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in the control room of the banquet

Published: 20 October 2016 Publication History

Abstract

Creativity, AI, programming, the Turing Test, and mystery.

References

[1]
Richard P. Gabriel, Jilin Chen, Jeffrey Nichols, InkWell: A Creative Writer’s Creative Assistant, Creativity & Cognition, 2015.
[2]
Alan M. Turing, Computing Machinery and Intelligence, Mind, October 1950.
[3]
Alan M. Turing et al, The Mind and the Computing Machine, The Rutherford Journal, 1947.
[4]
https://en.wikipedia.org/wiki/Haiku
[5]
Robert Hass, editor, “The Essential Haiku: Versions of Bashō, Buson, & Issa,” The Ecco Press, 1995.
[6]
F. Scott Fitzgerald, “The Great Gatsby,” Charles Scribner’s Sons, 1925.
[7]
John Gardner, “The Art of Fiction: Notes on Craft for Young Writers,” Vintage, 1991.
[8]
Ban’ya Natsuishi & Sayumi Kamakura, “100 Haiku,” Cyberwit.net, 2016.
[9]
Annie Bachini, http://www.haiku-presence.50webs.com/ haiku/bachini.html
[10]
John Ashbery, http://terebess.hu/english/haiku/ashbery. html
[11]
Arthur Samuel, Some studies in machine learning using the game of checkers, IBM Journal of Research and Development Volume 44, Issue: 1.2, 2000.
[12]
Garry Kasparov, The Chess Master and the Computer, review of “Chess Metaphors: Artificial Intelligence and the Human Mind” by Diego Rasskin-Gutman, in New York Review of Books, Volume 57, Number 2, February 11, 2010.
[13]
Kenneth Colby, Turing-like Indistinguishability Tests for the Validation of a Computer Simulation of Paranoid Processes, Artif. Intell. 3(1-3) 1972, pp. 199–221.
[14]
Hans Moravec, “Mind Children,” Harvard University Press, 1988.
[15]
John Steinbeck, “The Grapes of Wrath,” The Viking Press, 1939.
[16]
Geoffrey Jefferson, The Mind of Mechanical Man, British Medical Journal, 1949.
[17]
Thomas Metzinger, “The Ego Tunnel: The Science of the Mind and the Myth of the Self,” Basic Books, 2010.
[18]
Walt Whitman, Song of Myself, “Leaves of Grass,” self-published, 1855.
[19]
Allen Ginsberg, “Howl and Other Poems,” City Lights, 1956.
[20]
Luigi Federico Menabrea, Ada Lovelace, Sketch of the Analytical Engine invented by Charles Babbage…with notes by the translator, translated by Ada Lovelace, Richard Taylor, “Scientific Memoirs 3,” Richard and John E. Taylor. pp. 666–731, 1843.
[21]
Kevin Warwick & Huma Shah, Can machines think? A report on Turing test experiments at the Royal Society, Journal of Experimental & Theoretical Artificial Intelligence, 2015.
[22]
David Silver et al, Mastering the Game of Go with Deep Neural Networks and Tree Search, Nature 529, pp.484–489, 28 January 2016.
[23]
George A. Miller (1995). WordNet: A Lexical Database for English, Communications of the ACM Vol. 38, No. 11: 39–41.
[24]
The Martian (2015 movie), http://www.imdb.com/title/ tt3659388/
[25]
John Searle, Minds, Brains, and Programs, Behavioral and Brain Sciences, 1980.
[26]
R. C. Schank & R. P. Abelson, R. P., “Scripts, plans, goals, and understanding,” Lawrence Erlbaum Press, 1977.
[27]
John Searle, The Problem of Consciousness, Consciousness and Language, Cambridge: Cambridge University Press, 2002.
[28]
Richard P. Gabriel, “in the control room of the banquet,” Onward! Essays, 2016.
[29]
Stephen Dobyns, “Best Words, Best Order: Essays in Poetry,” St. Martin’s Press, 1996.
[30]
deep in the dark— the power of snow walking in the deepness
[31]
I’m not the same on an island with destructive rhythm
[32]
behind a rock on the green slope dead soldiers’ spirits
[33]
the powerful head designates its powerful head to support cognition
[34]
this grave— no one sees it mortality, mortality
[35]
shopping parade— people step over the broken cassette
[36]
a bitch, this deep in trick a fortiori not a man
[37]
not this fatalist murderousness, deathwatch, but your dead subroutine
[38]
time of life issue: a bird of prey pulls up out of the way into the palm
[39]
awake in the dark— the edge of the water can spread in your presence
[40]
day after day in the man’s can a man can
[41]
scrupulous in the twilight— the price of gold chases the way of the world in power
[42]
tuned adrenalin my music, a beat-boogied headful
[43]
under the sea a fish becomes human in an air pocket
[44]
a crooked rag day— by myself dunking distracted sardines
[45]
bare branches, tonight again stars, stars are misprints
[46]
an on-the-far-side summer night— whipping up high tea, we stripped pickles
[47]
aboard a boat a round table dancing— an old song
[48]
shoved off the stairs— falling I become a rainbow
[49]
the maiden condominium opens its award-winning gametocyte in the control room of the banquet
[50]
a reasonable assumption— by myself, sampling in chocolate
[51]
from the boulder smiling up at heaven the continent begins
[52]
old lift: through the grille three women in pastel t-shirts
[53]
rural signal, cannot understand Oregon —agricultural
[54]
parted in the middle— the authority of the air conditioner perfection in the brightness
[55]
too late: the last express passes through the dust of gardens
[56]
a blue anchor— grains of grit in a tall sky sewing
[57]
pirates imitate the ways of ordinary people myself for instance
[58]
dental hospital— dead flies line the light casings
[59]
the hostile defense leads its problematic rear, the rear of frustration
[60]
a few days— by myself, browsing guitar-shaped coloring
[61]
in rags and crystals, sometimes with a shred of sense an odd dignity

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  • (2016)in the control room of the banquetProceedings of the 2016 ACM International Symposium on New Ideas, New Paradigms, and Reflections on Programming and Software10.1145/2986012.2986028(250-268)Online publication date: 20-Oct-2016

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cover image ACM Conferences
Onward! 2016: Proceedings of the 2016 ACM International Symposium on New Ideas, New Paradigms, and Reflections on Programming and Software
October 2016
268 pages
ISBN:9781450340762
DOI:10.1145/2986012
Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for components of this work owned by others than the author(s) must be honored. Abstracting with credit is permitted. To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior specific permission and/or a fee. Request permissions from [email protected].

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Published: 20 October 2016

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  1. Science
  2. natural language generation
  3. programming

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  • (2016)in the control room of the banquetProceedings of the 2016 ACM International Symposium on New Ideas, New Paradigms, and Reflections on Programming and Software10.1145/2986012.2986028(250-268)Online publication date: 20-Oct-2016

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