, Alexis Kirke, Eduardo R. Miranda, Ian Daly, Etienne B. Roesch, James Weaver, Slawomir J. Nasuto:
Evaluation Perceptual Separation in an Pilot System for Affective Composition. - Enrica Santucci, Luca A. Ludovico:
Human Perception of the Soundscape in a Metropolis through the Phenomenology of Neural Networks. - Malachy Ronan, Robert Sazdov, Nicholas Ward:
Loudness Normalisation: Paradigm Shift or Placebo for the Use of Hyper-Compression in Pop Music? - Bin Wu, Andrew Horner, Chung Lee:
Musical Timbre and Emotion: The Identification of Salient Timbral Features in Sustained Musical Instrument Tones Equalized in Attack Time and Spectral Centroid. - Kirill A. Sidorov, Robin Hawkins, Andrew Jones, A. David Marshall:
μTunes: A Study of Musicality Perception in an Evolutionary Context. - John Mourjopoulos, Charalambos Papadakos, Gavriil Kamaris, Georgios Chryssochoidis, Georgios Kouroupetoglou:
Optimal Acoustic Reverberation Evaluation of Byzantine Chanting in Churches. - Federico Fontana, Federico Avanzini, Hanna Järveläinen, Stefano Papetti, Francesco Zanini, Valerio Zanini:
Perception of Interactive Vibrotactile Cues on the Acoustic Grand and Upright Piano. - Emma Frid, Marcello Giordano, Marlon Schumacher, Marcelo M. Wanderley:
Perceptual Characterization of a Tactile Display for a Live-Electronics Notification System. - Li Su, Li-Fan Yu, Yi-Hsuan Yang, Hsin-Yu Lai:
Resolving Octave Ambiguities: A Cross-dataset Investigation. - Sonia Cenceschi, Giorgio Klauer:
Study of the Perceptual and Semantic Divergence of Digital Audio Processed by Restoration Algorithms. - Clément Poncelet Sanchez, Florent Jacquemard:
Test Methods for Score-Based Interactive Music Systems. - Chuck-jee Chau, Bin Wu, Andrew Horner:
Timbre Features and Music Emotion in Plucked String, Mallet Percussion, and Keyboard Tones. - Keiji Hirata, Satoshi Tojo, Masatoshi Hamanaka:
Algebraic Mozart by Tree Synthesis. - Zlatko Baracskai:
Algorithmic Cross-Mixing And Rhythmic Derangement. - Emilios Cambouropoulos, Maximos A. Kaliakatsos-Papakostas, Costas Tsougras:
An Idiom-independent Representation of Chords for Computational Music Analysis and Generation. - Sérgio Freire, Lucas Nézio, Anderson dos Reis:
Analysis of the Simultaneity, Voice/layer Balance, and Rhythmic Phrasing in Works for Guitar by Rodrigo, Brouwer, and Villa-Lobos. - Benjamin Luke Evans, Satoru Fukayama, Masataka Goto, Nagisa Munekata, Tetsuo Ono:
AutoChorusCreator: Four-Part Chorus Generator with Musical Feature Control, Using Search Spaces Constructed from Rules of Music Theory. - Bernd Härpfer:
Computing Musical Meter - an Approach to an Integrated Formal Description. - Ajay Srinivasamurthy, Gopala Krishna Koduri, Sankalp Gulati, Vignesh Ishwar, Xavier Serra:
Corpora for Music Information Research in Indian Art Music. - Aaron Einbond, Christopher Trapani, Andrea Agostini, Daniele Ghisi, Diemo Schwarz:
Fine-tuned Control of Concatenative Synthesis with CATART Using the BACH Library for MAX. - Niklas Klügel, Gerhard Hagerer, Georg Groh:
FugueGenerator - Collaborative Melody Composition Based on a Generative Approach for Conveying Emotion in Music. - Nadine Kroher, Emilia Gómez:
Improving accompanied Flamenco singing voice transcription by combining vocal detection and predominant melody extraction. - Tsubasa Tanaka, Kiyoshi Furukawa:
Interval Scale as Group Generators. - Sankalp Gulati, Joan Serrà, Kaustuv Kanti Ganguli, Xavier Serra:
Landmark Detection in Hindustani Music Melodies. - Marije A. J. Baalman, Till Bovermann, Alberto de Campo, Miguel Negrão:
Modality. - Hélianthe Caure, Carlos Agón, Moreno Andreatta:
