Censorship under the military dictatorship in Brazil consisted of restrictions on the media, artists, journalists, and others which the government deemed "subversive", "dangerous" or "immoral". The political system of the Brazilian military dictatorship, installed by a 1964 coup d'état and which persisted until 1985, also set out to censor material that went against what it called "morality and good manners". The constitution of 1967 established censorship as an official, centralized activity of the Brazilian federal government. There were several protests against the practice, including the Cultura contra Censura protest in February 1968, depicted in this photograph, which shows the actresses Tônia Carrero, Eva Wilma, Odete Lara, Norma Bengell and Cacilda Becker.Photograph credit: unknown; restored by Adam Cuerden
... that Jenny Hurn(pictured) in Lincolnshire, England, is said to be haunted by a boggart that crosses the River Trent in a dish propelled by oars the size of teaspoons?
... that the Mount Leona Fire was finally contained on the upper slopes of Profanity Peak?
... that during his tenure as the manager of Austria's Burgtheater from 1971 to 1976, Gerhard Klingenberg often directed plays with analogies of a divided Europe?
... that Red (Taylor's Version) was credited by media publications with popularizing the "Sad Girl Autumn" phenomenon in popular culture?
This Wikipedia page is considered semi-tractor-trailer-policy. Semi-tractor-trailer-policy pages are an attempt to jack-knife any real policies and present herculean efforts in codification to questionable purpose. These long-standing unwritten unapproved unthought unrules have widespread support since no actual vote ever becomes real. They should be treated as law, unless they do not support your flame war.
It is so terribly sad that I have to explain that the above is a JOKE
If you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you
But make allowance for their doubting too,
If you can wait and not be tired by waiting,
Or being lied about, don't deal in lies,
Or being hated, don't give way to hating,
And yet don't look too good, nor talk too wise:
If you can dream--and not make dreams your master,
If you can think--and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two impostors just the same;
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build 'em up with worn-out tools:
If you can make one heap of all your winnings
And risk it all on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breath a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: "Hold on!"
If you can talk with crowds and keep your virtue,
Or walk with kings--nor lose the common touch,
If neither foes nor loving friends can hurt you;
If all men count with you, but none too much,
If you can fill the unforgiving minute
With sixty seconds' worth of distance run,
Yours is the Earth and everything that's in it,
And--which is more--you'll be a Man, my son!
For unique design and interesting content, I present you with this Excellent User Page Award. –Frater5(talk/con) 16:12, 29 May 2006 (UTC)