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Martin Shaw (composer)

From Wikipedia, the free encyclopedia

Martin Shaw
OBE FRCM
Born(1875-03-09)9 March 1875
London, England
Died24 October 1958(1958-10-24) (aged 83)
Southwold, England
Resting placeSt Edmund's Church, Southwold, England
Occupations
  • Composer
  • conductor
  • theatre producer
Spouse
Joan Cobbold
​
(m. 1916)​
RelativesGeoffrey Shaw (brother)
Sebastian Shaw (nephew)
Mont Campbell (grandson)

Martin Edward Fallas Shaw OBE FRCM (9 March 1875 – 24 October 1958) was an English composer, conductor, and (in his early life) theatre producer. His over 300 published works include songs, hymns, carols, oratorios, several instrumental works, a congregational mass setting (the Anglican Folk Mass), and four operas including a ballad opera.

Biography

[edit]

Shaw delighted in describing himself as a cockney,[1] a title he could claim under Samuel Rowlands' definition of one born within the sound of the Bow Bells.[2] Born 9 March 1875,[3] he was the eldest of nine children, son of the Bohemian and eccentric[4] James Fallas Shaw (1842–1907), composer of church music and organist of Hampstead parish church and Charlotte Elizabeth Shaw, née James (1850–1912). He was the elder brother of the composer and influential educator Geoffrey Shaw and the actor Julius "Jules" Brinkley Shaw (born in 1882, Clapham, Surrey now South West London), whose career was cut short by the First World War – he was killed in March 1918. He studied under Charles Villiers Stanford at the Royal College of Music, together with a generation of composers that included Gustav Holst, Ralph Vaughan Williams, and John Ireland. He then embarked upon a career as a theatrical producer, composer and conductor, the early years of which he described as "a long period of starving along".[5] However, he began his career as an organist, serving at Emmanuel Church, West Hampstead, from 1895 to 1903.

With Gordon Craig, he founded the Purcell Operatic Society in 1899,[6] dedicated to reviving the music of Henry Purcell and other English composers of the period, many of whose works had fallen into long neglect. Their first production in 1901 was Purcell's Dido and Aeneas, at the Hampstead Conservatoire. This was well received and transferred to the Coronet Theatre, where it played alongside Ellen Terry's production of Nance Oldfield. It was also Craig's first outing as stage director. The POS's other productions were The Masque of Love from Purcell's semi-opera, Dioclesian (1901) and Handel's Acis and Galatea (1902). In 1903, Martin joined Ellen Terry's company at the Imperial Theatre, where he composed and conducted the music for productions of The Vikings and Much Ado About Nothing, also directed by Craig, Ellen Terry's son.[5]

He proposed to Edith Craig, Craig's sister, in 1903 and was accepted. Edy was a successful, prolific but now largely forgotten theatre director, producer, costume designer and early pioneer of the women's suffrage movement in England. The marriage was prevented by Ellen Terry, out of jealousy for her daughter's affection, and by Christabel Marshall (Christopher St John), with whom Edith lived from 1899, according to Michael Holroyd in his book A Strange Eventful History (2008).[7] A thinly fictionalised account of this episode appears in St John's autobiographical novel Hungerheart: The Story of a Soul (1915).

Shaw then toured Europe as conductor to Isadora Duncan, extensively described in his 1929 autobiography Up to Now published by Oxford University Press.[5][8] During this period he gave music lessons and took posts as organist and director of music, first at St Mary's, Primrose Hill, where his vicar was Percy Dearmer 1908 or 1909 – 1920, later at St. Martin-in-the-Fields, London 1920 – 1924. He was also master of music at the Guildhouse, London.

After his marriage to Joan Lindley Cobbold (1890–1974) in 1916, he settled down to family life. The couple had three children: John Fallas Cobbold Shaw (1917–1973), Richard Brinkley Shaw (1920–1989), and Mary Elizabeth Shaw (1923–1977).[9] Under the influence of his wife, and faced with the need to support his family, church music gradually became the focus of his life and work.[citation needed] In 1918 he co-founded the League of Arts, the Royal School of Church Music and was an early organiser of hymn festivals. He did much editorial and executive work in connection with popularising music, the encouragement of community singing and raising standards of choral singing in small parish churches.

In 1932, Shaw received the Lambeth degree of Doctor of Music. He was appointed an OBE in 1955 and was made a Fellow of the Royal College of Music (FRCM) in 1958.[6]

He died on 24 October 1958.

