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Attila Bartis

From Wikipedia, the free encyclopedia

The native form of this personal name is Bartis Attila. This article uses Western name order when mentioning individuals.
Attila Bartis
Bartis in 2013
Bartis in 2013
Born (1968-01-22) 22 January 1968 (age 56)
Târgu Mureș, Romania
Occupation
  • Writer
  • photographer
  • dramatist
  • journalist
LanguageHungarian
CitizenshipHungary
EducationBálint György Újságíró Iskola (1990–91)
Years active1995–present
Notable worksTranquility (2001)
Notable awardsAttila József Prize (2005)
Children2
RelativesFerenc Bartis (father)

Attila Bartis (born 1968) is a Romanian-born Hungarian writer, photographer, dramatist and journalist. He received the Attila József Prize in 2005. His books have been translated into over 20 different languages.[1][2] In 2001, he published his second novel, Tranquility, which was adapted into film in 2008. In 2017, he became a member of the Széchenyi Academy of Literature and Arts.

Early life and education

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Attila Bartis was born in 1968 in Târgu Mureș, in the Transylvania region of Romania. His parents were Ferenc Bartis [hu] (1936–2006) and Margit Gherasim. Ferenc, his father, was a writer, poet and journalist. His family were part of the Hungarian minority of Romania. Following the Hungarian Revolution of 1956, Ferenc was imprisoned in Gherla Prison but was given amnesty by Nicolae Ceaușescu seven years later and released. Attila grew up drawing, painting, photographing and writing poems and short stories. His mother, who played the violin, died in the summer of 1983. In 1984, sixteen-year-old Attila and his father were stripped of their Romanian citizenship and presented with stateless passports, and advised to leave for Hungary. Attila moved with his father to Budapest. Attila graduated from a gymnasium in Pest. Between 1990 and 1991, he studied photography at the Bálint György Újságíró Iskola [hu] of the Magyar Újságírók Országos Szövetsége [hu] (MÚOSZ). He worked as a photographer and in a used bookstore.[3][4][5][6][7]

Career

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Writing

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In 1995, at the age of twenty-seven, he published his debut novel, A séta. In 1998, his debut short story collection, A kéklő pára, was published. Bartis is perhaps best known for his novel Tranquility (Hungarian: A nyugalom), which was published in 2001. Tranquility was adapted into film, titled Nyugalom (2008). The film was directed by Róbert Alföldi and stars Dorottya Udvaros, Zalán Makranczi, Dorka Gryllus and Judit Hernádi.[4] Tranquility was translated into English by Imre Goldstein in 2008. It was the first time his work had been translated into English.[8] Goldstein's translation won the Best Translated Book Award (2009).[9]

For one year, Bartis wrote short stories in the feuilleton of magazine Élet és Irodalom, publishing one story each month. In 2005, he published A Lázár apokrifek, a collection of the twelve short stories he wrote for the magazine.[10][11]

In 2010, Bartis and poet István Kemény published a book, titled Amiről lehet, which features conversations from interviews they conducted of each other.[12] In 2010, he published Tizenegy novella, an anthology consisting of eleven of Bartis' short stories, all of which were previously published in A kéklő pára and A Lázár apokrifek, with the exception of the story "Gyergyó éghajlata".[13]

In 2019, Bartis published Az eltűnt idő nyoma, a collection of diary entries and "sticky notes".[14][15]

In the early 2000s, Bartis spent time living abroad, with a DAAD scholarship in Berlin, Germany, and then Java, Indonesia for a while. His third novel, A vége, was published in 2015. It was partly written while he lived in Indonesia.[4]

Bartis has received several awards, including the 1997 Tibor Déry Prize [hu], the 2002 Sándor Márai Prize [hu] and the 2005 Attila József Prize. In 2006, he was awarded A Magyar Köztársasági Érdemrend lovagkeresztje. In 2017, he became a member of the Széchenyi Academy of Literature and Arts.[4][16]

His books have been translated into English, Arabic, French, German, Chinese, Spanish, Portuguese, Turkish, Romanian, Polish, Czech, Croatian, Norwegian, Estonian, Serbian, Dutch, Italian, Slovak, Russian, Macedonian and Uyghur.[16]

