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The Jam-O-Drum interactive music system: a study in interaction design

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Tim PerkisAuthors Info & Claims

DIS '00: Proceedings of the 3rd conference on Designing interactive systems: processes, practices, methods, and techniques

Pages 165 - 173

https://doi.org/10.1145/347642.347705

Published: 01 August 2000 Publication History

Abstract

This paper will describe the multi-user interactive music system known as the Jam-O-Drum developed at Interval Research Corporation.1 By combining velocity sensitive input devices and computer graphics imagery into an integrated tabletop surface, up to six simultaneous players are able to participate in a collaborative approach to musical improvisation. We demonstrate that this interactive music system embraces both the novice and musically trained participants by taking advantage of their intuitive abilities and social interaction skills. In this paper and accompanying video, we present conclusions from user testing of this device along with examples of interaction design methods and prototypes of interpretive musical and game-like development schemes. Our research was conducted in two phases with two different development teams and will accordingly be addressed herein as Phase One and Phase Two development.

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Cited By

Long DYang JNaomi CMagerko B(2024)Xylocode: A Novel Approach to Fostering Interest in Computer Science via an Embodied Music SimulationProceedings of the CHI Conference on Human Factors in Computing Systems10.1145/3613904.3642098(1-16)Online publication date: 11-May-2024
https://dl.acm.org/doi/10.1145/3613904.3642098
Brucker MWest MHorn M(2023)Digital Drum CirclesProceedings of the 22nd Annual ACM Interaction Design and Children Conference10.1145/3585088.3594490(705-708)Online publication date: 19-Jun-2023
https://dl.acm.org/doi/10.1145/3585088.3594490
Studley TDrummond JScott NNesbitt K(2022)Can Competitive Digital Games Support Real-Time Music Creation?Journal of Sound and Music in Games10.1525/jsmg.2022.3.1.13:1(1-35)Online publication date: 1-Jan-2022
https://doi.org/10.1525/jsmg.2022.3.1.1
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The Jam-O-Drum interactive music system: a study in interaction design

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cover image ACM Conferences

DIS '00: Proceedings of the 3rd conference on Designing interactive systems: processes, practices, methods, and techniques

August 2000

456 pages

ISBN:1581132190

DOI:10.1145/347642

Editors:
Daniel Boyarski
Carnegie Mellon Univ.
,
Wendy A. Kellogg
IBM T.J. Watson Research Center

Copyright © 2000 ACM.

Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for components of this work owned by others than ACM must be honored. Abstracting with credit is permitted. To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior specific permission and/or a fee. Request permissions from [email protected]

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Published: 01 August 2000

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DIS00: Designing Interactive Systems 2000

August 17 - 19, 2000

New York, New York City, USA

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DIS '00 Paper Acceptance Rate 48 of 127 submissions, 38%;

Overall Acceptance Rate 1,158 of 4,684 submissions, 25%

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Cited By

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https://dl.acm.org/doi/10.1145/3613904.3642098
Brucker MWest MHorn M(2023)Digital Drum CirclesProceedings of the 22nd Annual ACM Interaction Design and Children Conference10.1145/3585088.3594490(705-708)Online publication date: 19-Jun-2023
https://dl.acm.org/doi/10.1145/3585088.3594490
Studley TDrummond JScott NNesbitt K(2022)Can Competitive Digital Games Support Real-Time Music Creation?Journal of Sound and Music in Games10.1525/jsmg.2022.3.1.13:1(1-35)Online publication date: 1-Jan-2022
https://doi.org/10.1525/jsmg.2022.3.1.1
Men LBryan-Kinns N(2022)Supporting Sonic Interaction in Creative, Shared Virtual EnvironmentsSonic Interactions in Virtual Environments10.1007/978-3-031-04021-4_8(237-267)Online publication date: 14-Oct-2022
https://doi.org/10.1007/978-3-031-04021-4_8
Suh MYoungblom ETerry MCai CKitamura YQuigley AIsbister KIgarashi TBjørn PDrucker S(2021)AI as Social Glue: Uncovering the Roles of Deep Generative AI during Social Music CompositionProceedings of the 2021 CHI Conference on Human Factors in Computing Systems10.1145/3411764.3445219(1-11)Online publication date: 6-May-2021
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Jatiningtyas SJunaedi DEffendy V(2021)Interaction Design for Digital Saron Musical Instruments Using Call and Response System and Rhythmic Emphasis Weighting MethodsAdvances in Visual Informatics10.1007/978-3-030-90235-3_11(127-138)Online publication date: 16-Nov-2021
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Lind A(2020)Interactive sound art and animated notation as an ensemble performance platform in primary level music educationEducare10.24834/educare.2020.1.4(53-81)Online publication date: 20-Mar-2020
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Brown CPaine G(2019)A Case Study in Collaborative Learning via Participatory Music Interactive Systems: Interactive Tango MilongaNew Directions in Music and Human-Computer Interaction10.1007/978-3-319-92069-6_18(285-306)Online publication date: 7-Feb-2019
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Cossou LLouison CBouchigny SAmmi M(2018)Tangible SoundsProceedings of the 1st International Conference on Digital Tools & Uses Congress10.1145/3240117.3240129(1-4)Online publication date: 3-Oct-2018
https://dl.acm.org/doi/10.1145/3240117.3240129
Metatla OBryan-Kinns NStockman TMandryk RHancock MPerry MCox A(2018)“I Hear You”Proceedings of the 2018 CHI Conference on Human Factors in Computing Systems10.1145/3173574.3174120(1-13)Online publication date: 21-Apr-2018
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