Aftermath!
 | This article needs additional citations for verification. (November 2012) |
 Aftermath! cover art | |
| Designers | Paul Hume, Robert N. Charrette |
|---|---|
| Publishers | Fantasy Games Unlimited |
| Publication | 1981 |
| Genres | Post-apocalyptic fiction |
| Systems | Custom |
Aftermath! ("Sunset on humanity, or dawn of a brave new world?"[1]) is a role-playing game created by Paul Hume and Robert Charette and published in 1981 by Fantasy Games Unlimited.
It is set in a post-apocalyptic world in which the characters fight for food, water, basic supplies, and shelter.
The nature of the apocalypse is up to the game master. An expansion, Aftermath! Magic!, is set in a universe dominated by dragons in the style of the film Reign of Fire.
Game design
[edit]Aftermath! is the second RPG produced by Hume and Charrette for FGU after producing Bushido.[2] It was also praised for its features, but often criticized for its complexity, a common refrain when discussing games from FGU.[2]
Characters are rated on a set of six stats – Wit, Will, Strength, Deftness, Speed, and Health.[3] These are rated as follows:
- 1-5 below average
- 6-10 average
- 11-14 above average
- 15-24 Superior
- 25-34 Above Superior
- 35-40 Heroic
Characters also have a set of talents – Charismatic, Combative, Communicative, Esthetic, Mechanical, Natural, and Scientific. These talents govern the progress in skills, and can be used in a pinch as a “Natural Talent” instead of a skill. Aftermath! is a true skill-based system, with no “levels”. A character has a set of skills defining the tasks they are proficient in. Skills are rated on a skill score converted to a D20 roll (BCS) for convenience. If the D20 is under the BCS, then the skill test succeeds.
The combat system is a tiered system. The players only resolve the combat to the level of detail needed for the encounter; they can forgo using the more complex resolution methods if it benefits the game's current pace. A basic attack is roll to hit (D20). If the target is an “extra”, there is no need to even roll for damage.
An average attack (for a player attacking) is roll to hit (D20), and then roll for damage. A detailed attack is roll to hit (D20), roll for hit location (D100), then roll for damage. A personality attack (or an attack against the PC) is a roll to hit (D20), a roll for location(d100), a roll for damage, and resolution of any special effects as needed. Each weapon or attack method uses a different number of "damage dice" to express its power. A muscle-powered or melee weapon, for instance, uses the character's strength statistic as its damage dice. Firearms, on the other hand, use a fixed amount of damage dice regardless of a character's stats, based on the caliber of the weapon.
Notable to this system, skill advancement (what might be considered "leveling-up" in other RPGs) is a fluid and ongoing process, based on the application of talents during gameplay. A specific talent that is used successfully during gameplay increments in ability immediately after being used.[3]
Contents
[edit]- 3 rulebooks - Basic Rules, Player's Guide and Gamemaster's Guide
- an introductory scenario
- character sheet
- a 3 panel reference sheet (full of tables and charts)
- counters and a feedback sheet
Reception
[edit]William A. Barton reviewed Aftermath in The Space Gamer No. 43.[4] Barton commented that "If your taste in RPGs tends toward simplicity or to systems that are easily playable without a lot of work, you'll surely want to pass up Aftermath, and stick to Gamma World or The Morrow Project. If you thrive on complexity, countless calculations and mounds of information, Aftermath will give you that - and more."[4]
Like its sibling, Bushido, Aftermath! gained a number of very positive reviews on its publication. In the Open Box feature of White Dwarf #34, Andy Slack gave the game a 10/10, comparing it favourably to both Bushido and The Morrow Project RPG.[5]
It received similar positive treatment in the pages of the short-lived Imagine magazine. The reviewer compared it favorably to Mad Max but disliked the use of Australia because it would not be well-known to North American or European players and suggested moving it to a more familiar location.[6] Baylis also compares the game to The Morrow Project and gives the adventure included a positive review.