His nephew was the actor Sebastian Shaw, who played the unmasked Darth Vader and the ghost of Anakin Skywalker in Return of the Jedi (1983).

Works

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His published works include over 100 songs (some of them for children), settings for soli, chorus and orchestra of Laurence Binyon's Sursum Corda, Eleanor Farjeon's The Ithacans, John Masefield's The Seaport and her Sailors; a ballad opera by Clifford Bax, Mr Pepys, and Water Folk, written for the Worcester Music Festival held in September 1932. He composed the music for T.S. Eliot's pageant play, The Rock, (performed at the Sadler's Wells Theatre in May 1934), making him the only composer Eliot ever allowed to set his words to music. He later became the first editor of National Anthems of the World, published after his death.

His oratorio The Redeemer, for SATB soloists, chorus and full orchestra, was first broadcast by the BBC in March 1945. His cantata God's Grandeur, to words by Gerard Manley Hopkins, was composed for the first Aldeburgh Festival, receiving its first performance in the same concert as the premiere of Britten's St Nicholas.[5]

Working with Percy Dearmer, Martin was music editor of The English Carol Book (1913, 1919) and, with Ralph Vaughan Williams, of Songs of Praise (1925, 1931) and The Oxford Book of Carols (1928). His tune Little Cornard is sung to Hills of the North Rejoice, and Marching is sung to Through the Night of Doubt and Sorrow. While doing research for the English Hymnal (1906) in the British Library, he came upon the traditional Gaelic hymn-tune Bunessan [citation needed] in L. McBean's Songs and Hymns of the Gael, published in 1900. However, the tune was not included in the English Hymnal. It was used instead in the second edition of Songs of Praise (1931), set to the poem Morning Has Broken, which Martin Shaw commissioned specially from his old friend Eleanor Farjeon. This tune and words became a No. 1 hit for Cat Stevens in 1972. Martin Shaw also noted down the Czech carol Rocking and included it in The Oxford Book of Carols.

Archive

[edit]

The Martin Shaw Archive was acquired by the British Library in February 2011. It includes his music scores and correspondence between him and his wife Joan. As well as letters from his friends Gustav Holst and John Ireland, letters from the world of literature and the arts are very widely represented, including Albert Schweitzer, Nancy Astor, Paul Nash, W. B. Yeats and his nephew Sebastian Shaw. The archive also contains major correspondence from Ralph Vaughan Williams and the Christian feminist and campaigner Maude Royden, with whom Martin established The Guildhouse Fellowship in Eccleston Square, London.[10]

List of works

[edit]

The following is a list of Shaw's theatrical productions, music for plays, cantatas and songs. Authors or collaborators are listed after the name of the production or piece in brackets. Publishers or performance venues are listed where known. A fuller list of works including editorial work, instrumental pieces, and sacred music can be seen at Musicweb International[11]

Theatrical work

[edit]

As producer of the Purcell Operatic Society, created by Shaw with Edward Gordon Craig[12][13][14]

Productions at the Imperial Theatre

Dramatic music

[edit]

1911 – 1915 with Mabel Dearmer and the Morality Play Society

with George Calderon and William Caine

  • 1912 The Brave Little Tailor[20]

1926 – 1939

Children's plays and pageants 1916 – 1939

  • 1916 The Pedlar (from Shakespeare) 6 songs, 2 dances – Evans Bros.
  • 1918 Fools and Fairies (from A Midsummer Night's Dream) – Evans
  • 1925 Children's Play: The Magic Fishbone (Joan Cobbold) – Curwen
  • 1925 A Christmas Pageant (words selected by Joan Cobbold) – Curwen
  • 1928 Pageant: The Months (Christina Rossetti, dramatised by Joan Cobbold) – Cramer
  • 1929 Christmas mime: At the Sign of the Star (Barclay Baron) – OUP
  • 1929 Musical Play: The Whispering Wood (Rodney Bennett) –
  • 1931 The Green Sky: a children's play (Joan Cobbold) – OUP
  • 1936 The Travelling Musicians (arr. Joan Cobbold, from the Brothers Grimm) – Novello
  • 1939 Thursday's Child (Christopher Fry) – Cramer

Cantatas and song sequences

[edit]
  • 1910 Song Sequence: Fantastic Trio for voice, sung by the Albion Trio at the Aeolian Hall[23]
  • 1931 Cantata: The Seaport and her Sailors (John Masefield) – Cramer
  • 1931 Song Sequence: The Ungentle Guest (Herrick, Drayton & Clifford Bax) – for Baritone, Harp and String Quartette – Cramer
  • 1932 Song Sequence: Water Folk (Heine) for voice, strings, quartette and pianoforte – Cramer
  • 1933 Cantata: The Ithacans (Eleanor Farjeon) [tenor, chorus and orchestra] – Cramer
  • 1933 Cantata: Sursum Corda (Laurence Binyon) [chorus and orchestra] – Novello
  • 1935 Cantata: This England (Shakespeare) – OUP
  • 1945 Cantata length Oratorio: The Redeemer (ed. Joan Cobbold) [soli, chorus and orchestra] – Joseph Williams
  • 1950 Cantata: The Changing Year (ed. Joan Cobbold) – Joseph Williams
  • 1953 Cantata: The Changing Year [arr. for flute and strings D. Shaw] – J Williams

Songs

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1898–1904

  • 1898 Berceuse (Diana Gardiner) – The Dome
  • 1899 The Song of the Palanquin Bearers (Sarojini Naidu) – The Page
  • 1902 The Land of Heart's Desire (W. B. Yeats) – Curwen
  • 1903 E'en as a lovely Flower (Heine) – The Page
  • 1904 Hymn To Diana [2 part song] (Ben Jonson) – Novello
  • 1904 Over the Mountains (traditional) [2 part song] – Novello
  • 1904 The Jolly Shepherd (John Wootton) [S.A., p.f.] – Joseph Williams
  • 1904 The Fairies Escape [SS song for female voices, p.f. acc.] – Joseph Williams
  • 1904 Weep you no More Sad Fountains [S.A. with p.f. acc.] – Joseph Williams

1913–1920

  • 1913 England, My England (W. E. Henley) [chorus for TTBB] – Boosey
  • 1914 6 Songs of War published by Humphrey Milford at Oxford University Press (OUP) 1: Battle song of the Fleet at Sea (Stella Callaghan) 2: Called Up (Dudley Clark) 3: England for Flanders (C. W. Brodribb) 4: Erin United (C.W. Brodribb) 5: Carillons (tr. From the French by D. Bonnard) 6: Venizel (W. A. Short)
  • 1914 The Cavalier's Escape (W Thornbury) – Stainer and Bell
  • 1914 Song of the Callicles (Matthew Arnold) 3 part song for female voices [SSA] – Joseph Williams
  • 1914 Conrad Suck-a-Thumb – in Geoffrey Shaw's Struwelpeter – Curwen
  • 1915 God Save the King with Faux Bourdon – Curwen
  • 1915 Cuckoo (traditional, 2nd verse by MS) – Curwen
  • 1915 Song: Clare's Brigade (Stephen Gwynn) – Humprey Milford at OUP
  • 1915 Four Pastoral Songs for Soprano and Contralto – Curwen 1: County Guy 2: Lubin 3: Sylvia Sleeps 4: Sylvia Wakes
  • 1916 A Christmas Song (Eugene Field) – Evans
  • 1916 Ships of Yule [unison song] – Evans
  • 1917 Lullaby (Christina Rossetti) – Curwen
  • 1917 Under the Greenwood Tree – Curwen
  • 1917 Sigh No More Ladies (Shakespeare) – Curwen
  • 1917 Trip and Go (traditional) – Curwen
  • 1917 Orange and Green (arr. Of AP Graves words to "Lillibulero") – Curwen
  • 1917 Six Songs published by Curwen: 1: Bird or Beast (Christina Rossetti) 2: Easter Carol (Christina Rossetti) 3: The Land of Heart's Desire (Yeats) 4: Over the Sea (Christina Rossetti) 5: not currently known 6: Summer (Christina Rossetti)
  • 1917 Song of the Palanquin Bearers republished – Curwen
  • 1917 Lied der Sänftentrager [German translation of "Palanquin Bearers"] – Universal Edition
  • 1918 Serenade (Diana Gardner) – Curwen
  • 1918 Two Songs from Alice in Wonderland (Lewis Carroll) – (Evans: 3rd Bk of the School Concert) 1: You are Old Father William 2: Will You Walk a Little Faster
  • 1918 The Bird of God (Kingsley) [2 part song] – Arnold
  • 1918 The Frogge and the Mouse (Deuteromelia) [2 part song] – Curwen
  • 1919 Bab-lock-Hythe (Laurence Binyon) – Curwen
  • 1919 Brookland Road (Rudyard Kipling) – Curwen
  • 1919 Child of the Flowing Tide (Geoffrey Dearmer) – Chappell
  • 1919 Down by the Salley Gardens (W. B. Yeats) – Curwen
  • 1919 Heffle Cuckoo Fair (Rudyard Kipling) – Curwen
  • 1919 Love Pagan (Arthur Shirley Cripps) – Curwen
  • 1919 Old Mother Laidinwool (Rudyard Kipling) – Curwen
  • 1919 Pity Poor Fighting Men (Rudyard Kipling) – Curwen
  • 1919 Refrain (Arthur Shirley Cripps) – Rogers
  • 1919 Stave of Roving Tim (George Meredith) – Curwen
  • 1919 The Egg Shell (Rudyard Kipling) – Curwen
  • 1919 The Bubble Song (Mabel Dearmer) – Chappell
  • 1920 The Knights Song (Lyon) – Enoch
  • 1920 Love me, I love you (Christina Rossetti) – Curwen
  • 1920 Charity (Christina Rossetti) – Curwen
  • 1920 Lullaby (Christina Rossetti) – Curwen
  • 1920 The Ferryman (Christina Rossetti) – Curwen
  • 1920 Up the Airy Mountains (William Allingham) [2pt song] – Augener; Edward Arnold
  • 1920 Invictus (W. E. Henley) – Curwen
  • 1920 O Falmouth is a Fine Town (W. E. Henley) – Curwen

