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Designing for Sensory Appreciation: Cultivating Somatic Approaches to Experience Design

Published: 25 April 2020 Publication History
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  • Abstract

    This course explores somatic approaches to experience design in HCI. Designing for Sensory Appreciation focuses on cultivating our bodily sensory experience as a resource for design. This course exemplifies how somatic approaches can be applied through sensory appreciation in the form of case studies that incorporate experience-based activities. We invite a rethinking of the process of designing for technology based on the emerging somatic turn within Human Computer Interaction that acknowledges design for the experience of the self and recognizes the interiority of human experience as an equal partner in technological design processes.

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    Cited By

    View all
    • (2024)Measuring Cues of Leadership, Cohesion, and Fluidity in Joint Full‐Body Movement to Support Embodied Interaction Design: A Pilot StudyHuman Behavior and Emerging Technologies10.1155/2024/16368542024:1Online publication date: 21-Jun-2024
    • (2024)“Can you be with that feeling?”: Extending Design Strategies for Interoceptive Awareness for the Context of Mental HealthProceedings of the CHI Conference on Human Factors in Computing Systems10.1145/3613904.3643054(1-21)Online publication date: 11-May-2024
    • (2024)A Somaesthetics Based Approach to the Design of Multisensory Interactive SystemsIntelligent Technologies for Interactive Entertainment10.1007/978-3-031-55722-4_5(55-62)Online publication date: 23-Mar-2024
    • Show More Cited By

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    1. Designing for Sensory Appreciation: Cultivating Somatic Approaches to Experience Design

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      cover image ACM Conferences
      CHI EA '20: Extended Abstracts of the 2020 CHI Conference on Human Factors in Computing Systems
      April 2020
      4474 pages
      ISBN:9781450368193
      DOI:10.1145/3334480
      Permission to make digital or hard copies of part or all of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for third-party components of this work must be honored. For all other uses, contact the Owner/Author.

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      New York, NY, United States

      Publication History

      Published: 25 April 2020

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      Author Tags

      1. attention
      2. bodily experience
      3. bodyweather
      4. design process
      5. embodiment
      6. movement awareness
      7. soma-design
      8. somaesthetics
      9. somatic connoisseurship
      10. somatic facilitation
      11. somatics
      12. user experience

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      Overall Acceptance Rate 6,164 of 23,696 submissions, 26%

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      Cited By

      View all
      • (2024)Measuring Cues of Leadership, Cohesion, and Fluidity in Joint Full‐Body Movement to Support Embodied Interaction Design: A Pilot StudyHuman Behavior and Emerging Technologies10.1155/2024/16368542024:1Online publication date: 21-Jun-2024
      • (2024)“Can you be with that feeling?”: Extending Design Strategies for Interoceptive Awareness for the Context of Mental HealthProceedings of the CHI Conference on Human Factors in Computing Systems10.1145/3613904.3643054(1-21)Online publication date: 11-May-2024
      • (2024)A Somaesthetics Based Approach to the Design of Multisensory Interactive SystemsIntelligent Technologies for Interactive Entertainment10.1007/978-3-031-55722-4_5(55-62)Online publication date: 23-Mar-2024
      • (2022)“It took me back 25 years in one bound”: self-generated flavor-based cues for self-defining memories in later lifeHuman–Computer Interaction10.1080/07370024.2022.210751838:5-6(417-458)Online publication date: 9-Sep-2022
      • (2021)Sensory Probes: An Exploratory Design Research Method for Human-Food InteractionProceedings of the 2021 ACM Designing Interactive Systems Conference10.1145/3461778.3462013(666-682)Online publication date: 28-Jun-2021
      • (2021)SymbioSinging: Robotically transposing singing experience across singing and non-singing bodiesProceedings of the 13th Conference on Creativity and Cognition10.1145/3450741.3466718(1-5)Online publication date: 22-Jun-2021

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