Photography

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As a photographer, his photographs have been exhibited in numerous exhibitions.[16][17] Bartis' first breakthrough in photography was in 1996, when his Az Engelhard-hagyaték photography exhibit was exhibited at the Műcsarnok-Dorottya Galéria in Budapest. The exhibit featured portraits of writers which were paired with portraits of women and each of the twenty-four writers wrote a poem or short story for their respective female portrait. The exhibition was later a success at Literaturhaus in Frankfurt, Germany in 1999. Az Engelhard-hagyaték was also later exhibited at Czuły Barbarzyńca [pl] in Warsaw in 2006. In 1998, his Photo Pygmalion exhibit was shown at Vintage Galéria in Budapest.[4]

In 2010, Bartis published a photo-book titled A csöndet úgy, featuring 365 low-resolution photos taken with a mobile phone from January 2005 to December 2008.[18][19] In 2016, he published a photo-book, titled A világ leírása, részlet, with text by István Kemény.[20] The photos were exhibited at Deák Erika Galéria in Budapest in 2016.[2] In 2018, he published a photo-book, titled A szigeteken, with text by Katharina Narbutovič, Zsolt Petrányi and Attila Szűcs. It was his largest photo-book to date, featuring photographs taken between 2014 and 2017, mostly in Java, around Yogyakarta in Indonesia.[21] The photos were exhibited at Mai Manó Ház in Budapest in 2018.[22]

Dramas

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Bartis adapted Tranquility into a dramatic play, titled Anyám, Kleopátra, which premiered at the National Theatre in Budapest in 2003. The play was directed by Dezső Garas and starred Dorottya Udvaros. Bartis made his debut as a theater director in 2016 and directed his play Rendezés at the National Theatre in Târgu Mureș, Romania. The drama commemorated the victims of the Hungarian Revolution of 1956. It was also presented at the Comedy Theatre of Budapest in 2017.[4]

Personal life

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Bartis has lived in Budapest since 1984, and has partly lived in Yogyakarta (Java, Indonesia) since 2014.[16]

He married in 1990. His daughter was born in 1990, and his son was born in 1993.[4][23]

Bibliography

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Novels

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  • A séta. Budapest: Balassi Kiadó/József Attila Kör (JAK-füzetek 76). 1995. ISBN 978-963-506-016-0.[24]
  • A nyugalom. Budapest: Magvető Könyvkiadó. 2001. ISBN 978-963-14-2251-1.
  • A vége. Budapest: Magvető Kiadó. 2015. ISBN 978-963-14-3340-1.[26]

Short story collections

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Plays

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  • Anyám, Kleopátra (2002)
  • Romlás (2005)
  • Rendezés (2013)

Non-fiction

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Photo-books

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  • A csöndet úgy. Naplóképek 2005. január – 2008. december. Budapest: Magvető Kiadó. 2010. ISBN 978-963-14-2842-1.[18]
  • Bartis, Attila; Kemény, István (2016). A világ leírása, részlet. Budapest: Deák Erika Galéria. ISBN 978-963-12-5159-3.[20]
  • Bartis, Attila; Narbutovič, Katharina; Petrányi, Zsolt; Szűcs, Attila (2018). A szigeteken. Budapest: Magvető Kiadó. ISBN 978-963-14-3650-1.[21]

Exhibitions

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  • Az Engelhard-hagyaték
  • Photo Pygmalion
    • Vintage Galéria, Budapest, 1998[34][35]
  • 33 fotográfia
    • Café Eckermann, Goethe Institut, Budapest, 2007[36][37]
  • A világ leírása, részlet
    • Deák Erika Galéria, Budapest, 2016[2]
  • A szigeteken
    • Mai Manó Ház, Budapest, 2018[22]

Adaptations

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Theatre

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Year Title Theatre Location Stage director Ref(s).
2003 Anyám, Kleopátra (adaptation of Anyám, Kleopátra) National Theatre Budapest, Hungary Dezső Garas [38]
2009 Romlás (adaptation of Romlás) Comedy Theatre of Budapest Budapest, Hungary János Szikora [hu] [39]
2013 Prapadul (adaptation of Romlás) National Theatre Iași, Romania Lucian Dan Teodorovici [17][40]
2014 Meine Mutter, Kleopatra! (adaptation of A nyugalom) Lower Austrian State Theatre St. Pölten, Austria Róbert Alföldi [41]
2015 A nyugalom (adaptation of A nyugalom and Anyám, Kleopátra) National Theatre Târgu Mureș, Romania Afrim Radu [ro] [42]
2016 Rendezés (adaptation of Rendezés) National Theatre Târgu Mureș, Romania Attila Bartis [43]
2017 Rendezés (adaptation of Rendezés) Comedy Theatre of Budapest Budapest, Hungary Rémusz Szikszai [44]

