Circle of Power, also known as Mystique, Brainwash and The Naked Weekend, is a 1981 drama thriller film, co-produced by Gary Mehlman, Anthony Quinn and Jeffrey White, and based on the nonfiction book The Pit: A Group Encounter Defiled. It stars Yvette Mimieux in one of her final film performances.
| Circle of Power | |
|---|---|
 Executives embracing after participating in "Executive Development Training" | |
| Directed by | Bobby Roth |
| Written by | Beth Sullivan |
| Based on | |
| Produced by | Gary Mehlman Anthony Quinn Jeffrey White |
| Starring | Yvette Mimieux Christopher Allport Cindy Pickett John Considine Walter Olkewicz Scott Marlowe |
| Cinematography | Affonso Beato |
| Edited by | Gail Yasunaga |
| Music by | Richard Markowitz |
| Distributed by | Media Home Entertainment Qui Productions Televicine International |
Release date |
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Running time | 98 minutes |
| Country | United States |
| Language | English |
Plot
editThe hard-driven Bianca Ray (Yvette Mimieux) is the chief executive of a international advertising corporation called "Mystique" who feels the gathered executive leadership is in decline and threatens to fire several of them. The organization is known for its effective and successful "Executive Development Training", or EDT.[1] To keep their jobs, the group feels they must take the training for which they will pay a hefty out-of-pocket fee. All of them must agree to take it together or none will be allowed to participate. The story highlights Jack and Lyn Nilsson, who are a decent all-American couple.[2] As an aspiring young junior executive who is up for a promotion to vice-president, Jack (Christopher Allport) concludes he and Lyn (Cindy Pickett) must take the training or he won’t be considered for advancement.
These executives (all of whom are men) and their wives are required to spend a weekend with Bianca and her training staff at a luxury resort where they are put under increasing psychological pressure.[3] As a prerequisite to the training they all must sign a waiver giving the company permission to physically and psychologically abuse them, as needed, for the duration of the course.[2] The trainees are split into two groups by gender and are brutally forced to face their shortcomings, such as obesity and alcoholism.[2] Another individual is a closeted homosexual, and a fourth is a transvestite. The mostly black hotel staff, familiar with the training, watch from the sidelines providing social commentary to each other.[4]
The weekend starts out pleasantly as the participants play tennis, dance and socialize. The next day the training begins when the white cane wielding Bianca, flanked by brawny assistants, explains the goal is “Designed to free them from themselves. . .and throw off the biological shackles that bind their lives”. She first selects obese administrator Buddy (Walter Olkewicz - who gives a standout performance) to enter “the pit”. She compels him to strip naked, accept a harsh paddling, enter a cage and be force-fed discarded food from the trash. Bianca guides him to the epiphany that because of an abusive mother and forced sex with a teacher, he is fat “to keep them away” and now “has never felt so free!”. Next she calls upon the alcoholic Ben (Hugh Gillin), saying he cares for nothing but drink and is already a deadman. She orders a coffin brought to the pit, has Ben sealed in, then buried outside by the other men. His wife watches weeping as Ben screams and pounds on the coffin’s lid. Bianca orders him released. Ben says he saw himself as a deadman but now cares, exclaiming to Jack “It really works!”, thanks Bianca and hugs his coworkers in tearful gratitude.
The women’s group shows them being yelled at, slapped around (Lyn receives an especially heavy blow) and humiliated by trainer Jordan Carelli (John Considine), who confronts and berates them for their failures as wives and mothers to “…relieve people of their hang-ups”. As the training proceeds, several seminar executives and their wives lose their inhibitions in the "consciousness-raising" coursework, and claim they have had a breakthrough.[5] Back in the men’s group, Bianca accuses the accountant Ted (Scott Marlowe) of being a self-sacrificing martyr and coward with delusions of superiority, then orders him beaten by the other men and tied to a cross. This proves too much for Jack and he decides he cannot be a party to the violence and physical abuse.
Jack and Lyn decide to escape, but they are caught by Bianca and the other participants (many who sport bruises but are now enthusiastic acolytes) and taken to the room where Ted remains tied to a cross. Bianca accuses Jack of being a quitter, too distracted to stay at any one school or job for any meaningful length of time. Lyn is stripped to her underwear and restrained at one end of the room. Bianca will permit the couple to leave if Jack can successfully fight his way past all the others and get to Lyn. Jack succeeds and declares he feels incredible and successful as the others applaud while Lyn stands by dismayed. Bianca declares his future secure. But Jack then grabs Bianca, chokingly restrains her with the cane and declares the whole thing as a fraud that doesn’t work because no one has changed: Buddy is still gorging on sneaked food and Ben is still secretly drinking. Bianca allows the couple to leave along with Ted and his wife. After they are gone, Bianca announces that Jack has passed the training and is now a true leader.
Cast
edit- Yvette Mimieux as Bianca Ray
- Christopher Allport as Jack Nilsson
- Cindy Pickett as Lyn Nilsson
- John Considine as Jordan Carelli
- Walter Olkewicz as Buddy Gordon
- Scott Marlowe as Ted Bartel
- Hugh Gillin as Ben Davis
- Leo Rossi as Chris Morris
- Carmen Argenziano as Tony Annese
- David Susskind as Himself
Reception
editThe film won a Dramatic Films Award at the 1982 Sundance Film Festival (then called the U.S. Film Festival).[6] Circle of Power played under the title Mystique at the 1981 Chicago International Film Festival.[3]
A review in The New York Times described Circle of Power as an "attack on monolithic belief systems," and referred to it as "a worthwhile movie."[2] Roger Ebert of the Chicago Sun-Times gave the film three out of four stars, writing that "...it's an entertaining film with serious intentions." Ebert compared it to events reported in Boston newspapers about a man who died during a seminar, commenting: "Art anticipates life." Ebert questioned the conceit of the film, asking the question: "Could a major corporation get away with this brainwashing?"[3] The authors of the book upon which the film was based concluded their preface by stating: "And please remember as you read -- it's true."[7]
See also
editReferences
edit- ^ Erickson, Hal. "Circle of Power". AllMovie. Archived from the original on July 12, 2009. Retrieved April 20, 2007.
- ^ a b c d Van Gelder, Lawrence (March 2, 1984). "Screen: Corporate Pressure". The New York Times.
- ^ a b c Ebert, Roger (September 28, 1983). "Naked Weekend / Mystique". Chicago Sun-Times.
- ^ Bowman, Lisa Marie “ Sundance Film Review: Circle of Power (dir by Bobby Roth)”, World Press, (January 20, 2018), web: https://unobtainium13.com/2018/01/20/sundance-film-review-circle-of-power-dir-by-bobby-roth/ access date: January 5, 2025
- ^ "Showtime: Circle of Power". The Chronicle Telegram. Elyria, Ohio. June 2, 1984.
- ^ Bowman, Lisa Marie (January 20, 2018). "Sundance Film Review: Circle of Power (dir by Bobby Roth)". Through the Shattered Lens. Retrieved September 12, 2023.
- ^ Church, Gene; Conrad D. Carnes (1972). The Pit: A Group Encounter Defiled. New York: Outerbridge & Lazard, Inc. p. 161. ISBN 0-87690-087-2.
External links
edit- Circle of Power at IMDb
- Review at Stomp Tokyo