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Bodyopt - A Character Deformation Pipeline For Avatar: The Way of Water

Published: 07 August 2023 Publication History

Abstract

We present Bodyopt, a character skin deformation framework developed for Avatar: The Way of Water. Our approach aims to learn the skin deformations from a given dataset and reproduce them reliably during shot production. In conjunction with the kinematic skeleton, we employ muscle fibers as an additional anatomical basis, where their length changes serve as a parametrization for the non-linear deformation components. We provide a novel way of curating the dataset to minimizing differences between similar poses, which would otherwise lead to a quality loss in the reconstruction. Our approach also handles runtime skin dynamics and utilities for artists to transfer deformations to new character types as well as extra modifiers for secondary motions like breathing. Additionally, we close the gap between final skin deformation and the representation used in Animation by providing a fast proxy solution that is based on the same input data.

References

[1]
Byungkuk Choi, Haekwang Eom, Benjamin Mouscadet, Stephen Cullingford, Kurt Ma, Stefanie Gassel, Suzi Kim, Andrew Moffat, Millicent Maier, Marco Revelant, Joe Letteri, and Karan Singh. 2022. Animatomy: an Animator-centric, Anatomically Inspired System for 3D Facial Modeling, Animation and Transfer. SA ’22: SIGGRAPH Asia 2022 Conference Papers 16 (2022), 1–9.
[2]
Binh Huy Le and J P Lewis. 2019. Direct delta mush skinning and variants. ACM Trans. Graph 38, 113 (2019), 1–13.
[3]
Robert W. Sumner and Jovan Popović. 2004. Deformation transfer for triangle meshes. ACM Trans. Graph 23, 3 (2004), 399–405.

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        cover image ACM Conferences
        SIGGRAPH '23: ACM SIGGRAPH 2023 Talks
        August 2023
        147 pages
        ISBN:9798400701436
        DOI:10.1145/3587421
        Permission to make digital or hard copies of part or all of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for third-party components of this work must be honored. For all other uses, contact the Owner/Author.

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        Published: 07 August 2023

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