Thaïs (1917 Italian film)
| Thaïs | |
|---|---|
 A scene from the movie | |
| Directed by | Anton Giulio Bragaglia |
| Written by | Riccardo Cassano |
| Starring | Thaïs Galitzky |
Release date |
|
Running time | 105 minutes |
| Country | Italy |
| Language | Silent |
Thaïs is a 1917 Italian silent film directed by Anton Giulio Bragaglia. The movie is the sole surviving Italian Futurist film, and currently kept at the Cinémathèque Française. It is not based on the novel of the same name by Anatole France.
Plot
[edit]The plot is fairly conventional and refers to the love stories of turbid "diva-film" typical of the period.
The beautiful Slavic countess Vera Preobrajenska (played by Thaïs Galitzy) is a seductress of married men, dragging them to the brink of ruin. Vera resolves to seduce Count San Remo, the lover of her best friend, the Countess Bianca Stagno-Bellincioni (played by Ileana Leonidoff). Bianca, in the midst of depression, falls off her horse and dies. Vera feels guilty and commits suicide.[1][2][3]
Characteristics
[edit]The film sets are characteristic of the Futurist movement. They were designed by Enrico Prampolini who used geometric shapes based on a strong black/white contrast: spiral, diamond, chess, symbolic figures (cats, masks spewing smoke). Painted scenes often interact with the characters, creating a world of illusions where it is difficult to distinguish fact from fiction. As the film progresses, it becomes more and more abstract to reflect Vera's increasing confusion.
The oppressive and anti naturalistic visions can be seen as a preamble to the German expressionist cinema, which was notably inspired by the style of Prampolini.
Gallery
[edit]-
A scene from Thaïs -
A scene from Thaïs -
A lattice of pointed poles -
A scene with real smoke
See also
[edit]- Drama in the Futurists' Cabaret No. 13 (sole surviving Russian Futurist film, albeit partially lost)
- Futurism
- Italian Futurism (cinema)
- Thais (1917 American film)
- Thaïs (opera)
References
[edit]- ^ Review, synopsis and link to watch the film: "A cinema history". Retrieved 5 June 2014.
- ^ Paulicelli, Eugenia (2016). Italian Style: Fashion & Film from Early Cinema to the Digital Age. New York, New York: Bloomsbury Publishing. p. 23. ISBN 978-1-62356-661-6.
- ^ Marcus, Millicent (1996). "Anton Giulio Bragaglia's "Thaïs"; or, The Death of the Diva + The Rise of the Scenoplastica = The Birth of Futurist Cinema". South Central Review. 13 (2/3): 63–81. doi:10.2307/3190372. JSTOR 3190372.
Bibliography
[edit]- Sandro Bernardi, L'avventura del cinematografo, Marsilio Editori, Venezia 2007. ISBN 978-88-317-9297-4
- G. Aristarco, Teoria futurista e film d'avanguardia, ne «La Biennale di Venezia» n. 36/37 Luglio- Dicembre, Venezia, 1959
- A. Bernardini, Cinema muto italiano, 3 vol., Laterza, Bari-Roma, 1980/81
- R. Campari, Il fantasma del bello: iconologia del cinema italiano, Marsilio, Venezia, 1994
- G. Lista, Cinema e fotografia futurista, Skira, Milano, 2001
- M. Macola, Prima mostra di scenotecnica futurista, in «Il Secolo XIX», Genova, 11 febbraio 1933
- F. T. Marinetti, Anton Giulio Bragaglia, in «Futurismo», n. 9, 6 novembre 1931
- C. Tisdall e A. Bozzolla, Futurismo, Skira, Milano, 2003
- M. Verdone e AAVV, La casa d’arte Bragaglia, Bulzoni, Roma, 1992
- M. Verdone, Cinema e letteratura del futurismo, Manfrini, Calliano, Trento, 1990
External links
[edit]
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