1921–1930

  • 1921 Annabel Lee (Edgar Allan Poe) – Cramer
  • 1921 When Daisies Pied (Shakespeare) – Curwen
  • 1922 At Columbine's Grave (Bliss Carmen) – Cramer
  • 1922 Blow, Blow thou Winter Wind (Shakespeare) [unison] – Edward Arnold
  • 1922 Butterflies (Mabel Dearmer) [unison song] – Curwen
  • 1922 Crockle and Quackle (Darnley) [2pt. Song] –
  • 1922 Full Fathom Five (Shakespeare) – Cramer
  • 1922 I know a Bank (Shakespeare) [unison] – Cramer
  • 1922 Old Clothes and Fine Clothes (John Pride) – Cramer
  • 1922 The Cockyolly Song (Mabel Dearmer) [unison song] – Curwen
  • 1922 The Merry Wanderer (Shakespeare) – Cramer
  • 1922 Two songs of Spring – Boosey: 1: Through Softly Falling Rain (Sybil M.Ruegg) 2: The Herald (Geoffrey Dearmer)
  • 1923 I Cannot eat but little Meat (arr. For TTBB) – Curwen
  • 1923 I Know a Bank (Shakespeare) [SS] – Cramer
  • 1923 London Town (John Masefield) – Cramer
  • 1923 Over Hill Over Dale (Shakespeare) – Cramer
  • 1923 Peaceful Slumb'ring (Cobbe) [arr. Tenor Solo & TTBB] – Curwen
  • 1923 Ships of Yule (Eugene Field) [unison] – Curwen
  • 1923 The Grand Panjandrum – Novello
  • 1923 The Little Vagabond (William Blake, cover illustration by Paul Nash) – Cramer
  • 1923 Tides (John Pride) – Cramer
  • 1923 Two Nursery Rhymes – Evans Bros
  • 1923 With a voice of singing [SATB] - Curwen
  • 1924 The Dip (Judge Parry) – Cramer
  • 1924 Wood Magic (John Buchan) – Cramer
  • 1924 Glad Hearts Adventuring (Macdonald), the Girl Guide Anthem – Cramer
  • 1924 Cargoes (John Masefield) unison 1st published in Music and Youth, (2/- song) – Cramer
  • 1924 Two Water Songs – Cramer 1: The Little Waves of Breffney (Eva Gore-Booth) 2: The Rivulet (L. Larcom)
  • 1924 I know a Bank (Shakespeare) [Duet] – Cramer
  • 1925 Old Clothes and Fine Clothes (John Pride) – Braille
  • 1925 The Conjuration (from the Chinese poem of Hung-So-Fan) 2 keys – Cramer
  • 1925 The Caravan (W. B. Rands) – Cramer
  • 1925 The Pioneers (Walt Whitman) unison song – Cramer
  • 1926 Bridgwater Charter Song (Bruce Dilks) – Cramer
  • 1926 March (L. Larcom) [unison] – OUP
  • 1926 May Merry Time (Darley) 2pt song – OUP
  • 1926 Song & Mime: The Mummers (Eleanor Farjeon) unison – Evans Bros.
  • 1926 Trees (E. Nesbit) – Cramer
  • 1927 Avona (DB Knox) – Cramer
  • 1927 Budmouth Dears (Thomas Hardy) [SSCCTTBB] – Curwen
  • 1927 Gather up your Litter (Eleanor Farjeon) – Cramer
  • 1927 Ladybird (Mrs Montgomery) [unison] – Cramer
  • 1927 Lament: Johnny Braidislee from Ionica – Cramer
  • 1927 Little Trotty Wagtail (John Clare) [Unison] – Cramer
  • 1927 Over the Sea with a Soldier (Harold Boulton) – Cramer
  • 1927 St George's Day (arr. D.J. Clarke, words Geoffrey Dearmer) [Unison] – Cramer
  • 1927 The Accursed Wood (Harold Boulton) [Unison] – Cramer
  • 1927 Up Tails All (Kenneth Grahame) [Unison] – Cramer
  • 1927 The Mountain and the Squirrel (Emerson) [Unison] – Cramer
  • 1928 Service (words selected by Rudyard Kipling) [Unison] – Cramer
  • 1929 Song of the Music Makers (Rodney Bennett) Music and Youth (Jan) – Cramer
  • 1929 Two Shakespeare Songs: – Cramer 1: Come Away Death 2: When that I was
  • 1929 Sea Roads (Harold Boulton) [Unison] – Boosey and Hawkes [Winthrop Rogers]
  • 1930 Songs: New Singing Games (Cobbold) – Cramer 1: White Owl 2: Flower Game 3: Naughty Children 4: Walking Down the Lane
  • 1930 O Land of Britain (Stuart Wilson) [Unison] – Cramer
  • 1930 To Sea (Beddoes) – Cramer
  • 1930 The World's Delight – Cramer
  • 1930 Working Together (Percy Dearmer) [Unison] – Cramer

