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"I'll press play, but I won't listen": profile work in a music-focused social network service

Published: 19 March 2011 Publication History
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  • Abstract

    We offer the concept of profile work to illustrate the effort people invest in their public profiles in social network services (SNSs). In our explorative study, we investigated profile work in Last.fm, an SNS that automatically publishes music listening information. We found that, instead of simply not publishing things they might rather keep private, users tend to change their music listening behavior in order to control their self-presentation. Four dimensions of profile work were identified, including detailed mechanisms to regulate one's profile. We suggest ways to support users' profile work in the context of automated sharing of behavior information.

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    cover image ACM Conferences
    CSCW '11: Proceedings of the ACM 2011 conference on Computer supported cooperative work
    March 2011
    764 pages
    ISBN:9781450305563
    DOI:10.1145/1958824
    Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for components of this work owned by others than ACM must be honored. Abstracting with credit is permitted. To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior specific permission and/or a fee. Request permissions from [email protected]

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    Publication History

    Published: 19 March 2011

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    Author Tags

    1. automated sharing
    2. music
    3. privacy
    4. profile work
    5. self-presentation
    6. social network service

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    March 19 - 23, 2011
    Hangzhou, China

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    • (2024)“Shared Online, Made People Envious, Felt Good”International Journal of Social Media and Online Communities10.4018/IJSMOC.34158716:1(1-19)Online publication date: 26-Mar-2024
    • (2023)Ignore the Affordances; It's the Social Norms: How Millennials and Gen-Z Think About Where to Make a Post on Social MediaProceedings of the ACM on Human-Computer Interaction10.1145/36101027:CSCW2(1-26)Online publication date: 4-Oct-2023
    • (2023)Racial Capitalism Online: Navigating Race Among Creative Professionals of ColorProceedings of the ACM on Human-Computer Interaction10.1145/35795187:CSCW1(1-23)Online publication date: 16-Apr-2023
    • (2023)Evaluating the User Experience of Music Streaming ServicesIntelligent Computing10.1007/978-3-031-37717-4_43(668-683)Online publication date: 1-Sep-2023
    • (2022)Users Holding Accounts on Multiple Online Social NetworksResearch Anthology on Usage, Identity, and Impact of Social Media on Society and Culture10.4018/978-1-6684-6307-9.ch020(397-416)Online publication date: 10-Jun-2022
    • (2022)SnapPI: Understanding Everyday Use of Personal Informatics Data Stickers on Ephemeral Social MediaProceedings of the ACM on Human-Computer Interaction10.1145/35556526:CSCW2(1-27)Online publication date: 11-Nov-2022
    • (2022)Designing the "Front": An Overview of Profile Elements on Social Network SitesCompanion Publication of the 2022 Conference on Computer Supported Cooperative Work and Social Computing10.1145/3500868.3559464(130-134)Online publication date: 8-Nov-2022
    • (2022)Physical Traces and Materialization of Songs for Individuals’ Music Participation in Cafés: The Design and Field Studies of Camue[ ] With Design: Reinventing Design Modes10.1007/978-981-19-4472-7_21(313-327)Online publication date: 6-Nov-2022
    • (2021)On streaming-dating convergence: Music-mediated self-presentations on TinderNew Media & Society10.1177/1461444821102661825:8(2057-2072)Online publication date: 6-Jul-2021
    • (2021)To Plan or Not to Plan? A Mixed-Methods Diary Study Examining When, How and Why Knowledge Work Planning is InaccurateProceedings of the ACM on Human-Computer Interaction10.1145/34329214:CSCW3(1-20)Online publication date: 5-Jan-2021
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