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AI-Generated Imagery: A New Era for the `Readymade'

Published: 08 December 2023 Publication History

Abstract

This paper examines the classification of digital images created by generative AI systems and their emergence as art. The term ‘art’ defies precise definition, but there is a growing tendency to label AI-generated images as such. The current discourse on AI-generated imagery as art lacks the nuanced understanding of traditional artistic media. To address this, we introduce some philosophical considerations. By applying existing frameworks and theories of language, we argue that certain AI-generated images possess properties aligned with ‘readymades’, qualifying them for consideration as art.

References

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Ethem Alpaydin. 2010. Introduction to machine learning. The Massachusetts Institutes of Technology Press (2010).
[2]
Simon Colton and Geraint A Wiggins. 2012. Computational creativity: The final frontier?. In Proceedings of Ecai.
[3]
Kate Compton. 2013. The Bach-Pedal-Point Faucet: A Computational Model of Musical Harmony. In Proceedings of the International Conference on Computational Creativity.
[4]
Kate Compton. 2022. Terrible Together: A Creativity Manifesto. http://aialchemy.media.mit.edu/terrible-together.html. (2022). Accessed: April 17, 2023.
[5]
Marcel Duchamp. 1957. The Creative Act. Art News 56, 4 (1957). https://www.jstor.org/stable/25587594
[6]
Anna Jordanous and Bill Keller. 2016. Modelling creativity: Identifying key components through a corpus-based approach. PloS one 11 (2016).
[7]
Charles Sanders Peirce. 1992. Writings of Charles S. Peirce: A Chronological Edition. Indiana University Press. 16 pages.
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Ferdinand de Saussure. 1983. Course in General Linguistics. London : G. Duckworth.
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Ludwig Wittgenstein. 2010. Philosophical investigations. John Wiley & Sons.

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  • (2024)Discussion of AIGC Technology in a Photography Course at a Higher Vocational CollegeJournal of Research in Vocational Education10.53469/jrve.2024.6(10).046:10(12-20)Online publication date: 29-Oct-2024

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cover image ACM Conferences
SA '23: SIGGRAPH Asia 2023 Art Papers
December 2023
81 pages
ISBN:9798400703201
DOI:10.1145/3610591
Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for components of this work owned by others than the author(s) must be honored. Abstracting with credit is permitted. To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior specific permission and/or a fee. Request permissions from [email protected].

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Association for Computing Machinery

New York, NY, United States

Publication History

Published: 08 December 2023

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Author Tags

  1. AI art
  2. Art
  3. Artificial Intelligence
  4. Computational Creativity
  5. Generative AI
  6. Philosophy

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  • Research-article
  • Research
  • Refereed limited

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SA '23
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SA '23: SIGGRAPH Asia 2023
December 12 - 15, 2023
NSW, Sydney, Australia

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Overall Acceptance Rate 178 of 869 submissions, 20%

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View all
  • (2024)Discussion of AIGC Technology in a Photography Course at a Higher Vocational CollegeJournal of Research in Vocational Education10.53469/jrve.2024.6(10).046:10(12-20)Online publication date: 29-Oct-2024

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