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A generate and sense approach to automated music composition

Published: 13 January 2004 Publication History

Abstract

Nobody would deny that music may evoke deep and profound emotions. In this paper, we present a perceptual music composition system that aims at the controlled manipulation of a user's emotional state. In contrast to traditional composing techniques, the single components of a composition, such as melody, harmony, rhythm and instrumentation, are selected and combined in a user-specific manner without requiring the user to continuously provide comments on the music employing input devices, such as keyboard or mouse.

References

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Bartlett, D.L. Physiological Responses to Music and Sound Stimuli. In D.A. Hodges (ed.) Handbook of Music Psychology, MMB Music, 343--385, 1996.
[2]
Bradley, M.M., and Lang, P.J. Affective Reactions to Acoustic Stimuli. Psychophysiology, 37, 204--215, 2000.
[3]
Lang, P. The emotion probe: Studies of motivation and attention. American Psychologist 50(5):372--385, 1995.
[4]
Roads, C. The Computer Music Tutorial. Cambridge, MA: MIT Press, 1995.
[5]
Healey, J., Picard, R., Dabek, F. A New Affect-Perceiving Interface and Its Application to Personalized Music Selection, Proc. of the Perceptual User Interfaces Workshop, San Francisco, CA, 4--6, 1998.
[6]
Schandry, R. Lehrbuch Psychophysiologie, Weinheim: Beltz PsychologieVerlagsUnion, 1998.
[7]
Vossel, G., Zimmer, H. Psychophysiologie, Urban Taschenbücher Bd. 553, Kohlhammer, 56--75, 1998.

Cited By

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  • (2021)A Deep Learning Approach for Generating Pleasant MusicInternational Journal of Scientific Research in Computer Science, Engineering and Information Technology10.32628/CSEIT2173145(641-649)Online publication date: 10-Jun-2021
  • (2009)Temporal Development of Heartbeat Intervals in Transition of Sound Stimuli Inducing Different Relaxation FeelingsProceedings of the 2009 International Conference on Biometrics and Kansei Engineering10.1109/ICBAKE.2009.40(84-89)Online publication date: 25-Jun-2009
  • (2006)The affective remixerCHI '06 Extended Abstracts on Human Factors in Computing Systems10.1145/1125451.1125535(393-398)Online publication date: 21-Apr-2006

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Published In

cover image ACM Conferences
IUI '04: Proceedings of the 9th international conference on Intelligent user interfaces
January 2004
396 pages
ISBN:1581138156
DOI:10.1145/964442
Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for components of this work owned by others than ACM must be honored. Abstracting with credit is permitted. To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior specific permission and/or a fee. Request permissions from [email protected]

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Association for Computing Machinery

New York, NY, United States

Publication History

Published: 13 January 2004

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Author Tags

  1. affective user interfaces
  2. automated music composition

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Conference

IUI-CADUI04
IUI-CADUI04: Intelligent User Interface
January 13 - 16, 2004
Funchal, Madeira, Portugal

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IUI '04 Paper Acceptance Rate 72 of 140 submissions, 51%;
Overall Acceptance Rate 746 of 2,811 submissions, 27%

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IUI '25

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Cited By

View all
  • (2021)A Deep Learning Approach for Generating Pleasant MusicInternational Journal of Scientific Research in Computer Science, Engineering and Information Technology10.32628/CSEIT2173145(641-649)Online publication date: 10-Jun-2021
  • (2009)Temporal Development of Heartbeat Intervals in Transition of Sound Stimuli Inducing Different Relaxation FeelingsProceedings of the 2009 International Conference on Biometrics and Kansei Engineering10.1109/ICBAKE.2009.40(84-89)Online publication date: 25-Jun-2009
  • (2006)The affective remixerCHI '06 Extended Abstracts on Human Factors in Computing Systems10.1145/1125451.1125535(393-398)Online publication date: 21-Apr-2006

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