Location via proxy:   [ UP ]  
[Report a bug]   [Manage cookies]                
skip to main content
10.1145/3292147.3292194acmotherconferencesArticle/Chapter ViewAbstractPublication PagesozchiConference Proceedingsconference-collections
short-paper

Exploring video annotation as a tool to support dance teaching

Published: 04 December 2018 Publication History

Abstract

It is challenging for dance teachers to provide feedback to all students learning to dance. This is a common problem in large social dance classes, where the teacher do not have time to reflect before giving feedback. One possible way to address this is to allow dance instructors, peers, or students themselves to assess students' performance using video recordings. In this paper, we explore the use of a video annotation tool by dance teachers. We focused on a particular style of partner dance: Forró. We followed a three-step process to design and validate the video annotation tool, which includes: 1) interviewing dance teachers to understand the context and their needs; 2) asking teachers to assess video recordings of students dancing to capture their 'vocabulary'; and 3) developing the video annotation tool. We conducted semi-structured interviews with four dance teachers to understand how the tool can support dance teaching. The contribution of this paper is the exploration of the use of video annotation as a tool to support dance teaching. The paper discusses a series of insights gained by teachers as a result of using our annotation tool which was carefully crafted based on dance education foundations and the vocabulary elicited from experienced dance teachers.

References

[1]
John Brooke et al. 1996. SUS-A quick and dirty usability scale. Usability evaluation in industry 189, 194 (1996), 4--7.
[2]
Mohamed Amine Chatti, Momchil Marinov, Oleksandr Sabov, Ridho Laksono, Zuhra Sofyan, Ahmed Mohamed Fahmy Yousef, and Ulrik Schroeder. 2016. Video annotation and analytics in CourseMapper. Smart Learning Environments 3, 1 (2016), 10.
[3]
Meg Colasante. 2011. Using video annotation to reflect on and evaluate physical education pre-service teaching practice. Australasian Journal of Educational Technology 27, 1 (2011).
[4]
Paulette Côté-Laurence. 2000. The role of rhythm in ballet training. Research in Dance Education 1, 2 (2000), 173--191.
[5]
Shannon Cuykendall, Thecla Schiphorst, and Jim Bizzocchi. 2014. Designing interaction categories for kinesthetic empathy: A case study of synchronous objects. In Proceedings of the 2014 International Workshop on Movement and Computing. ACM, 13.
[6]
Fred D Davis. 1989. Perceived usefulness, perceived ease of use, and user acceptance of information technology. MIS quarterly (1989), 319--340.
[7]
Augusto Dias Pereira Dos Santos, Lie Ming Tang, Lian Loke, and Roberto Martinez-Maldonado. 2018. You Are Off The Beat! Is Accelerometer Data Enough for Measuring Dance Rhythm?. In Proceedings of the 5rd International Symposium on Movement and Computing (MOCO '18).
[8]
Katerina El Raheb, Aristotelis Kasomoulis, Akrivi Katifori, Marianna Rezkalla, and Yannis Ioannidis. 2018. A Web-based System for Annotation of Dance Multimodal Recordings by Dance Practitioners and Experts. In Proceedings of the 5th International Conference on Movement and Computing (MOCO '18). ACM, New York, NY, USA, Article 8, 8 pages.
[9]
Katerina El Raheb, Nicolas Papapetrou, Vivi Katifori, and Yannis Ioannidis. 2016. Balonse: ballet ontology for annotating and searching video performances. In Proceedings of the 3rd International Symposium on Movement and Computing. ACM, 5.
[10]
Carla Fernandes. 2013. The TKB Project: Creative Technologies for Performance Composition, Analysis and Documentation. In Information Technologies for Performing Arts, Media Access, and Entertainment, Paolo Nesi and Raffaella Santucci (Eds.). Springer Berlin Heidelberg, Berlin, Heidelberg, 205--217.
[11]
Lu-Ho Hsia, Iwen Huang, and Gwo-Jen Hwang. 2016. Effects of different online peer-feedback approaches on students' performance skills, motivation and self-efficacy in a dance course. Computers & Education 96 (2016), 55--71.
[12]
Äli Leijen, Ineke Lam, Liesbeth Wildschut, P. Robert-Jan Simons, and Wilfried Admiraal. 2009. Streaming video to enhance students' reflection in dance education. Computers & Education 52, 1 (2009), 169 -- 176.
[13]
Yen-Nan Lin, Lu-Ho Hsia, Meng-Yuan Sung, and Gwo-Haur Hwang. 2018. Effects of integrating mobile technology-assisted peer assessment into flipped learning on students' dance skills and self-efficacy. Interactive Learning Environments (2018), 1--16.
[14]
Jakob Nielsen. 1995. 10 usability heuristics for user interface design. Nielsen Norman Group 1, 1 (1995).
[15]
Xavier Ochoa, Federico Domínguez, Bruno Guamán, Ricardo Maya, Gabriel Falcones, and Jaime Castells. 2018. The RAP System: Automatic Feedback of Oral Presentation Skills Using Multimodal Analysis and Low-cost Sensors. In Proceedings of the 8th International Conference on Learning Analytics and Knowledge (LAK '18). ACM, New York, NY, USA, 360--364.
[16]
Abelardo Pardo, Negin Mirriahi, Shane Dawson, Yu Zhao, An Zhao, and Dragan Gašević. 2015. Identifying learning strategies associated with active use of video annotation software. In Proceedings of the Fifth International Conference on Learning Analytics And Knowledge. ACM, 255--259.
[17]
Claudia Ribeiro, Rafael Kuffner, and Carla Fernandes. 2018. Virtual Reality Annotator: A Tool to Annotate Dancers in a Virtual Environment. In Digital Cultural Heritage. Springer, 257--266.
[18]
Christo Van der Westhuizen. 2015. Video annotation for effective feedback and reflection on micro-lessons in a collaborative blended learning environment to promote self-directed learning skills. International Journal of Learning, Teaching and Educational Research 11, 3 (2015).
[19]
Viswanath Venkatesh and Xiaojun Zhang. 2010. Unified theory of acceptance and use of technology: US vs. China. Journal of global information technology management 13, 1 (2010), 5--27.