Film

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Year Title Director Ref(s).
2008 Nyugalom (ad. of A nyugalom) Róbert Alföldi [45][46]

Awards and honours

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Scholarships

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References

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  1. ^ "Attila Bartis". Deák Erika Galéria. Retrieved 29 March 2020.
  2. ^ a b c "A világ leírása, részlet". Deák Erika Galéria. 7 April 2016. Retrieved 29 March 2020.
  3. ^ "Bartis Attila". Írólap. Archived from the original on 4 October 2018. Retrieved 29 March 2020.
  4. ^ a b c d e f g "Visszapillantó tükör – Bartis Attila 50 éves". NullaHatEgy. 21 January 2018. Retrieved 29 March 2020.
  5. ^ a b "Biography: Bartis, Attila". Berliner Künstlerprogramm. Retrieved 31 March 2020.
  6. ^ Tóth, Hajnal (2 March 2018). "Nem döntés kérdése, hogy mit ír az ember". Várad.ro. Retrieved 31 March 2020.
  7. ^ Fried, Noémi Lujza (24 February 2018). "Az egyik legismertebb kortárs magyar író volt a nagyváradi Törzsasztal vendége". Maszol.ro. Retrieved 31 March 2020.
  8. ^ "Fiction Book Review: Tranquility by Attila Bartis, Author, Imre Goldstein, Translator". Publishers Weekly. 3 November 2008. Retrieved 29 March 2020.
  9. ^ "Attila Bartis and Brian Evenson « Three Percent". Retrieved 6 September 2020.
  10. ^ Harci, Andor (19 January 2006). "Az ember, aki nem látott csodát". Litera. Retrieved 29 March 2020.
  11. ^ "Ma: Bartis Attila". Szeretlek Magyarország. 20 May 2013. Retrieved 29 March 2020.
  12. ^ Modor, Bálint (4 May 2011). "As You Can". KuK - Kultúra és Kritika. Pázmány Péter Catholic University. Retrieved 29 March 2020.
  13. ^ "Tizenegy novella · Bartis Attila · Könyv". moly.hu. Retrieved 29 March 2020.
  14. ^ Décsy, Eszter (1 November 2019). "Az idő mélyebb és felszínesebb nyomai". PRAE.HU. Retrieved 30 March 2020.
  15. ^ a b "Az eltűnt idő nyoma". Magvető Kiadó. Retrieved 30 March 2020.
  16. ^ a b c d e f g h i j "Bartis Attila". Szépírók Társasága. Retrieved 29 March 2020.
  17. ^ a b c d e f g h i "Bartis Attila életrajz". Mai Manó Ház. Retrieved 29 March 2020.
  18. ^ a b "A csöndet úgy". Magvető Kiadó. Retrieved 29 March 2020.
  19. ^ Levente, Pál Dániel (29 December 2010). "Hogy olvassuk vagy miért ne a csöndet úgy?". PRAE.HU. Retrieved 29 March 2020.
  20. ^ a b "OSzK MNB KÖNYVEK BIBLIOGRÁFIÁJA 2016 - 20. évfolyam, 15. szám Bibliográfiai tételek szakrendben". Retrieved 29 March 2020.
  21. ^ a b "A szigeteken". Magvető Kiadó. Retrieved 29 March 2020.
  22. ^ a b "Bartis Attila: A szigeteken". Mai Manó Ház. Retrieved 29 March 2020.
  23. ^ ""Abszurditás lenne, ha tagadnám a prózám személyességét" – Beszélgetés Bartis Attilával". NullaHatEgy. 16 November 2015. Retrieved 29 March 2020.
  24. ^ "A séta - JAK-füzetek 76. (Budapest, 1995)". Szaktárs. Retrieved 31 March 2020.
  25. ^ "Tranquility". Archipelago Books. Retrieved 29 March 2020.
  26. ^ "A vége". Magvető Kiadó. Retrieved 29 March 2020.
  27. ^ "The End". Archipelago Books. Retrieved 18 January 2024.
  28. ^ "Bartis Attila - A kéklő pára - Novellák (1995-1998)". Múzeum Antikvárium. Retrieved 31 March 2020.
  29. ^ "A Lázár - apokrifek". Magvető Könyvkiadó. Retrieved 31 March 2020.
