default search action
Google
Google Scholar
Semantic Scholar
Internet Archive Scholar
CiteSeerX
ORCID15th ICMC 1989: Columbus, Ohio, USA
- Proceedings of the 1989 International Computer Music Conference, ICMC 1989, Columbus, Ohio, USA, November 2-5, 1989. Michigan Publishing 1989
- Kristi Allik, Robert Mulder:
The Interactive Arts System: Introduction to a Real Time Performance Tool. - Richard D. Ashley:
A Computer System for Learning Analytic Listening. - Richard D. Ashley:
Computer-Based Learning: Models and Lessons for Computer Music Systems. - Bridget Baird:
The Articially Intelligent Computer Performer on the Macintosh II and a Pattern Matching Algorithm for Real-time Interactive Performance. - Jean-Baptiste Barrière, Pierre-François Baisnée, Adrian Freed, Marie-Dominique Baudot:
A Digital Signal Multiprocessor and its Musical Application. - James W. Beauchamp:
The Computer Music Project at the University of Illinois at Urbana-Champaign: 1989. - Nicola Bernardini, Peter Otto:
Studio Report: Tempo Reale. - Nicola Bernardini, Peter Otto:
TRAILS: An Interactive System for Sound Location. - Peter Beyls:
The Musical Universe of Cellular Automata. - Robert A. Boie:
The Radio Drum as a Synthesizer Controller. - Gianpaolo Borin, Giovanni De Poli, Augusto Sarti:
A Modular Approach to Excitator-Resonator Interaction in Physical Models Synthesis. - Frédéric Boyer, Richard Kronland-Martinet:
Granular Resynthesis and Transformation of Sounds through Wavelet Transform Analysis. - Peter Bowcott:
Cellular Automation as a Means of High Level Compositional Control of Granular Synthesis. - Ian Bowler, Peter D. Manning, Alan Purvis, Nick Bailey:
A Transputer-based Additive Synthesis Implementation. - Michael Century:
The Banff Centre Media Arts Program: Studio Report and Artistic Retrospective. - Xavier Chabot:
Performance with Electronics: Gesture Interfaces and Software Toolkit. - Perry R. Cook:
Synthesis fo the Singing Voice Using a Physically Parameterized Model of the Human Vocal Tract. - Roger B. Dannenberg:
Music Representation Issues: A Position Paper. - Roger B. Dannenberg, Christopher Lee Fraley:
Fugue: Composition and Sound Synthesis with Lazy Evaluation and Behavioral Abstraction. - Peter Desain, Henkjan Honing, Klaus de Rijk:
A Connectionist Quantizer. - Glendon R. Diener:
Nutation: Structural Organization Versus Graphical Generality in a Common Music Notation Program. - Charles Dodge, Curtis Bahn:
Studio Report for the Center for Computer Music at Brooklyn College. - Pierre Dutilleux:
Spinning the sounds in real-time. - Lounette M. Dyer:
Position Paper for Music Representation Panel. - Arne Wigenfeldt:
Contour: A Real-time Midi System Based on Gestural Input. - Brian Evans:
Enhancing Scientific Animations with Sonic Maps. - Adrian Freed:
New Media for Musicological Research and Education - The Country Blues in HyperMedia. - Ichiro Fujinaga, Bo Alphonce, Bruce W. Pennycook:
Issues in the Design of an Optical Music Recognition System. - Guy E. Garnett:
Meta-Issues in Music Representation: Notes of a Panel Discussion. - Malcolm C. Harrison, Suzanne Haig, Gershon Horowitz:
A Shortest-path Algorithm for Musical Harmony. - Kenji Hirata, Tatsuya Aoyagi:
Music Server. - Frode Holm:
Frequency Scheduling: Realtime Scheduling in Multiprocessing Systems. - David Huron:
Characterizing Musical Textures. - David A. Jaffe:
Overview of the NeXT Music Kit. - Haruhiro Katayose, Hirokazu Kato, Masakazu Imai, Seiji Inokuchi:
An Approach to an Artificial Music Expert. - Haruhiro Katayose, Keishi Takami, Toshiyuki Fukuoka, Seiji Inokuchi:
Music Interpreter in the Kansei Music System. - David Keane, Peter Gross:
The MIDI Baton. - Gregory Kramer, Robert A. Moog, Alan Peevers:
The Hybrid: A Music Performance System. - JoAnn Kuchera-Morin, Dan Timis:
Recent Developments at The Center for Computer Music Composition. - Peter S. Langston:
Six Techniques for Algorithmic Music Composition (Extend Abstract). - Jean Laroche, Xavier Rodet:
The use of Prony's Method for the Analysis of Musical Sounds. Application to Percussive Sounds. - Mikael Laurson, Jacques Duthen:
Patchwork: a Graphic Language in preFORM. - Keith Lent, Peter L. Silsbee:
A Real Time Computer Music Synthesis System Based on the Motorola 56001. - J. P. Lewis:
Algorithms for Music Composition by Neural Nets: Improved CBR Paradigms. - George Logemann:
Experiments with a Gestural Controller. - Tod Machover, Joseph T. Chung:
Hyperinstruments: Musically Intelligent and Interactive Performance and Creativity Systems. - Toshiaki Matsushima, Sadamu Ohteru, Shuji Hashimoto:
An Integrated Music Information Processing System: PSB-er. - William F. McGee, Paul Merkley:
Real-time Acoustic Analysis of Polyphonic Music. - Mark J. Medovich:
Denodulated Vector (DVQ), and Real time Music Synthesis via DVQ Codebooks. - Hideyuki Morita, Sadamu Ohteru, Shuji Hashimoto:
Computer Music System Which Follows a Human Conductor. - Dexter Morrill, Perry R. Cook:
Hardware, Software, and Compositional Tools for a Real Time Improvised Solo Trumpet Work. - Michael Naranjo, Irène Duc:
Musical Paste and Geometric Image Modelling. - Gary Lee Nelson:
Algorithmic Approaches to Interactive Composition. - Adolfo Núñez:
The Computer and Electronic Music Studio at the CDMC, Madrid. - Daniel V. Oppenheim:
DMIX: An Environment for Composition. - Yann Orlarey, Hervé Lequay:
Midi Share. - Bruce W. Pennycook:
Computer Applications in Music at McGill University. - Russell F. Pinkston:
The Accelerando Project. - Stephen Travis Pope:
Considerations in the Design of a Music Representation Language. - Stephen Travis Pope:
Modeling Musical Structures as EventGenerators. - David Rivas, Steven S. Watkins, Paul M. Chau:
VLSI for a Physical Model of Musical Instruments Oscillations. - Curtis Roads:
Active Music Representations. - John Roeder, Keith Hamel:
A General-Purpose Object-Oriented System for Musical Graphics. - Mark Rudolph:
On the Use of Cepstral Representation in Synthesis From Reduced Performance Information. - Gregory J. Sandell:
Perception of Concurrent Timbres and Implications for Orchestration. - Brian L. Schmidt:
Designing Sound Tracks for Coin-op Games or Computer Music for Under $65.00. - Douglas Scott:
A Processor for Locating Stationary and Moving Sound Sources in a Simulated Acoustical Environment. - Xavier Serra, Julius O. Smith III:
Spectral Modeling Synthesis. - Uri Shimony, Noam Elroy, Ehud Hamami:
LZW Compression of Musical Files. - Justin R. Shuttleworth, Mike Greenhough:
Music Processing by Transputer Networks at the Electronic Music Studio in Cardiff. - Wayne Siegel:
DIEM Studio Report. - Donald Sloan:
Presic of the Standard Music Description Language. - Julius O. Smith III:
Unit-Generator Implementation on the NeXT DSP Chip. - Daniel Steinberg, Timothy R. Learmont:
The Multimedia File System. - Leonello Tarabella, Graziano Bertini:
A Digital Signal Processing System and A Graphic Editor for Synthesis Algorithms. - Heinrich Taube:
Common Music: A Compositional Language in Common Lisp and CLOS. - Marilyn T. Thomas, Siddhartha Chatterjee, Mark W. Maimone:
Cantabile: A Rule-based System for Composing Melody. - Sever Tipei:
Manifold Compositions: A (Super)Computer-Assisted Composition Experiment in Progress. - Wiliam Franklin Walker:
Kiwi: A Parallel System for Software Sound Synthesis. - Rodney Waschka II, Alexandra Kurepa:
Using Fractals in Timbre Construction: An Exploratory Study. - David Wessel, Richard Felciano, Adrian Freed, John Wawrzynek:
The Center for New Music and Audio Technologies.
manage site settings
To protect your privacy, all features that rely on external API calls from your browser are turned off by default. You need to opt-in for them to become active. All settings here will be stored as cookies with your web browser. For more information see our F.A.Q.
last updated on 2024-11-08 20:18 CET by the dblp team
all metadata released as open data under CC0 1.0 license
see also: Terms of Use | Privacy Policy | Imprint
dblp was originally created in 1993 at:
since 2018, dblp has been operated and maintained by:
the dblp computer science bibliography is funded and supported by:
