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Aesthetics of biocybernetic designs: a systems approach to biorobots and its implications for the environment

Published: 10 August 2014 Publication History

Abstract

The authors identify some of the theoretical premises of biocybernetic art objects, with reference to the works of Nam June Paik, Edward Ihnawitz, Ulrike Gabriel, and most notably, Gilberto Esparza, the Mexican biocybernetic artist. Systems theory anticipates stochastic convergences in nature, defying the classic certitude of the teleological notion of form. Evidence for this paradigmatic shift is found in the biocybernetic creatures conceived by these roboticists. In much biocybernetic art, beauty emerges in the form of adaptive mechanisms, such as in robotic tetrapods or self-organizing artificial plants. Such structures provide a template for survival mechanisms in an increasingly entropic environment.

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Cited By

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  • (2016)Plant-computer interaction, beauty and disseminationProceedings of the Third International Conference on Animal-Computer Interaction10.1145/2995257.2995393(1-10)Online publication date: 15-Nov-2016

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cover image ACM Conferences
SIGGRAPH '14: ACM SIGGRAPH 2014 Art Gallery
August 2014
118 pages
ISBN:9781450329057
DOI:10.1145/2601080
  • Conference Chair:
  • Teri Rueb
Permission to make digital or hard copies of part or all of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for third-party components of this work must be honored. For all other uses, contact the Owner/Author.

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Published: 10 August 2014

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  • (2016)Plant-computer interaction, beauty and disseminationProceedings of the Third International Conference on Animal-Computer Interaction10.1145/2995257.2995393(1-10)Online publication date: 15-Nov-2016

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