Location via proxy:   [ UP ]  
[Report a bug]   [Manage cookies]                
skip to main content
10.1145/3603163.3609060acmconferencesArticle/Chapter ViewAbstractPublication PageshtConference Proceedingsconference-collections
research-article
Open access

Deep Viewpoints: Scripted Support for the Citizen Curation of Museum Artworks

Published: 05 September 2023 Publication History

Abstract

This paper describes the design and use of Deep Viewpoints, a software platform for eliciting and sharing citizen perspectives associated with museum artworks. The design of the platform is inspired by the process of Slow Looking in which museum visitors are guided to observe artworks and develop their own response. Within Deep Viewpoints, the processes of observing and responding to artworks are guided by a script comprising stages containing artworks, statements, and prompts or questions to which the follower of the script can respond. Scripts are intended for use either in the gallery or remotely. We describe the design of Deep Viewpoints and how it can be used to respond to scripts, view the responses of others and author new scripts. We then describe our experiences of using Deep Viewpoints with communities traditionally underserved by the museum sector to bring new perspectives to the museum collection. Crucially, the communities were not only involved in interpreting artworks with the guidance of the scripts but also creating new scripts, mediating how others observe and think about art. Analysis of the authored scripts revealed a range of ways in which they were used to share interpretations of the artworks and mediate what questions others should ask themselves when viewing the artworks. Finally, we reflect on the potential role a scripted approach to Citizen Curation could play in promoting cultural engagement.

