Mystery Street is a 1950 American black-and-white film noir featuring Ricardo Montalbán, Sally Forrest, Bruce Bennett, Elsa Lanchester, and Marshall Thompson.[3] Produced by MGM, it was directed by John Sturges with cinematography by John Alton.
| Mystery Street | |
|---|---|
 Theatrical release poster | |
| Directed by | John Sturges |
| Screenplay by | Sydney Boehm Richard Brooks |
| Story by | Leonard Spigelgass |
| Produced by | Frank E. Taylor |
| Starring | Ricardo Montalbán Sally Forrest Bruce Bennett Elsa Lanchester Marshall Thompson |
| Cinematography | John Alton |
| Edited by | Ferris Webster |
| Music by | Rudolph G. Kopp |
| Distributed by | Metro-Goldwyn-Mayer |
Release date |
|
Running time | 93 minutes |
| Country | United States |
| Language | English |
| Budget | $730,000[1][2] |
| Box office | $775,000[1] |
The film was shot on location in Boston and Cape Cod; according to one critic, it was "the first commercial feature to be predominantly shot" on location in Boston.[4] Also featured are Harvard Medical School in Boston, Massachusetts and Harvard Yard in nearby Cambridge. According to Frances Glessner Lee biographer Bruce Goldfarb, the story of the death of Irene Perry, in Dartmouth, Massachusetts, in 1940, as suggested by Glessner Lee (creator of The Nutshell Studies of Unexplained Death), was the basis of the film.[5] The story earned Leonard Spigelgass a nomination as Best Story for the 1951 Academy Awards.
Plot
editBrassy blonde B-girl Vivian (Jan Sterling) is agitated and seeking to arrange a meeting with a man she has been dating. In spite of confiding to him she's "in trouble", he refuses to meet her at the bar where she works, "The Grass Skirt", in Boston, and stops taking her calls. She then picks up a very drunk Henry Shanway (Marshall Thompson), so she can use his car to drive to Cape Cod to confront the man face to face.
Vivian drives. When Shanway realizes he's out on the Cape some 60 miles from Boston he demands to be taken back. Instead, she ditches him and steals his car. When Vivian meets up with her reluctant beau, he shoots and kills her. He hurriedly buries her body in the dunes and sinks the car in a pond.
Shanway subsequently reports his stolen car to his insurance, but claims it had been right outside the hospital where his pregnant wife, Grace (Sally Forrest), was recovering from a miscarriage. Months later a partially exposed skeleton is found on the beach. Massachusetts State Police Detective Lieutenant Peter Morales (Montalbán), a determined policeman working out of the office of the District Attorney of Barnstable County, is assigned to investigate the case. He seeks the help of Dr. McAdoo (Bruce Bennett), a forensics specialist at Harvard Medical School, to learn what the skeleton can reveal.
McAdoo determines it is of a young woman, who was pregnant at the time of her death, sensational angles which the press plays up. Mrs. Smerrling (Elsa Lanchester), the conniving owner of the boarding house where Vivian lived, tracks down and tries to blackmail a wealthy married man Vivian called from her boarding house, James Harkley (Edmon Ryan). Snooping in the man's desk when he is called out of his office, Smerrling goes so far as to steal his gun during her visit. Soon after, Morales, working at that point in Boston with a partner assigned to him by the Boston Police Department, tracks down the stolen car from police records and questions Henry Shanway. Local authorities on the Cape eventually finds Shanway's car in the pond, and he's identified in a police lineup by a variety of figures he encountered during his drunken foray and afterwards, when trying to locate Vivian at her boarding house. Mrs. Smerrling, who was present at the lineup, never mentions the gun, Mr. Harkley, or, obviously, her blackmail attempt. As a result the innocent Shanway is arrested and charged with murder. Grace can only wonder what her husband had gotten himself involved in, evidently killing his pregnant lover while she was hospitalized after losing their baby.
Still trying to wring more out of his evidence, Dr. McAdoo discovers with Morales' help a bullet stuck in the car that had shattered one of the skeleton's ribs. As the case develops, Morales begins to reconsider his conviction of Shanway's guilt. Later, Smerrling shows Harkley's gun to Jackie Elcott (Betsy Blair), a tenant in her building, who is familiar with firearms. Elcott subsequently reads in the paper that the killer used a .45 caliber automatic and informs Lt. Morales that Smerrling has the same type of gun. Smerrling cleverly hides the .45 in a carpet bag and checks it at a nearby train station.
Before Morales can question her she again attempts to blackmail Mr. Harkley, this time for $20,000, setting up a rendezvous at her home. He arrives and threatens to kill her unless she gives him back his gun. Terrified, she discloses where the gun is, but not its claim check. He strikes her over the head with a candlestick, killing her. Morales shows up, but loses Harkley in a car chase. The next morning, Morales gets a phone call telling him Shanway has escaped.
While at Mrs. Smerrling's home, Morales comes across the baggage claim check hidden in her birdcage, which sends Morales racing to catch the killer at Trinity Station before he can get to the bag first. Arriving at the train station, Morales chases down Harkley, apprehends him, and takes him into custody. Morales tells the police to stop looking for Shanway. He calls Shanway's wife over the phone, telling her that her husband is freed of all charges. Mrs. Shanway can only respond with glassy-eyed silence.
Cast
edit- Ricardo Montalbán as Lieutenant Peter Morales
- Sally Forrest as Grace Shanway
- Bruce Bennett as Dr. McAdoo, of Harvard Medical School
- Elsa Lanchester as Mrs. Smerrling, the landlady
- Marshall Thompson as Henry Shanway, Grace's husband
- Jan Sterling as Vivian Heldon, "B" girl and murder victim
- Edmon Ryan as James Joshua Harkley
- Betsy Blair as Jackie Elcott
- Wally Maher as Tim Sharkey
- Ralph Dumke as Tattooist
- Willard Waterman as Mortician
- Walter Burke as Ornithologist
Reception
editAccording to MGM records the film earned $429,000 domestically and $346,000 foreign, resulting in a loss of $284,000.[1]
Critical response
editTime magazine called it a "low-budget melodrama without box-office stars or advance ballyhoo [that] does not pretend to do much more than tell a straightaway, logical story of scientific crime detection" but notes that "within such modest limits, Director John Sturges and Scripters Sydney Boehm and Richard Brooks have treated the picture with such taste and craftsmanship that it is just about perfect."[6] The New York Times called it "an adventure which, despite a low budget, is not low in taste or its attention to technical detail, backgrounds and plausibility" with a performance by Montalban that is "natural and unassuming."[7]
Honors
editNominated
- Academy Awards: Best Writing, Motion Picture Story, Leonard Spigelgass; 1951.
References
edit- ^ a b c The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study.
- ^ Glenn Lovell, Escape Artist: The Life and Films of John Sturges, University of Wisconsin Press, 2008 p55.
- ^ Mystery Street at the AFI Catalog of Feature Films.
- ^ Book excerpt: Sherman, Paul. 'Mystery Street', book excerpt, March 30, 2008. Accessed: August 17, 2013.
- ^ Goldfarb, Bruce (2020). 18 Tiny Deaths: The Untold Story of Frances Glessner Lee & the Invention of Modern Forensics. Endeavour. pp. 202, 207. ISBN 9781913068042.
- ^ "The New Pictures". Time. August 7, 1950. Archived from the original on September 13, 2012. Retrieved August 15, 2017.
- ^ "New Metro Study of Crime Detection". The New York Times. July 28, 1950. Retrieved August 15, 2017.