Andrieu Contredit d'Arras

Andrieu Contredit d'Arras (c. 1200 – 1248) was a trouvère from Arras and active in the Puy d'Arras. "Contredit" may not be, as it might appear, a nickname, since two other individuals with the name Contredit are attested in a manuscript associated with the Puy. It records his death at Arras in 1248 and the death of his wife in 1225.^[1] Contredit may therefore be a surname. Andrieu Contredit wrote mostly grand chants, but also a pastourelle, a lai, and a jeu-parti with Guillaume li Vinier.

Andrieu is probably the Andreas Contredit, miles ministerellus, crucesignatus who in 1239, according to French royal documents, joined the Crusade of Theobald I of Navarre as a knight and minstrel.^[2] His appearance in royal documents may indicate his service (probably as a minstrel) to Louis IX, and he addressed his song Au mois d'avril to a king, who is probably Louis.

His song Ja pour nul mal (no.17 in the list below) was addressed to the Puy. Evidence for authorship is found in Andrieu's poems themselves, since he named himself as author in fourteen. He addressed Bone, bele et avenans (no.16) to a "Marote", probably fellow trouvère Maroie de Diergnau de Lille. He praised the city of Arras in L'autrier quant je chevauchoie (no.22). Andrieu three times refers to himself as messire (in the envoys of nos. 4 and 12, and in the second strophe of no.18), a title which some have interpreted as denoting nobility, although Nelson notes it is often used by clerics and bourgeois.^[3] His blason once decorated the start of his author collection in chansonnier TrouvM, but the manuscript is damaged in this place and the image has been lost.

Andrieu's chansons show a moderate variation of form. They all begin with the same rhyme scheme (ABAB), all are in regular metre with 7-, 8-, or 10-syllable lines, and all use coblas unissonans. Most of the songs have at least one envoy, which in the vast majority of cases is sung to the entire cauda melody. Most of the envoys name Andrieu as the composer, with the exception of those transmitted only in TrouvR (nos. 15-17). Andrieu's music is relatively varied, for the chansons it is often pedes cum cauda or bar form, or a modified version thereof.

List of works

(numbering from the Edition of Nelson and van der Werf)

Lai

1. De bele Yzabel ferai, a lai, which survives with blank staves on fols 75v-76v in TrouvT, outside the author-collection of Andrieu's works in this manuscript, and ascribed only to "Contredis"

Chansons

2. Dame, pour vous m'esjoïs boinement
3. Penser ne doit villonie, attributed to Guiot de Dijon and Jehan Erart in some manuscripts.
4. Au tens que je voi averdir
5. Quant voi partir foille et flour et rosee
6. Tres haute Amours me semont que je chant
7. Iriez, pensis chanterai
8. Pré ne vert bois, rose ne flour de lis
9. Amours m'a si del tout a son voloir
10. Mout m'est bel quant voi repairier
11. El mois d'avril quant ce vient em paskour
12. Ja pour nul mal ne peur nesun tourment
13. Je ne me doi d'Amours de riens loer
14. Vivre m'estuet en tristror, en pesance
15. Tout tens est mes cuers en joie
16. Bone, bele et avenans
17. Ja pour nul mal ne pour nulle pensee
18. Del guerredon ke j'atenc a avoir, survives without music and incipit
19. [De] bone amour ki le set maintenir, survives without music and incipit
20. J'ai bone amour mout loiaument servie, survives without music

Jeu-parti

21. Guillaume le Viniers, amis, his part of a jeu-parti, survives without music

Pastourelle

22. L'autrier quant je chevauchoie

Doubtful work

23. Quant voi venir le beau tans et la flour, only attributed to "mesires andreus li contredis" in TrouvC and either anonymous or attributed to the Chastelain de Couci in all other manuscripts.

References

Karp, Theodore. "Andrieu Contredit d'Arras." Grove Music Online. Oxford Music Online. Accessed 20 September 2008.
The Songs Attributed to Andrieu Contredit d'Arras, with a Translation into English and the Extant Melodies, Lyrics translated and edited by Deborah Hubbard Nelson; Melodies by Hendrik van der Werf. Faux titre: Etudes de langue et littérature françaises publiées sous la direction de Keith Busby, M.J. Freeman, Sjef Houppermans, Paul Palckmans et Co Vet, vol 59 (Amsterdam and Athens, GA: Rodopi, 1992).
Vigneras, L.A. 'Note sur Andrieu Contredit', Romanic Review 24 (1934), 380-381.
Page for this individual at Connecting Medieval Music.

