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Lovelace's Legacy: Creative Algorithmic Interventions for Live Performance

Published: 12 September 2018 Publication History

Abstract

We describe a series of informal exercises in which we have put algorithms in the hands of human performers in order to encourage a human creative response to mathematical and algorithmic input. These 'interventions' include a web-based app, experiments in physical space using Arduinos, and algorithmic augmentation of a keyboard.

References

[1]
A.A. Lovelace (Trans.) Sketch of the analytical engine invented by Charles Babbage, with notes by the translator. In Scientific Memoirs, Selected from the Transactions of Foreign Academies of Science and Learned Societies, Vol. 3, 1843, pp. 666--731, volume 3. Richard and John E. Taylor, Red Lion Street, Fleet Street, London. Translation of 'Notions sur la machine analytique de M. Charles Babbage' by Luigi Federico Menabrea, in Bibliothèque universelle de Genève. Nouvelle série 41, pp. 352--76.
[2]
A. M. Turing. 1950. "Computing Machinery and Intelligence," Mind 49: 433--460.
[3]
M. A. Boden. The Creative Mind: Myths and Mechanisms. Weidenfield and Nicholson, London, 1990.
[4]
A. Petri-Preis. "Emily Howard's Lovelace Trilogy: a musical homage to a mathematical pioneer," Tempo 67 (265) 28--36, 2013.
[5]
C. Babbage. Passages from the Life of a Philosopher. New Brunswick: Rutgers University Press, 1864.
[6]
Alan Chamberlain, David De Roure and Pip Willcox (2017) "Social Music Machine: Crowdsourcing for Composition and Creativity", DMRN+12, Digital Music Research Network, 19th December, London, UK.
[7]
D. De Roure and P. Willcox. "Numbers in places: creative interventions in musical space & time", in Proceedings of the 18th International Conference on Human-Computer Interaction with Mobile Devices and Services Adjunct - Mobile-HCI '16 (2016), ACM pp. 1059--1063.
[8]
Alan Chamberlain, Mads Bødker, Adrian Hazzard, David K. McGookin, David De Roure, Pip Willcox, Konstantinos Papangelis: Audio Technology and Mobile Human Computer Interaction: From Space and Place, to Social Media, Music, Composition and Creation. IJMHCI 9(4): 25--40 (2017)
[9]
David De Roure, Pip Willcox. Experimental Humanities: An Adventure with Lovelace and Babbage. IEEE eScience 2017: 194--201
[10]
R. Duckworth and F. Stedman. Tintinnalogia, or, the Art of Ringing. 1668.
[11]
Steve Benford, Chris Greenhalgh, Adrian Hazzard, Alan Chamberlain, Maria Kallionpää, David M. Weigl, Kevin R. Page and Mengdie Lin (2018) "Designing the Audience Journey through Repeated Experiences" In Proceedings of ACM CHI 2018 - Conference on Human Factors in Computing Systems. Montréal, Canada. April 2018.
[12]
David De Roure, Graham Klyne, John Pybus, David M. Weigl, and Kevin R. Page. Music SOFA: an architecture for semantically informed recomposition of Digital Music Objects. 1st International Workshop on Semantic Applications for Audio and Music (SAAM '18), October 9, 2018, Monterey, CA, USA.
[13]
David De Roure, Pip Willcox: Numbers into Notes: Digital Prototyping as Close Reading of Ada Lovelace's 'Note A'. DH 2017, Montreal, Canada. pp. 215--6

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  1. Lovelace's Legacy: Creative Algorithmic Interventions for Live Performance

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      cover image ACM Other conferences
      AM '18: Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion
      September 2018
      252 pages
      ISBN:9781450366090
      DOI:10.1145/3243274
      Permission to make digital or hard copies of part or all of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for third-party components of this work must be honored. For all other uses, contact the Owner/Author.

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      Association for Computing Machinery

      New York, NY, United States

      Publication History

      Published: 12 September 2018

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      Author Tags

      1. Ada Lovelace
      2. Analytical Engine
      3. Arduino
      4. algorithmic composition
      5. creative computing
      6. experimental humanities

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      AM'18
      AM'18: Sound in Immersion and Emotion
      September 12 - 14, 2018
      Wrexham, United Kingdom

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      Overall Acceptance Rate 177 of 275 submissions, 64%

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