  30. ^ "Bartis Attila: Tizenegy novella". Magyar Elektronikus Könyvtár. Retrieved 31 March 2020.
  31. ^ "Amiről lehet". Magvető Kiadó. Retrieved 29 March 2020.
  32. ^ "A Kulturális Kapcsolatok Intézete Kiállítóterme - Dorottya Galéria kiállításai: 1955–2009" (PDF). Műcsarnok. Retrieved 29 March 2020.
  33. ^ "Rendezvények augusztus 18-tól október 12-ig". Frankfurt'99. Retrieved 29 March 2020.
  34. ^ "VINTAGE GALÉRIA Exhibitions archive". VINTAGE GALÉRIA. Retrieved 29 March 2020.
  35. ^ Szőnyei, Tamás (6 October 1999). ""Valamit megsemmisíteni néha nehezebb, mint létrehozni" (Bartis Attila író, fotográfus)". Magyar Narancs. Retrieved 29 March 2020.
  36. ^ "Fotográfia és irodalom". Litera. 7 September 2007. Retrieved 29 March 2020.
  37. ^ "Kemény István: Szentelt víz". Sófár Portál. 30 September 2007. Retrieved 29 March 2020.
  38. ^ "Anyám, Kleopátra". Nemzeti Színház. Retrieved 31 March 2020.
  39. ^ Sztrókay, András (February 2010). "Sztrókay András: Kortársunk, a romlás". Színház.net. Retrieved 31 March 2020.
  40. ^ "Scriitori in centru: Ioana Parvulescu, Attila Bartis si Filip Florian au vorbit despre amestecul fictiunii in realitate". Suplimentul de cultură. 28 October 2013. Retrieved 31 March 2020.
  41. ^ Affenzeller, Margarete (14 March 2014). "Ja, so haben wir gelebt vor der Wende". Der Standard. Retrieved 31 March 2020.
  42. ^ "A nyugalom". Nemzeti Szinház Marosvásárhely. Retrieved 31 March 2020.
  43. ^ "Rendezés". Nemzeti Szinház Marosvásárhely. Retrieved 31 March 2020.
  44. ^ "Rendezés". Vígszínház. Retrieved 31 March 2020.
  45. ^ Horeczky, Krisztina (3 February 2008). "Alföldi Róbert: Nyugalom". film.hu. Retrieved 31 March 2020.
  46. ^ "Nyugalom". Nemzeti Filmintézet. Retrieved 31 March 2020.
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  48. ^ "Állami kitüntetések az 1956. október 23-i forradalom 50. évfordulója alkalmából". Nemzeti Erőforrás Minisztérium. 20 October 2006. Retrieved 31 March 2020.
  49. ^ "A Magyar Művészetért Díj 2009-ben" (PDF). MEK (Magyar Elektronikus Könyvtár). p. 207. Retrieved 31 March 2020.
  50. ^ "Best Translated Book 2008 Longlist: Tranquility by Attila Bartis « Three Percent". Retrieved 28 September 2020.
  51. ^ "Szőcs Géza kultúráért felelős államtitkár átadta a Szép Ernő-jutalmakat". Nemzeti Erőforrás Minisztérium. 22 September 2010. Retrieved 31 March 2020.
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  53. ^ "Libri irodalmi díj: vaskos regényt díjazott a közönség". HVG. 25 May 2016. Retrieved 31 March 2020.
  54. ^ MTI (13 March 2018). "Művészeti kitüntetéseket adtak át március 15. alkalmából". Híradó. Retrieved 29 March 2020.
  55. ^ "Korábbi díjazottak listája". Magyar Soros Alapítvány. Retrieved 31 March 2020.
  56. ^ "Attila Bartis". Literarisches Colloquium Berlin. Retrieved 31 March 2020.
  57. ^ "Bemutatkoztak a külföldi intézetek új vezetői". kultúra.hu. MTI. 5 July 2005. Retrieved 31 March 2020.
  58. ^ Minji, Yao (8 October 2010). "Foreign female writers get the feel of Shanghai". Shanghai Daily. Retrieved 31 March 2020.
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  60. ^ "国际写作营：文化需要慢下来，沉下来". China Youth Daily. Sina Corp. 18 September 2012. Retrieved 31 March 2020.
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