Notes

^ She is referred to as Contredite femme Andrieu, while Andrieu himself is referred to as Contredis Andrius. Another member of the Puy named Contredit died in 1207; c.f. Vigneras (1934).
^ L. A. Vigneras (1934), "Note sur Andrieu Contredit," Romanic Review, 25, 380–81. See also The Songs Attributed to Andrieu Contredit d'Arras, with a Translation into English and the Extant Melodies, ed. and trans. Deborah Hubbard Nelson (poetry) and Hendrik van der Werf (music) (Amsterdam: Rodopi, 1992), p.3
^ See The Songs Attributed to Andrieu Contredit d'Arras, with a Translation into English and the Extant Melodies, ed. and trans. Deborah Hubbard Nelson (poetry) and Hendrik van der Werf (music) (Amsterdam: Rodopi, 1992), p.3, which cites Vigneras, p.380, although Vigernas is in turn citing Guesnon, Bulletin archéologique du Comité des Travaux historiques et scientifiques (1894, p.422).

[1] She is referred to as Contredite femme Andrieu, while Andrieu himself is referred to as Contredis Andrius. Another member of the Puy named Contredit died in 1207; c.f. Vigneras (1934).

[2] L. A. Vigneras (1934), "Note sur Andrieu Contredit," Romanic Review, 25, 380–81. See also The Songs Attributed to Andrieu Contredit d'Arras, with a Translation into English and the Extant Melodies, ed. and trans. Deborah Hubbard Nelson (poetry) and Hendrik van der Werf (music) (Amsterdam: Rodopi, 1992), p.3

[3] See The Songs Attributed to Andrieu Contredit d'Arras, with a Translation into English and the Extant Melodies, ed. and trans. Deborah Hubbard Nelson (poetry) and Hendrik van der Werf (music) (Amsterdam: Rodopi, 1992), p.3, which cites Vigneras, p.380, although Vigernas is in turn citing Guesnon, Bulletin archéologique du Comité des Travaux historiques et scientifiques (1894, p.422).

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[2]

[3]

v t e Trouvère
Men	Adam de Givenchi Adam de la Halle Adenet Le Roi Andrieu Contredit d'Arras Aubertin d'Airaines Aubin de Sézanne Audefroi le Bastart Baudouin des Auteus Benoît de Sainte-Maure Bestournés Blondel de Nesle Carasaus Chastelain de Couci Chardon de Croisilles Châtelain d'Arras Chrétien de Troyes Colart le Boutellier Colart le Changeur Colin Muset Conon de Béthune Coupart Ernoul Caupain Ernoul le Vieux Étienne de Meaux Eustache le Peintre de Reims Gace Brulé Gaidifer d'Avion Gautier de Coincy Gautier de Dargies Gautier d'Espinal Gillebert de Berneville Gilles le Vinier Gobin de Reims Gontier de Soignies Guibert Kaukesel Guillaume d'Amiens Guillaume de Ferrières Guillaume le Vinier Guillaume Veau Guiot de Dijon Guiot de Provins Henry Amion Henry le Débonnaire Henri de Lacy Hue de la Ferté Hugues de Berzé Huon d'Oisi Huon de Saint-Quentin Jaque de Dampierre Jacques Bretel Jacques de Cambrai Jacques de Cysoing Jacques le Vinier Jean Bodel Jean Renaut Jehan Bretel Jehan le Cuvelier d'Arras Jehan Erart Jean le Roux Jehan de Braine Jehan Fremaux Jehan de Grieviler Jehan de Nuevile Jehan de Trie Jocelin de Dijon Lambert Ferri Lorris Acot Mahieu de Gant Mahieu le Juif Moniot d'Arras Moniot de Paris Oede de la Couroierie Othon de Grandson Perrin d'Angicourt Perrot de Neele Philippe de Nanteuil Philippe de Remy Pierre de Corbie Pierre de Molins Pierrekin de la Coupele Raoul de Beauvais Raoul de Ferier Raoul de Soissons Richard de Fournival Richart de Semilli Richard I of England Robert de Blois Robert de Castel Robert de Reims Robert de la Piere Rutebeuf Simon d'Authie Sauvage d'Arraz Thibaut de Blazon Thibaut le Chansonnier Thierri de Soissons Thomas de Herier Vielart de Corbie Walter of Bibbesworth
Women	Blanche of Castile Dame de la Chaucie Dame de Gosnai Gertrude of Dagsburg Lorete Margot Maroie de Diergnau Sainte des Prez
See also	Troubadour Occitan language Lyric poetry Ars antiqua Medieval music
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