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Lewis Grassic Gibbon

From Wikipedia, the free encyclopedia

Lewis Grassic Gibbon
BornJames Leslie Mitchell
(1901-02-13)13 February 1901
Hillhead of Seggat, Auchterless, Aberdeenshire, Scotland
Died7 February 1935(1935-02-07) (aged 33)
Welwyn Garden City, Hertfordshire, England
Pen nameLewis Grassic Gibbon
OccupationNovelist
NationalityScottish
Period1928–1935
GenreGeneral fiction
SubjectScottish country life
Science fiction
Historical novels
Literary movement20th-century Scottish Renaissance
Notable worksThe trilogy A Scots Quair, in particular the first book Sunset Song
ChildrenRhea Martin
Website
www.grassicgibbon.com
Memorial to Lewis Grassic Gibbon in Arbuthnott kirkyard

James Leslie Mitchell[1] (13 February 1901 – 7 February 1935), known by the pseudonym Lewis Grassic Gibbon (Scots pronunciation: [ˈluːɪs ˈɡrasɪk ˈɡɪbən]), was a Scottish writer. He was best known for A Scots Quair, a trilogy set in the north-east of Scotland in the early 20th century, of which all three parts have been serialised on BBC television.

Biography

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Mitchell was born into a farming family in Auchterless and raised from the age of seven in Arbuthnott, in the former county of Kincardineshire.[2] He was educated first at the parish school and then at Mackie Academy in Stonehaven.[3] Mitchell started working as a journalist for the Aberdeen Journal in 1917 and later for the Farmers Weekly after moving to Glasgow.[4] During that time he was active with the British Socialist Party.[5]

In 1919, Mitchell joined the Royal Army Service Corps and served in Iran, India and Egypt before enlisting in the Royal Air Force in 1923.[6] In the RAF he worked as a clerk and spent some time in the Middle East.

When he married Rebecca Middleton (known as Ray) in 1925, they settled in Welwyn Garden City.[7] He began writing full time in 1929, producing numerous books and shorter works under his real name and his pseudonym. He suffered an early death in 1935 from peritonitis, brought on by a perforated ulcer.

Fiction

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Mitchell gained attention from his earliest attempts at fiction, notably from H. G. Wells, but it was his trilogy entitled A Scots Quair, and in particular its first book Sunset Song, with which he made his mark. A Scots Quair, with its combination of stream-of-consciousness, lyrical use of dialect, and social realism, is considered to be among the defining works of the 20th century Scottish Renaissance. It tells the story of Chris Guthrie, a young woman growing up in the north-east of Scotland in the early 20th century. All three parts of the trilogy have been turned into serials by BBC Scotland, written by Bill Craig, with Vivien Heilbron as Chris. Additionally, Sunset Song has been adapted into a film, released in 2015.[8] Spartacus, a novel set in the famous slave revolt, is his best-known full-length work outside this trilogy.

In 1934 Mitchell collaborated with Hugh MacDiarmid on Scottish Scene, which included three of Gibbon's short stories. His stories were collected posthumously in A Scots Hairst (1969). Possibly his best-known is "Smeddum", a Scots word which could be best translated as the colloquial term "guts". Like A Scots Quair, it is set in north-east Scotland with strong female characters.[9] In 1976 the BBC produced a Play for Today, Clay, Smeddum and Greenden, a dramatisation of three of his short stories by Bill Craig.[10] As of February 2024 it is available on BBC iPlayer for 11 months.[11] Also notable is his essay The Land.

Remembrance

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The Grassic Gibbon Centre, attached to the local village hall, was established in Arbuthnott in 1991 to commemorate the author's life. Within it is a small museum about his life and work, as well as a café. There is a memorial to him and his wife, and other members of the Mitchell family, in the western corner of the village churchyard (parish church of Saint Ternan) of Arbuthnott Church, nowadays in Aberdeenshire.

