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Joseph Lateiner

From Wikipedia, the free encyclopedia

Joseph Lateiner (December 25, 1853 – February 23, 1935, birth surname: Finkelshteyn)[1] was a playwright in the early years of Yiddish theater, first in Bucharest, Romania and later in New York City, where he was a co-founder in 1903 with Sophia Karp of the Grand Theater, New York's first purpose-built Yiddish language theater building.

Born in Iaşi, Moldavia, now Romania, Lateiner got his start writing for theater in Iaşi around the start of 1878, when Israel Grodner, having left Abraham Goldfaden's Bucharest company, needed a playwright. He added some topical material to a German-language comedy Nathan Schlemiel oder Orthodoxe und reformirte Juden by J. Rosenzweig[a] (Ein Tendenz-Lustspiel in 3 Acten. Pressburg, 1873[2]), and came up with a play Die Tzwei Schmuel Schmelkes (The Two Schmuel Schmelkes). He translated and "Yiddishized" plays from Romanian and German; his more than 80 plays included Mishke and Moshke: Europeans in America (or The Greenhorns), "Satan in the Garden of Eden", and "The Jewish Heart".[4]

By showing that Goldfaden was not the only person who could write a successful play in Yiddish, he opened the floodgates for other Yiddish playwrights.

Notes

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  1. ^ Rosenzweig's text says that the action is "somewhere in Hungary"[2] and a 1906 Hungarian reference book gives author's name as Ignácz Rosenzweig, born in Pozsony (Both Pressburg and Poszony are the names of Bratislava,)[3]

References

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  1. ^ Lateiner, Yoysef (Joseph) (December 25, 1853–February 23, 1935), translated from Leksikon Fun Der Nayer Yidisher Literatur by Joshua A Fogel
  2. ^ a b Nathan Schlemiel oder Orthodoxe und reformirte Juden. Ein Tendenz-Lustspiel in 3 Akten, public domain, readable in Google Books
  3. ^ József Szinnyei [hu], Life and works of Hungarian writers, p. 1183 (public domain, readable in Google Books)
  4. ^ Nahma Sandrow, Vagabond Stars, a world history of Yiddish Theater, pp. 106-107
  • Adler, Jacob, A Life on the Stage: A Memoir, translated and with commentary by Lulla Rosenfeld, Knopf, New York, 1999, ISBN 0-679-41351-0. 77 (commentary).