Cited By

View all
  • (2024)Creative Insights into Motion: Enhancing Human Activity Understanding with 3D Data Visualization and AnnotationProceedings of the 16th Conference on Creativity & Cognition10.1145/3635636.3664256(482-487)Online publication date: 23-Jun-2024
  • (2024)Designing and Evaluating an Advanced Dance Video Comprehension Tool with In-situ Move Identification CapabilitiesProceedings of the 2024 CHI Conference on Human Factors in Computing Systems10.1145/3613904.3642710(1-19)Online publication date: 11-May-2024
  • (2024)Augmented Coach: Volumetric Motion Annotation and Visualization for Immersive Sports Coaching2024 IEEE Conference Virtual Reality and 3D User Interfaces (VR)10.1109/VR58804.2024.00037(137-146)Online publication date: 16-Mar-2024
  • Show More Cited By

Recommendations

Comments

Information & Contributors

Information

Published In

cover image ACM Other conferences
OzCHI '18: Proceedings of the 30th Australian Conference on Computer-Human Interaction
December 2018
639 pages
ISBN:9781450361880
DOI:10.1145/3292147
Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for components of this work owned by others than the author(s) must be honored. Abstracting with credit is permitted. To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior specific permission and/or a fee. Request permissions from [email protected].

Publisher

Association for Computing Machinery

New York, NY, United States

Publication History

Published: 04 December 2018

Permissions

Request permissions for this article.

Check for updates

Qualifiers

  • Short-paper

Funding Sources

Conference

OzCHI '18

Acceptance Rates

Overall Acceptance Rate 362 of 729 submissions, 50%

Contributors

Other Metrics

Bibliometrics & Citations

Bibliometrics

Article Metrics

  • Downloads (Last 12 months)46
  • Downloads (Last 6 weeks)0
Reflects downloads up to 15 Oct 2024

Other Metrics

Citations

Cited By

View all
  • (2024)Creative Insights into Motion: Enhancing Human Activity Understanding with 3D Data Visualization and AnnotationProceedings of the 16th Conference on Creativity & Cognition10.1145/3635636.3664256(482-487)Online publication date: 23-Jun-2024
  • (2024)Designing and Evaluating an Advanced Dance Video Comprehension Tool with In-situ Move Identification CapabilitiesProceedings of the 2024 CHI Conference on Human Factors in Computing Systems10.1145/3613904.3642710(1-19)Online publication date: 11-May-2024
  • (2024)Augmented Coach: Volumetric Motion Annotation and Visualization for Immersive Sports Coaching2024 IEEE Conference Virtual Reality and 3D User Interfaces (VR)10.1109/VR58804.2024.00037(137-146)Online publication date: 16-Mar-2024
  • (2024)Automatic Bharatanatyam Dance Video Annotation Tool Using CNNComputer Vision and Image Processing10.1007/978-3-031-58181-6_43(512-522)Online publication date: 3-Jul-2024
  • (2022)Blazing fire or breezy wind? A story-driven playful experience for annotating dance movementFrontiers in Computer Science10.3389/fcomp.2022.9572744Online publication date: 23-Sep-2022
  • (2022)Dance Transitions: What Forms of Technology Best Support Professional Dancers as They Learn New Movement Styles?Proceedings of the 2022 CHI Conference on Human Factors in Computing Systems10.1145/3491102.3517448(1-14)Online publication date: 29-Apr-2022
  • (2022)ARiana: Augmented Reality Based In-Situ Annotation of Assembly VideosIEEE Access10.1109/ACCESS.2022.321601510(111704-111724)Online publication date: 2022
  • (2022)Teaching through TikTok: a duoethnographic exploration of pedagogical approaches using TikTok in higher dance education in China and Norway during a global pandemicResearch in Dance Education10.1080/14647893.2022.211444625:3(343-358)Online publication date: 9-Oct-2022
  • (2022)Teaching dance in digital environments: copying through videoResearch in Drama Education: The Journal of Applied Theatre and Performance10.1080/13569783.2022.206073227:2(235-252)Online publication date: 5-Jul-2022
  • (2022)Towards a general framework for the annotation of dance motion sequencesMultimedia Tools and Applications10.1007/s11042-022-12602-y82:3(3363-3395)Online publication date: 4-Jul-2022
  • Show More Cited By

View Options

Get Access

Login options

View options

PDF

View or Download as a PDF file.

PDF

eReader

View online with eReader.

eReader

Media

Figures

Other

Tables

Share

Share

Share this Publication link

Share on social media