In 2016 Sunset Song was voted Scotland's favourite novel in the BBC Love to Read campaign. A feature article on the novel has been written by Nicola Sturgeon, who edited a recent edition.[12]

Bibliography

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Adaptations

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Reviews

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Glenda Norquay, "Echoes from The Mearns", reviewing The Speak of the Mearns, in Sheila G. Hearn, ed., Cencrastus No. 13, Summer 1983, pp. 54–55

References

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  1. ^ Joseph F. Clarke (1977). Pseudonyms. BCA. p. 70.
  2. ^ McKean, Charles (1990), Banff & Buchan, Royal Incorporation of Architects in Scotland, p. 71, ISBN 978-1-85158-231-0
  3. ^ "Lewis Grassic Gibbon – Stonehaven Heritage Society". www.stonehaven-heritage.org. Archived from the original on 4 October 2018. Retrieved 22 February 2018.
  4. ^ "BBC Two - Writing Scotland - Lewis Grassic Gibbon". Archived from the original on 14 July 2021. Retrieved 4 February 2020.
  5. ^ "Paul Foot: Poet of the Granite City (2001)". www.marxists.org. Archived from the original on 2 October 2015.
  6. ^ Manson, John, "Lewis Grassic Gibbon: A Biography", in Mathers, Neil (ed.), Epoch 9: December 1996, The Corbie Press, Montrose, pp. 12 -14, ISSN 0967-6856
  7. ^ Hadley, Tessa (8 August 2008). "Rereading: Life on the land". The Guardian. ISSN 0261-3077. Archived from the original on 14 April 2019. Retrieved 14 April 2019.
  8. ^ Bonnar, Mark; Mullan, Peter; Deyn, Agyness; Guthrie, Kevin (4 December 2015), Sunset Song, archived from the original on 18 June 2018, retrieved 31 March 2017
  9. ^ "review of "Smeddum"". Archived from the original on 25 May 2012. Retrieved 8 March 2012.
  10. ^ Play for Today website Archived 30 December 2013 at the Wayback Machine
  11. ^ "Play for Today - Series 6: Clay, Smeddum and Greenden".
  12. ^ New Statesman, 31 January 2020, pp. 42–44.

Further reading

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  • Ian Campbell, Lewis Grassic Gibbon (Edinburgh: Scottish Academic Press, 1985)
  • Cairns Craig, Fearful Selves: Character, Community and the Scottish Imagination, in Cencrastus No. 4, Winter 1980–1881, pp. 29–32, ISSN 0264-0856
  • Douglas Gifford, In Search of the Scottish Renaissance: The Reprinting of Scottish Fiction, in Cencrastus No. 9, Summer 1982, pp. 26 – 30, ISSN 0264-0856
  • Douglas Gifford, Neil M. Gunn & Lewis Grassic Gibbon (Edinburgh: Oliver & Boyd, 1983)
  • Scott Lyall, ed., The International Companion to Lewis Grassic Gibbon (Glasgow: Scottish Literature International, ASLS, 2015) ISBN 9781908980137
  • John Manson, "Lewis Grassic Gibbon: A Biography", in Mathers, Neil (ed.), Epoch 9, The Corbie Press, Montrose, pp. 12 - 14, ISSN 0967-6856
  • Raymond Vettese, "Lewis Grassic Gibbon and Diffusionism", in Mathers, Neil (ed.), Epoch 9, The Corbie Press, Montrose, pp. 15 - 17, ISSN 0967-6856
  • John Manson, "Grassic Gibbon in Print", in Mathers, Neil (ed.), Epoch 9, The Corbie Press, Montrose, pp. 17 &- 18, ISSN 0967-6856
  • Scott Lyall, "J. Leslie Mitchell/Lewis Grassic Gibbon and Exploration", in Scottish Literary Review 4.1, Spring/Summer 2012, pp. 131–150
  • Scott Lyall, '"East is West and West is East": Lewis Grassic Gibbon's Quest for Ultimate Cosmopolitanism', in Gardiner et al. (eds), Scottish Literature and Postcolonial Literature (Edinburgh: Edinburgh University Press, 2011), pp. 136–146
  • Scott Lyall, 'On Cosmopolitanism and Late Style: Lewis Grassic Gibbon and James Joyce', in Dymock and Palmer McCulloch (eds), Scottish and International Modernisms (Glasgow: ASLS, 2011), pp. 101–115
  • Margery Palmer McCulloch and Sarah Dunnigan (eds), A Flame in the Mearns (Glasgow: ASLS, 2003)
  • William K. Malcolm, A Blasphemer and Reformer: A Study of J. Leslie Mitchell/Lewis Grassic Gibbon (Aberdeen: Aberdeen University Press, 1984)
  • Iain S. Munro, Leslie Mitchell: Lewis Grassic Gibbon, (Oliver and Boyd, 1966)
  • Douglas F. Young, Beyond the Sunset: A Study of James Leslie Mitchell (Lewis Grassic Gibbon) (Aberdeen: Impulse Publications, 1973)
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