However, Thomas Grant, writing for Different Worlds, was disappointed in the level of violence in the game, saying, "Although violence is gratuitous in RPGs there are parameters of context and quantity which Aftermath! seems to overstep. [The game] practically exults in its morbid meticulousness with every minutiae of killing." Given the 2-page flowchart to explain combat, Grant pointed out, "The unfortunate consequence of all this painstaking attention to detail is that the combat system has sacrificed playability for realism." He also criticized the organization of material, saying "little effort has been made to organize the rules and make them easily indexed. Aftermath! ... is a paragon of bad organization: the combat system is sprawled across all three books, and some of the information necessary for the player's design of their characters is in sections marked, 'Gamesmasters Only!'" Grant concluded, "Aftermath! as an idea has enormous potential; Aftermath! as a game buries its potential beneath a mountain of ultra-detailed combat rules, and it is up to the individual GM to make up for the gross inadequacies of the game taken at face value. The important question for anyone considering Aftermath! is, 'Is it worth the effort?'"[7]
In his 1990 book The Complete Guide to Role-Playing Games, game critic Rick Swan called this game "an interesting premise, but somewhere along the way, the game lost focus. Instead of exploring the rich possibilities of a postapocalyptic setting, Aftermath bogs down in a mire of rules, resulting in a game so complicated that it's nearly unplayable." Swan also felt that "there's an uncomfortable preoccupation with violence ... with virtually every facet of combat rendered in excruciating detail." Given the level of violence, Swna pointed out that the characters are not particularly robust "which is a big drawback in a game as violence-prone as Aftermath. A well-placed shot from a sniper or a bite from a poison cookie can instantly wipe out a character that it took a couple of hours to create." Swan concluded by giving the game a below-average rating of 2 out of 4, saying, "Though its drawbacks are many, Aftermath is paradise for players who thrive on detail or for thos who want to wring every last drop of blood out of combat encounters. But for thos emore interested in role-playing that in staging detailed fights, wading through the two-hundred-plus pages of Aftermath rules is hardly worth the effort."[8]
In a 1996 readers' poll conducted by the UK games magazine Arcane to determine the 50 most popular role-playing games, Aftermath was ranked 29th. Editor Paul Pettengale commented: "Aftermath can be a harrowing game. Still, in the hands of a decent ref, it can also be one of the most involving to come out of the pre-1985 boom, with plenty of scope for freeform campaigns."[9]
Other reviews and commentary
[edit]- Arcane #14 (Christmas 1996)
Scenarios
[edit]A number of add-on scenario and campaign books were published. Because of the detailed rules, it was possible to build extremely detailed and believable worlds around actual places, such as Sydney University, where for example every room in the University was modeled with lengthy descriptions of items in each room, and maps based on actual university blueprints.
- Aftermath Scenario Pack 1: Into The Ruins - The City of Littleton (1981), by Robert N. Charrette and Paul R. Hume. Published by Fantasy Games Unlimited. Takes place in the city of Littleton, Illinois.
- Aftermath Scenario Pack A1: Operation Morpheus - The Ruins of the University (1982), by Phil McGregor. Published by Fantasy Games Unlimited. Takes place in Australia centered on Sydney University
- Aftermath Campaign Pack A2 - Sydney, The Wilderness (1984), by Phil McGregor. Published by Fantasy Games Unlimited. Sydney region.
- Adventure Pack K1 - The Empire of Karo (1984), by William Pixley. Published by Fantasy Games Unlimited. Set in Cairo, Illinois.
- Aftermath Campaign Pack C1 - The City State, Chicago & The Illinois River Valley (1987), by J. Andrew Keith. Published by Fantasy Games Unlimited.
- Aftermath! Technology (1992), by David S. Harmer. Published by Dinosaur Games. Rules expansion and technology supplement.
- Aftermath! Technology (2008), by David S. Harmer. 2nd edition Published by Fantasy Games Unlimited. Rules expansion and technology supplement.
- Aftermath! Survival Guide (2008), by David S. Harmer. Published by Fantasy Games Unlimited. Rules expansion and technology supplement covering roleplaying during the collapse.
- Aftermath! - The Lost Adventures (2009), is a reprint of Aftermath Scenario Pack A1: Operation Morpheus - The Ruins of the University and Adventure Pack K1 - The Empire of Karo in a single volume.
- Aftermath! Magic! (2010), by David S. Harmer. 2nd edition Published by Fantasy Games Unlimited. Magic rules expansion and campaign supplement. Covers playing after a Magical collapse.
- Aftermath! Asteroid Cybele: The American Wasteland, By David S. Harmer and Eddie Johnson - Campaign pack set 20 years after an asteroid hits the planet. Covers the United States. This is the largest campaign pack ever published by FGU for Aftermath! The first campaign book in the connected Cybele campaign.
- Aftermath: Asteroid Cybele: Lords of London, by Stephen Dedman. The London area after the collapse.
- Aftermath! Asteroid Cybele: The Wild West, by Stephen Dedman. Southwest Australia in the Cybele campaign.
- Aftermath! Asteroid Cybele: The Fleet, by David S. Harmer. The surviving US fleet, traveling the world, and finding a "Lost Island" of adventures and bio-engineering. This campaign pack ties the other Cybele campaigns together.
- Aftermath! Asteroid Cybele: Prague, by David S. Harmer. Announced European campaign pack for the Cybele campaign. Release postponed to 2021.
References
[edit]- ^ Quote from back cover of box set,Fantasy Games Unlimited, 1981
- ^ a b Appelcline, Shannon (2011), Designers & Dragons (1st ed.), London: Mongoose Publishing
- ^ a b David Harmer, Fantasy Games Unlimited [full citation needed]
- ^ a b Barton, William A. (September 1981). "Featured Review: Aftermath". The Space Gamer (43). Steve Jackson Games: 26–27.
- ^ Slack, Andy (October 1982), "Open Box", White Dwarf Magazine (34)
- ^ Baylis, Chris (May 1983). Imagine Magazine. 1 (2). TSR Hobbies (UK) Ltd.: 36–37.
{{cite journal}}: CS1 maint: untitled periodical (link) - ^ Grant, Thomas (October 1981). "Reviews". Different Worlds. No. 15. pp. 34–36.
- ^ Swan, Rick (1990). The Complete Guide to Role-Playing Games. New York: St. Martin’s Press. pp. –xxx31.
- ^ Pettengale, Paul (Christmas 1996). "Arcane Presents the Top 50 Roleplaying Games 1996". Arcane (14). Future Publishing: 25–35.