1931 – 1940

  • 1931 In Liverpool Where I was Bred (John Masefield) from the Cantata – Cramer
  • 1931 No (Thomas Hood) – Cramer
  • 1931 Three Calendar Songs for Children – Novello 1: 30 Days Hath September
  • 1931 Wood Fires [unison song] – Cramer
  • 1932 6 Songs (Eleanor Farjeon) – Cramer 1: Argus [Unison song] 2: Caesar [Unison song] 3: Hannibal [Unison Song] 4: Leonidas [two part canon] 5: Romulus and Remus [two part canon] 6: Queen Dido [two part canon]
  • 1932 Perilous Ways (Mordaunt Currie) – Cramer
  • 1933 Marketing Day (Derek McCulloch) [unison] – Novello
  • 1933 The Melodies You Sing (Clifford Bax) – Cramer
  • 1933 The Wind and the Sea (Clifford Bax) – Cramer
  • 1935 Garden Flowers (Mary Howitt) [Unison] – Child Education; Evans Bros
  • 1936 A Chant for England (Helen Gray Cone) [Unison] – Cramer
  • 1936 Two Cherry Songs [Unison] – Cramer
  • 1936 The Day's End [Unison] – Cramer
  • 1936 Would it were So (Elizabeth Wordsworth) [Unison] – Novello
  • 1937 Song: An Airman's Te Deum (F. McN. Foster) – Curwen
  • 1938 Come away, Death (Shakespeare) [SATB] – Novello
  • 1939 Choir Songs: Thursday's Child (Christopher Fry) [Unison Songs] – Cramer 1: A Song of Life 2: Leaving School 3: What is a House 4: Cooking 5: Housework 6: Rub-a-dub-dub 7: Ploughing 8: Sowing 9: Harvest
  • 1939 Two songs for Juniors – Cramer: 1: The Rain, 2: The Stream
  • 1939 The Mountain and the Squirrel – Cramer
  • 1939 The Caravan – Cramer
  • 1940 Song: Say not the Struggle Nought Availeth (A. H. Clough) [Unison] – Musical Times; Novello

1941 – 1954

  • 1941 Drake's Drum (Sir Henry Newbolt) [Unison] – Cramer
  • 1941 The Airmen (Margaret Armour, from The Times, 28 May 1940) – Cramer
  • 1942 Song: Jack Overdue (J. Pudney) – Cramer
  • 1944 The Path of Duty (Tennyson) [unison] – Novello
  • 1948 Kitty of Coleraine (anon) [arr. TTBB ] – Boosey and Hawkes
  • 1948 My Bonny Cuckoo [arr. SSA] – Cramer
  • 1948 Oft in the Stilly Night (Thomas Moore) [arr. Tenor solo & TTBB] – Boosey and Hawkes
  • 1948 The Elves (arr. SSA) – Cramer
  • 1952 Coronation Song (E. Montgomery Campbell) [Unison] – Cramer
  • 1952 Sing Three [10 Songs for S.A.B.] – Cramer
  • 1953 Over the Hills (George Meredith) [Unison] – Cramer
  • 1954 Farm-yard Families (M. Nightingale) [Unison] – Cramer
  • 1954 The Sea Shore (Geoffrey Dearmer) [Unison] -Cramer
  • 1954 The Sweet of the Year (George Meredith) [2 part song] – OUP

Posthumous publications

  • 1987 Martin Shaw, Seven Songs for Voice and Piano – Stainer and Bell 1: Annabel Lee 2: Cargoes 3: No. 4: When Daisies Pied 5: The Cuckoo 6: Song of the Palanquin Bearers 7: Down by the Salley Gardens
  • 1969 Garden of Earthly Delights based on work by Philip Rosseter and arranged by Mont Campbell on the album Arzachel by Prog Rock group Uriel

References

[edit]
  1. ^ Shaw, Martin (1929). Up To Now. Oxford University Press. p. 1.
  2. ^ "www.phrases.org.uk". Phrases.org.uk. Retrieved 1 October 2010.
  3. ^ Thompson, Oscar (1975). The International Cyclopedia of Music and Musicians. Dodd, Mead. ISBN 978-0-460-04235-2.
  4. ^ Up To Now. pp. 1–16.
  5. ^ a b c d "Martin Shaw - an appreciation by Erik Routley MusicWeb-International". Musicweb-international.com. Retrieved 27 July 2020.
  6. ^ a b "national-anthems.org - editors". National-anthems.org. Retrieved 27 July 2020.
  7. ^ Holroyd, Michael A Strange Eventful History Chatto and Windus (2008)
  8. ^ Up To Now. pp. 54–96.
  9. ^ "Family Tree - The Cobbold Family History Trust". Family-tree.cobboldfht.com. Retrieved 27 July 2020.
  10. ^ [1][permanent dead link‍]
  11. ^ "Martin Shaw - published works MusicWeb-International". Musicweb-international.com. Retrieved 27 July 2020.
  12. ^ Index to the Story of My Days, Edward Gordon Craig, pp. 222 – 249
  13. ^ Up to Now, Martin Shaw pp.26 – 41
  14. ^ Gordon Craig, Edward A. Craig, Chapters 6 – 10
  15. ^ EGC, Index, p. 242
  16. ^ Up to Now, p. 31
  17. ^ Up to Now, p. 36
  18. ^ The Times 2 December 1911
  19. ^ The Times, Jan.2nd 1914
  20. ^ Up to Now, p. 113
  21. ^ Ideas and People, Clifford Bax, pp.152 – 156
  22. ^ The Times, Saturday 29 October 1932
  23. ^ The Times, Friday 25 November
Bibliography
  • Up To Now, by Martin Shaw, Oxford University Press 1929;
  • A Strange Eventful History, by Michael Holroyd, Chatto and Windus 2008;
  • Gordon Craig: The Story of His Life, by Edward Craig, Victor Gollancz 1968;
  • Isadora: The Sensational Life of Isadora Duncan, by Peter Kurth, Little, Brown 2001.
  • The Making of T.S. Eliot's Plays, by E. Martin Browne, Cambridge University Press 1969;
  • The Life of Percy Dearmer, by Nan Dearmer: Jonathan Cape 1940;
  • Songs of Praise with Music, Revised and Enlarged Edition, OUP 1932;
  • Songs of Praise Discussed, compiled by Percy Dearmer: OUP, 1933;
  • The Greater Light, a Compendium of the Life and Work of Martin Shaw, edited by Stephen Connock and Isobel Montgomery Campbell: Albion Music Ltd, 2018;

Further reading

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8 Clive Hodges: Cobbold & Kin: Life Stories from an East Anglian Family (Woodbridge, Boydell Press, 2014) ISBN 9781843839545

[edit]
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