References

[1]
Luigi Asprino, Enrico Daga, Aldo Gangemi, and Paul Mulholland. 2023. Knowledge Graph Construction with a façade: a unified method to access heterogeneous data sources on the Web. ACM Transactions on Internet Technology, 23(1), 1--31.
[2]
Joan-Isidre Badell. 2015. Museums and social media: Catalonia as a case study. Museum Management and Curatorship, 30(3), 244--263.
[3]
David Balzer. 2015. Curationism: How curating took over the art world and everything else. Pluto Press.
[4]
Peter Bazalgette. 2017. The empathy instinct: How to create a more civil society. Hachette UK.
[5]
Mark Bernstein. 2002. Storyspace 1. In Proceedings of the thirteenth ACM conference on Hypertext and hypermedia, 172--181.
[6]
Melanie Birks and Jane Mills. 2014. Qualitative methodology: A practical guide. Qualitative Methodology, 1--288.
[7]
Orian Brook, Dave O'Brien, and Mark Taylor. 2020. Culture is bad for you. Manchester University Press.
[8]
Tim Coughlan, Laura Carletti, Gabriella Giannachi, Steve Benford, Derek McAuley, Dominic Price, Cristina Locatelli, Rebecca Sinker, and John Stack. 2015. ArtMaps: interpreting the spatial footprints of artworks. In Proceedings of the 33rd Annual ACM Conference on Human Factors in Computing Systems, 407--416.
[9]
Dorothy Cross. 1994. Saddle [Saddle, cow's udder, metal stand]. Irish Museum of Modern Art (IMMA), Republic of Ireland. https://imma.ie/collection/saddle
[10]
Geoffrey Crossick and Patrycja Kasznska. 2016. Understanding the value of arts and culture: The AHRC Cultural Value Project. UK Research and Innovation. United Kingdom
[11]
Enrico Daga, Luigi Asprino, Rossana Damiano, Marilena Daquino, Belen Diaz Agudo, Aldo Gangemi, Tsvi Kuflik, Antonio Lieto, Mark Maguire, Anna Maria Marras, Delfina Martinez Pandiani, Paul Mulholland, Silvio Peroni, Sofia Pescarin, Alan Wecker. 2022. Integrating citizen experiences in cultural heritage archives: requirements, state of the art, and challenges. ACM Journal on Computing and Cultural Heritage (JOCCH), 15(1), 1--35.
[12]
Lina Eklund. 2020. A shoe is a shoe is a shoe: Interpersonalization and meaning-making in museums--research findings and design implications. International Journal of Human--Computer Interaction, 36(16), 1503--1513.
[13]
John H. Falk and Lynn D. Dierking. 2018. Learning from museums. Rowman & Littlefield.
[14]
Adrienne Fletcher and J. Lee Moon. 2012. Current social media uses and evaluations in American museums. Museum Management and Curatorship, 27, 505--521
[15]
Richard Furuta, Frank M. Shipman III, Catherine C. Marshall, Donald Brenner, and Hao-wei Hsieh.1997. April. Hypertext paths and the World-Wide Web: experiences with Walden's Paths. In Proceedings of the eighth ACM conference on Hypertext, 167--176.
[16]
Charlie Hargood, Mark J. Weal, and David E. Millard. 2018. The storyplaces platform: Building a web-based locative hypertext system. In Proceedings of the 29th on Hypertext and Social Media, 128--135.
[17]
Amanda Hill, Mark Kretzschmar, David Morton, and Sara Raffel. 2018. Chapter Six "Eenie Meenie Miney Mose": Using Experimental Citizen Curating To Engage Visitors With Racial Ephemera. Florida Studies Review (2018), 62.
[18]
Irish Museum of Modern Art. 2021--2023. The Narrow Gate of the Here-and-Now. Irish Museum of Modern Art (IMMA), Republic of Ireland. https://imma.ie/whats-on/the-narrow-gate-of-the-here-and-now
[19]
Irish Museum of Modern Art. 2022. The Ride Away from the Storm. Irish Museum of Modern Art (IMMA), Republic of Ireland. https://imma.ie/whats-on/the-ride-away-from-the-storm
[20]
Irish Museum of Modern Art. Slow Art Videos. https://imma.ie/learn-engage/imma-horizons/horizons-at-home/slow-art-videos-2
[21]
John Kindness. 1990. Dulce et Decorum est... [Etched painted steel]. Irish Museum of Modern Art (IMMA), Republic of Ireland. https://imma.ie/collection/dulce-et-decorum-est
[22]
Luciana Lazzeretti, Andrea Sartori, and Niccolò Innocenti. 2015. Museums and social media: the case of the Museum of Natural History of Florence. International Review on Public and Nonprofit Marketing, 12, 267--283.
[23]
Anders Sundnes Løvlie, Steve Benford, Jocelyn Spence, Timothy Wray, Christian Hviid Mortensen, Anne Olesen, Linda Rogberg, Ben Bedwell, Dimitrios Darzentas, and Annika Waern., 2019, April. The GIFT framework: Give visitors the tools to tell their own stories. In Museums and the Web.
[24]
Alice Maher. 1994. Berry Dress [Rosehips, cotton, paint, sewing pins]. Irish Museum of Modern Art (IMMA), Republic of Ireland. https://imma.ie/collection/berry-dress
[25]
Barry J. Mauer. 2017. The Citizen Curating Project Confronts the Pulse Nightclub Shooting. The St. John's University Humanities Review.
[26]
David E. Millard, Charlie Hargood, Michael O. Jewell and Mark J. Weal. 2013. Canyons, deltas and plains: towards a unified sculptural model of location-based hypertext. In Proceedings of the 24th ACM conference on hypertext and social media, 109--118.
[27]
David E. Millard and Charlie Hargood. 2017. Tiree tales: A co-operative inquiry into the poetics of location-based narrative. In Proceedings of the 28th ACM Conference on Hypertext and Social Media, 15--24.
[28]
Naomi P. Moller, Victoria Clarke, Virginia Braun, Irmgard Tischner, and Andreas Vossler. 2021. Qualitative story completion for counseling psychology research: A creative method to interrogate dominant discourses. Journal of Counseling Psychology, 68(3), 286--298.
[29]
Heather Moqtaderi. 2019. Citizen Curators: Crowdsourcing to Bridge the Academic/Public Divide. University Museums and Collections Journal 11(2), 204--210.
[30]
Paul Mulholland, Stamatina Anastopoulou, Trevor Collins, Markus Feisst, Mark Gaved, Lucinda Kerawalla, Mark Paxton, Eileen Scanlon, Mike Sharples, and Michael Wright. 2011. nQuire: technological support for personal inquiry learning. IEEE Transactions on Learning Technologies, 5(2), pp. 157--169.
[31]
Museum Mediators. 2012/2014. Museum Mediators Research results. http://museummediators.eu/wp-content/uploads/2014/09/MMediatorsEurope_ResearchResults_finalReport.pdf
[32]
Museum of Modern Art (MoMA). Slow Looking. https://www.moma.org/calendar/programs/207
[33]
Jonothan Neelands, Eleonora Belfiore, Catriona Firth, Natalie Hart, Liese Perrin, Susan Brock, Dominic Holdaway, and Jane Woddis. 2015. Enriching Britain: Culture, Creativity and Growth: 2015 Report by the Warwick Commission on the Future of Cultural Value. University of Warwick.
[34]
John Peponis, Ruth Dalton, and Jean Wineman. 2003. Path, theme and narrative in open plan exhibition settings. International Space Syntax Symposium. London.
[35]
Arden Reed, A. 2017. Slow art: The experience of looking, sacred images to James Turrell. Univ of California Press.
[36]
Peter Ride. 2013. Creating #citizencurators: putting twitter into museum showcases. In Cleland, K., Fisher, L. and Harley, R. (Eds.) Proceedings of the 19th International Symposium of Electronic Art, ISEA2013, Sydney.
[37]
Karin Ryding and Jonas Fritsch. 2020. Play design as a relational strategy to intensify affective encounters in the art museum. In Proceedings of the 2020 ACM Designing Interactive Systems Conference, 681--693.
[38]
Karin Ryding, Jocelyn Spence, Anders Sundnes Løvlie, and Steve Benford. 2021. Interpersonalizing intimate museum experiences. International Journal of Human--Computer Interaction, 37(12), 1151--1172.
[39]
Mike Sharples, Eileen Scanlon, Shaaron Ainsworth, Stamatina Anastopoulou, Trevor Collins, Charles Crook, Ann Jones, Lucinda Kerawalla, Karen Littleton, Paul Mulholland and Claire O'Malley. 2015. Personal inquiry: Orchestrating science investigations within and beyond the classroom. Journal of the Learning Sciences, 24(2), pp. 308--341.
[40]
Frank M. Shipman III, Richard Furuta, Donald Brenner, Chung-Chi Chung, and Hao-wei Hsieh. 1998. Using paths in the classroom: experiences and adaptations. In Proceedings of the ninth ACM conference on Hypertext and hypermedia, 267--270.
[41]
Viktor Shklovsky. 1917. Literary Theory: An Anthology, 15--21.
[42]
Nina Simon. 2010. The participatory museum. Museum 2.0.
[43]
Nina Simon. 2016. The Art of Relevance. Museum 2.0.
[44]
Jocelyn Spence, Benjamin Bedwell, Michelle Coleman, Steve Benford, Boriana N. Koleva, Matt Adams, Ju Row Farr, Nick Tandavanitj, and Anders Sundnes Løvlie. 2019, May. Seeing with new eyes: designing for in-the-wild museum gifting. In Proceedings of the 2019 CHI Conference on Human Factors in Computing Systems, 1--13.
[45]
Adam Stoneman, Jason Carvalho, Enrico Daga, Mark Maguire, and Paul Mulholland. 2021. Uncomfortable Revelations: can citizen curation widen access to museums? Museum Ireland, 28, pp. 64--71.
[46]
Storyspace. http://www.eastgate.com/storyspace
[47]
Shari Tishman. 2017. Slow looking: The art and practice of learning through observation. Routledge.
[48]
Twine. https://twinery.org
[49]
Kali Tzorti. 2011. Space: Interconnecting Museology and Architecture. The Journal of Space Syntax, 2(1), 26--53.
[50]
Visual Thinking Strategies. https://vtshome.org
[51]
Sara Wajid and Rachael Minott. 2019. Detoxing and decolonising museums. In Museum activism, 25--35. Routledge.
[52]
Deirdre Wilson and Dan Sperber 2002. Relevance Theory. In G. Ward, L. Horn. Handbook of Pragmatics, Blackwell.
[53]
Fred Wilson and Howard Halle. Mining the museum. Grand Street, 44(1993): 151--172.

Cited By

View all
  • (2024)Integrating Citizen Experiences in Cultural Heritage Archives with a Linked Non-Open Data HubJournal on Computing and Cultural Heritage 10.1145/370606317:4(1-39)Online publication date: 28-Nov-2024
  • (2024)An Ontology Network for Citizen CurationJournal on Computing and Cultural Heritage 10.1145/370472917:4(1-30)Online publication date: 19-Dec-2024
  • (2024)Supporting the End-User Curation of Cultural Heritage Knowledge GraphsProceedings of the 35th ACM Conference on Hypertext and Social Media10.1145/3648188.3675132(35-44)Online publication date: 10-Sep-2024

Recommendations

Comments

Information & Contributors

Information

Published In

cover image ACM Conferences
HT '23: Proceedings of the 34th ACM Conference on Hypertext and Social Media
September 2023
334 pages
ISBN:9798400702327
DOI:10.1145/3603163
This work is licensed under a Creative Commons Attribution International 4.0 License.

Sponsors

In-Cooperation

Publisher

Association for Computing Machinery

New York, NY, United States

Publication History

Published: 05 September 2023

Check for updates

Author Tags

  1. Citizen Curation
  2. Museums
  3. Scripting

Qualifiers

  • Research-article
  • Research
  • Refereed limited

Funding Sources

  • EU H2020

Conference

HT '23
Sponsor:

Acceptance Rates

Overall Acceptance Rate 378 of 1,158 submissions, 33%

Contributors

Other Metrics

Bibliometrics & Citations

Bibliometrics

Article Metrics

  • Downloads (Last 12 months)170
  • Downloads (Last 6 weeks)18
Reflects downloads up to 26 Jan 2025

Other Metrics

Citations

Cited By

View all
  • (2024)Integrating Citizen Experiences in Cultural Heritage Archives with a Linked Non-Open Data HubJournal on Computing and Cultural Heritage 10.1145/370606317:4(1-39)Online publication date: 28-Nov-2024
  • (2024)An Ontology Network for Citizen CurationJournal on Computing and Cultural Heritage 10.1145/370472917:4(1-30)Online publication date: 19-Dec-2024
  • (2024)Supporting the End-User Curation of Cultural Heritage Knowledge GraphsProceedings of the 35th ACM Conference on Hypertext and Social Media10.1145/3648188.3675132(35-44)Online publication date: 10-Sep-2024

View Options

View options

PDF

View or Download as a PDF file.

PDF

eReader

View online with eReader.

eReader

Login options

Figures

Tables

Media

Share

Share

Share this Publication link

Share on social media