Location via proxy:   [ UP ]  
[Report a bug]   [Manage cookies]                
skip to main content
10.1007/11752707_2guideproceedingsArticle/Chapter ViewAbstractPublication PagesConference Proceedingsacm-pubtype
Article

Formalising performative interaction

Published: 13 July 2005 Publication History

Abstract

In this paper we attempt to formalise some of the basic attributes of performative interaction against a background of sociological analysis in order to better understand how computer interfaces may support performance. We show how this generic formalisation can be used in the deconstruction, analysis and understanding of performative action and more broadly in live performance. Two examples of this form of analysis are shown: the installation piece Deus Oculi; and Stelarc's Ping Body performance piece. The analysis of these pieces renders visible the varied (re)mappings of the causal nature of interaction, direct and indirect effects, and how these are perceived and exploited by the various members of performance social groupings. Our aim, then, is to provide a model that can be used to explore the relationships that exist in performative activities across domains.

References

[1]
J Clarke. pros + thesis. In Adrian Heathfield, editor, Live: Art and Performance, pages 208-209. Tate, London, 2004.
[2]
Erving Goffman. The Presentation of the Self in Everyday Life. Doubleday, New York, 1959.
[3]
Erving Goffman. Frame Analysis: An Essay on the Organization of Experience. Harper& Row, 1974.
[4]
Christian Heath and Jon Hindmarsh. Analysing interaction: Video, ethnography and situated conduct. In T. May, editor, Qualitative Research in Practice, pages 99-121. Sage, 2002.
[5]
Stuart Reeves, Steve Benford, Claire O'Malley, and Mike Fraser. Designing the spectator experience. In Proceedings of SIGCHI Conference on Human Factors in Computing Systems (CHI), pages 741-750, April 2005.
[6]
D Saltz. The art of interaction: Interactivity, performativity and computers. Journal of Aesthetics and Art Criticism, 55(2):117-127, 1997.
[7]
R Schechner. Performance Theory. Routledge, London, 1977.
[8]
Jennifer Sheridan, Alan Dix, Simon Lock, and Alice Bayliss. Understanding interaction in ubiquitous guerrilla performances in playful arenas. In Proceedings of British HCI Conference, September 2004.
[9]
Stelarc. The body. Switch Journal (online), 2004. Verified 4/3/05.
[10]
Stephen Wilson. Information Arts: Intersections of art, science and technology. TheMIT Press, 2002.

Cited By

View all
  • (2023)From Screens to Projector, Wall, and TVs: Conceptualizing Livestreams as Design Material for Direct and Indirect Viewership ExperiencesProceedings of the ACM on Human-Computer Interaction10.1145/35794897:CSCW1(1-22)Online publication date: 16-Apr-2023
  • (2021)Lady Chatterley's LibraryProceedings of the 2021 Conference on Human Information Interaction and Retrieval10.1145/3406522.3446032(197-208)Online publication date: 14-Mar-2021
  • (2020)"I just leaned on it!" Exploring Opportunistic Social Discovery of a Technologically Augmented CushionProceedings of the 2020 CHI Conference on Human Factors in Computing Systems10.1145/3313831.3376802(1-13)Online publication date: 21-Apr-2020
  • Show More Cited By
  1. Formalising performative interaction

    Recommendations

    Comments

    Information & Contributors

    Information

    Published In

    cover image Guide Proceedings
    DSVIS'05: Proceedings of the 12th international conference on Interactive Systems: design, specification, and verification
    July 2005
    265 pages
    ISBN:3540341455
    • Editors:
    • Stephen W. Gilroy,
    • Michael D. Harrison

    Publisher

    Springer-Verlag

    Berlin, Heidelberg

    Publication History

    Published: 13 July 2005

    Qualifiers

    • Article

    Contributors

    Other Metrics

    Bibliometrics & Citations

    Bibliometrics

    Article Metrics

    • Downloads (Last 12 months)0
    • Downloads (Last 6 weeks)0
    Reflects downloads up to 16 Feb 2025

    Other Metrics

    Citations

    Cited By

    View all
    • (2023)From Screens to Projector, Wall, and TVs: Conceptualizing Livestreams as Design Material for Direct and Indirect Viewership ExperiencesProceedings of the ACM on Human-Computer Interaction10.1145/35794897:CSCW1(1-22)Online publication date: 16-Apr-2023
    • (2021)Lady Chatterley's LibraryProceedings of the 2021 Conference on Human Information Interaction and Retrieval10.1145/3406522.3446032(197-208)Online publication date: 14-Mar-2021
    • (2020)"I just leaned on it!" Exploring Opportunistic Social Discovery of a Technologically Augmented CushionProceedings of the 2020 CHI Conference on Human Factors in Computing Systems10.1145/3313831.3376802(1-13)Online publication date: 21-Apr-2020
    • (2018)Passerby CrowdsourcingProceedings of the ACM on Interactive, Mobile, Wearable and Ubiquitous Technologies10.1145/32870472:4(1-20)Online publication date: 27-Dec-2018
    • (2017)The Rough MileProceedings of the 2017 Conference on Designing Interactive Systems10.1145/3064663.3064756(877-888)Online publication date: 10-Jun-2017
    • (2016)Live ParticipationProceedings of the 2016 ACM Conference on Designing Interactive Systems10.1145/2901790.2901862(509-520)Online publication date: 4-Jun-2016
    • (2016)FeltRadioProceedings of the 2016 ACM Conference on Designing Interactive Systems10.1145/2901790.2901818(829-840)Online publication date: 4-Jun-2016
    • (2014)Who cares about the Content? An Analysis of Playful Behaviour at a Public DisplayProceedings of The International Symposium on Pervasive Displays10.1145/2611009.2611016(160-165)Online publication date: 3-Jun-2014
    • (2013)Performative experience designCHI '13 Extended Abstracts on Human Factors in Computing Systems10.1145/2468356.2468723(2049-2058)Online publication date: 27-Apr-2013
    • (2011)Audience empathyProceedings of the 8th ACM conference on Creativity and cognition10.1145/2069618.2069641(127-136)Online publication date: 3-Nov-2011
    • Show More Cited By

    View Options

    View options

    Figures

    Tables

    Media

    Share

    Share

    Share this Publication link

    Share on social media