Modulus p Rhythmic Tiling Canons and some implementations in Open Music visual programming language. - Maximos A. Kaliakatsos-Papakostas, Emilios Cambouropoulos:
Probabilistic harmonization with fixed intermediate chord constraints. - Christopher Trapani, José Echeveste:
Real Time Tempo Canons with Antescofo. - Dorien Herremans, Kenneth Sörensen, Darrell Conklin:
Sampling the extrema from statistical models of music with variable neighbourhood search. - Gianpaolo Evangelista:
Some perspectives in the artistic rendering of music scores. - Louis Bigo, Daniele Ghisi, Antoine Spicher, Moreno Andreatta:
Spatial Transformations in Simplicial Chord Spaces. - Emile Ellberger, Germán Toro Pérez, Johannes Schuett, Giorgio Zoia, Linda Cavaliero:
Spatialization Symbolic Music Notation at ICST. - Mattia Samory, Marcella Mandanici, Sergio Canazza, Enoch Peserico:
The Counterpoint Game: Rules, Constraints and Computational Spaces. - Raed Belhassen:
The notion of Ethos in Arabic music: computational modeling of Al-Urmawi's modes (13th Century) in Csound. - Kameron R. Christopher, Ajay Kapur, Dale A. Carnegie, Gina M. Grimshaw:
A History of Emerging Paradigms in EEG for Music. - Xiao Hu, Yi-Hsuan Yang:
A Study on Cross-cultural and Cross-dataset Generalizability of Music Mood Regression Models. - Hiroki Nishino:
An Experimental Classification of the Programming Patterns for Scheduling in Computer Music Programming. - Nadine Kroher, Emilia Gómez:
Automatic Singer Identification For Improvisational Styles Based On Vibrato, Timbre And Statistical Performance Descriptors. - Masaki Matsubara, Keiji Hirata, Satoshi Tojo:
Distance in Pitch Sensitive Time-span Tree. - Anders Elowsson, Ragnar Schön, Matts Höglund, Elias Zea, Anders Friberg:
Estimation of Vocal Duration in Monaural Mixtures. - Nikolaos Stefanakis, Yiannis Mastorakis, Athanasios Mouchtaris:
Instantaneous Detection and Classification of Impact Sound: Turning Simple Objects into Powerful Musical Control Interfaces. - Eita Nakamura, Nobutaka Ono, Yasuyuki Saito, Shigeki Sagayama:
Merged-Output Hidden Markov Model for Score Following of MIDI Performance with Ornaments, Desynchronized Voices, Repeats and Skips. - Kouhei Kanamori, Masatoshi Hamanaka, Junichi Hoshino:
Method to Detect GTTM Local Grouping Boundaries Based on Clustering and Statistical Learning. - Li Su, Yi-Hsuan Yang:
Power-Scaled Spectral Flux and Peak-Valley Group-Delay Methods for Robust Musical Onset Detection. - Tetsuro Kitahara, Yuichi Tsuchiya:
Short-term and Long-term Evaluations of Melody Editing Method based on Melodic Outline. - Andrea Salgian, Lawrence Agina, Teresa Marrin Nakra:
Teaching Robots to Conduct: Automatic Extraction of Conducting Information from Sheet Music. - Tae Hong Park, Jun Hee Lee, Jaeseong You, Min-Joon Yoo, Johnathan Turner:
Towards Soundscape Information Retrieval (SIR). - Andrew Rogers, Ian S. Gibson:
Transient Analysis for Music and Moving Images: Considerations for Television Advertising. - Wakana Nagata, Shinji Sako, Tadashi Kitamura:
Violin Fingering Estimation According to Skill Level based on Hidden Markov Model. - Michael Spicer:
A Multi-agent Interactive composing system for creating "expressive" accompaniment. - Ai Kanato, Tomoyasu Nakano, Masataka Goto, Hideaki Kikuchi:
An Automatic Singing Impression Estimation Method Using Factor Analysis and Multiple Regression. - Jakob Abeßer, Johannes Hasselhorn, Sascha Grollmisch, Christian Dittmar, Andreas Lehmann:
Automatic Competency Assessment of Rhythm Performances of Ninth-grade and Tenth-grade Pupils. - Gen Hori, Shigeki Sagayama:
HMM-Based Automatic Arrangement for Guitars with Transposition and its Implementation. - Gordan Krekovic, Davor Petrinovic:
Intelligent Exploration of Sound Spaces Using Decision Trees and Evolutionary Approach. - Kenta Okumura, Shinji Sako, Tadashi Kitamura:
Laminae: A stochastic modeling-based autonomous performance rendering system that elucidates performer characteristics. - Alexandre Donzé, Rafael Valle, Ilge Akkaya, Sophie Libkind, Sanjit A. Seshia, David Wessel:
Machine Improvisation with Formal Specifications. - Benjamin D. Smith, W. Scott Deal:
ML.* Machine Learning Library as a Musical Partner in the Computer-Acoustic Composition Flight. - Jérôme Nika, José Echeveste, Marc Chemillier, Jean-Louis Giavitto:
Planning Human-Computer Improvisation. - Shizuka Wada, Yasuo Horiuchi, Shingo Kuroiwa:
Tempo Prediction Model for Accompaniment System. - Esteban Maestre, Carlos Spa, Julius O. Smith III:
A Bowed String Physical Model Including Finite-Width Thermal Friction and Hair Dynamics. - Anderson Fraiha Machado, Marcelo Queiroz:
A flexible and modular crosslingual voice conversion system. - Juan José Burred:
A framework for music analysis/resynthesis based on matrix factorization. - Chih-Fang Huang, Wei-Gang Hong, Min-Hsuan Li:
A Research of Automatic Composition and Singing Voice Synthesis System for Taiwanese Popular Songs. - Lance Putnam:
A Method of Timbre-Shape Synthesis Based On Summation of Spherical. - Trond Lossius, Joseph Anderson:
ATK Reaper: The Ambisonic Toolkit as JSFX plugins. - Robin Gareus, Chris Goddard:
Audio Signal Visualisation and Measurement. - Edgar Berdahl:
Audio-Rate Modulation of Physical Model Parameters. - Chung Lee, Andrew Horner:
Detection of Random Spectral Alterations of Sustained Musical Instrument Tones in Repeated Note Contexts. - Federico Visi, Esther Coorevits, Eduardo R. Miranda, Marc Leman:
Effects of different bow stroke styles on body movements of a viola player: an exploratory study. - Areti Andreopoulou, Agnieszka Roginska:
Evaluating HRTF Similarity through Subjective Assessments: Factors that can Affect Judgment. - Lance Putnam:
Gamma: A C++ Sound Synthesis Library Further Abstracting the Unit Generator. - Alo Allik:
Gene expression synthesis. - Stefan Bilbao, Alberto Torin, Paul Graham, James Perry, Gordon Delap:
Modular Physical Modeling Synthesis Environments on GPU. - Nikoletta Bassiou, Constantine Kotropoulos:
Musical Audio Denoising Assuming Symmetric α-Stable Noise. - Andy M. Sarroff, Michael A. Casey:
Musical Audio Synthesis Using Autoencoding Neural Nets. - Vincent Goudard, Hugues Genevois, Lionel Feugère:
On the Playing of Monodic Pitch in Digital Music Instruments. - Katsutoshi Itoyama, Hiroshi G. Okuno:
Parameter Estimation of Virtual Musical Instrument Synthesizers. - Alexandros Kontogeorgakopoulos, Daniel Burgarth:
Sonification of Controlled Quantum Dynamics. - Stuart James:
Sound Shapes and Spatial Texture: Frequency-Space Morphology. - Fotios Kontomichos, Charalampos Papadakos, Eleftheria Georganti, Thanos Vovolis, John Mourjopoulos:
The sound effect of ancient Greek theatrical masks. - Kurt James Werner, Jonathan S. Abel, Julius O. Smith III:
The TR-808 Cymbal: a Physically-Informed, Circuit-Bendable, Digital Model. - Christof Weiß, Matthias Mauch, Simon Dixon:
Timbre-invariant Audio Features for Style Analysis of Classical Music. - Nicholas K. Suda, Owen Vallis:
Touchpoint: Dynamically Re-Routable Effects Processing as a Multi-Touch Tablet Instrument. - Tamara Smyth, Cheng-i Wang:
Toward Real-Time Estimation of Tonehole Configuration. - Julien Biral, Nicolas D'Alessandro, Adrian Freed:
Towards a Dynamic Model of the Palm Mute Guitar Technique Based on Capturing Pressure Profiles Between the Guitar Strings. - Jérôme Villeneuve, Claude Cadoz:
Understanding and Tuning Mass-Interaction Networks Through Their Modal Representation. - Giorgio Presti, Goffredo Haus, Davide A. Mauro:
Visualization and manipulation of stereophonic audio signals by means of IID and IPD. - Satoru Fukayama, Masataka Goto:
HarmonyMixer: Mixing the Character of Chords among Polyphonic Audio. - Pedro Bruel, Marcelo Queiroz:
A Protocol for creating Multiagent Systems in Ensemble with Pure Data. - Stéphane Letz, Sarah Denoux, Yann Orlarey:
Audio Rendering/Processing and Control Ubiquity ? a Solution Built Using the Faust Dynamic Compiler and JACK/NetJack. - Samer A. Abdallah, Nicolas E. Gold:
Comparing models of symbolic music using probabilistic grammars and probabilistic programming. - Sara Adhitya, Mika Kuuskankare:
Connecting SUM with computer-assisted composition in PWGL: Recreating the graphic scores of Anestis Logothetis. - Kai Lassfolk, Jari Suominen, Mikko Ojanen:
DIMI-6000: An Early Musical Microcomputer by Erkki Kurenniemi. - Steven Yi, Victor Lazzarini, Roger B. Dannenberg, John ffitch:
Extending Aura with Csound Opcodes. - Colin Clark, Adam R. Tindale:
Flocking: A Framework for Declarative Music-Making on the Web. - Valerio Velardo, Mauro Vallati:
GenoMeMeMusic: a Memetic-based Framework for Discovering the Musical Genome. - Hiroki Nishino, Naotoshi Osaka, Ryohei Nakatsu:
LC: A New Computer Music Programming Language with Three Core Features. - Trond Lossius, Théo de la Hogue, Pascal Baltazar, Timothy A. Place, Nathan Wolek, Julien Rabin:
Model-View-Controller separation in Max using Jamoma. - Hiroki Nishino, Ryohei Nakatsu:
Mostly-Strongly-Timed Programming in LC. - John MacCallum, Adrian Freed, David Wessel:
New Tools for Aspect-Oriented Programming in Music and Media Programming Environments. - Adrian Freed, David DeFilippo, Rama Gottfried, John MacCallum, Jeff Lubow, Derek Razo, David Wessel:
o.io: a Unified Communications Framework for Music, Intermedia and Cloud Interaction. - Dimitri Bouche, Jean Bresson, Stéphane Letz:
Programmation and Control of Faust Sound Processing in OpenMusic. - Dominique Fober, Yann Orlarey, Stéphane Letz:
Representation of Musical Computer Processes. - Andrea Valle, Paolo Armao, Matteo Casu, Marinos Koutsomichalis:
SoDA: A Sound Design Accelerator for the automatic generation of soundscapes from an ontologically annotated sound library. - Hanns Holger Rutz:
Sound Processes: A New Computer Music Framework. - Jan-Torsten Milde:
Using natural language to specify sound parameters. - Carmine-Emanuele Cella:
Vuza: a functional language for creative applications. - Till Bovermann, Amelie Hinrichsen, Dominik Hildebrand Marques Lopes, Alberto de Campo, Hauke Egermann, Alexander Foerstel, Sarah-Indriyati Hardjowirogo, Andreas Pysiewicz, Stefan Weinzierl:
3DMIN - Challenges and Interventions in Design, Development and Dissemination of New Musical Instruments. - Stefano Delle Monache, Stefano Baldan, Davide A. Mauro, Davide Rocchesso:
A design exploration on the effectiveness of vocal imitations. - Sinan Bökesoy:
A Recursive Mapping System for Motion and Sound in a Robot between Human Interaction Design. - Marcus Maeder:
Ambient culture: coping musically with the environment. - Amalia de Götzen:
Association of Sound movements in space to Takete and Maluma. - Jon Ram Bruun-Pedersen, Stefania Serafin, Lise Busk Kofoed:
Augmented Exercise Biking with Virtual Environments for Elderly Users: Considerations on the use of auditory. - Daichi Misawa, Kiyomitsu Odai:
Data Auditorio: Towards Intense Interaction, an Interactive Hyper-Directional Sound for Play and Ubiquity. - Damián Keller, Joseph Timoney, Leandro Lesqueves Costalonga, Ariadna Capasso, Patricia Tinajero, Victor Lazzarini, Marcelo Soares Pimenta, Maria Helena de Lima, Marcelo O. Johann:
Ecologically grounded multimodal design: The Palafito 1.0 study. - Elio Toppano, Alessandro Toppano:
Ethos in Sound Design for Brand Advertisement. - Kin Wah Edward Lin, Hans Anderson, M. H. M. Hamzeen, Simon Lui:
Implementation and Evaluation of Real-Time Interactive User Interface Design in Self-learning Singing Pitch Training Apps. - Ludvig Elblaus, Maurizio Goina, Marie-Andrée Robitaille, Roberto Bresin:
Modes of Sonic Interaction in Circus: Three Proofs of Concept. - Dominik Chapman, Mick Grierson:
N-gon Waves - Audio Applications of the Geometry of Regular Polygons in the Time Domain. - Kristian Nymoen, Arjun Chandra, Kyrre Glette, Jim Tørresen, Arve Voldsund, Alexander Refsum Jensenius:
PheroMusic: Navigating a Musical Space for Active Music Experiences. - Filipe Lopes, Paulo Rodrigues:
POLISphone: Creating and performing with a flexible soundmap. - Otso Lähdeoja, Aki Haapaniemi, Vesa Välimäki:
Sonic Scenography - Equalized Structure-borne Sound for Aurally Active Set Design. - Thomas Stoll:
SoundScapeTK: A Platform for Mobile Soundscapes. - Satoshi Nishimura:
Takt: A read-eval-play-loop interpreter for a structural/procedural score language. - Andrea Franceschini, Robin C. Laney, Chris Dobbyn:
Learning Musical Contour on a Tabletop. - Diana Siwiak, Ajay Kapur, Dale A. Carnegie:
Music Technology's Influence on Flute Pedagogy: A Survey of Their Intersection. - Berardina De Carolis, Stefano Ferilli, Nicola Orio:
Recommending Music to Groups in Fitness Classes. - Marcella Mandanici, Antonio Rodà, Sergio Canazza:
The "Harmonic Walk": an Interactive Educational Environment to Discover Musical Chords. - Sofia Stavropoulou, Anastasia Georgaki, Fotis Moschos:
The Effectiveness of Visual Feedback Singing Vocal Technology in Greek Elementary School. - Orry M. Messer, Pravesh Ranchod:
The Use of Apprenticeship Learning Via Inverse Reinforcement Learning for Generating Melodies. - Danny Holmes:
Mobile Instruments Made Easy: Creating Musical Mobile Apps with LIBPD and iOS, No Experience Necessary. - Trond Lossius, Nathan Wolek, Théo de la Hogue, Pascal Baltazar:
Demo: Using Jamama's MVC features to design an audio effect interface. - Martin Carlé:
SYSTab: A proactive real-time expert system for ancient Greek music theory and notation. - Richard Hoadley:
Making People Move: Dynamic musical notations. - Pascale Criton:
Listening Otherwise: Playing with Sound Vibration. - Mark Robert Nilsen:
Spinphony Demo. - Pascal Baltazar, Théo de la Hogue, Myriam Desainte-Catherine:
i-score, an Interactive Sequencer for the Intermedia Arts. - Stefania Serafin, Sofia Dahl, Amalia de Götzen, Cumhur Erkut, Dan Overholt, Hendrik Purwins, Bob L. Sturm:
Sound and Music Computing at Aalborg University in Copenhagen. - Cyrille Delhaye, Rodolphe Bourotte, Sharon Kanach:
The Centre Iannis Xenakis's establishment at the University of Rouen. - Aristotelis Hadjakos, Steffen Bock, Fabien Lévy:
CeMFI and Earquake: (Epi-)Centers for Experimental Music, Media and Research. - Kai Lassfolk, Mikko Ojanen:
University of Helsinki Music Research Laboratory and Electronic Music Studio - The first 50 years and beyond.
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