THE LIVES OF THE OBSCURE
slowly twined a piece of bass round his finger, looked at the sky, said something about the sun, also about the prevalence of lady artists, and then, with a nod of his head, observed sententiously that it was to a lady that he owed everything he had.
“Ah?” said Miss Lipscomb, flattered, but already much occupied with her composition.
“A lady with a queer-sounding name,” said Mr. Pascoe, “but that’s the lady I’ve called my little girl after—I don’t think there’s such another in Christendom.”
Of course it was Miss Ormerod, equally of course Miss Lipscomb was the sister of Miss Ormerod’s family doctor; and so she did no sketching that morning, but left with a handsome bunch of grapes instead—for every flower had drooped, ruin had stared him in the face—he had written, not believing one bit what they told him—to the lady with the queer name, back there came a book “In-ju-ri-ous In-sects,” with the page turned down, perhaps by her very hand, also a letter which he kept at home under the clock, but he knew every word by heart, since it was due to what she said there that he wasn’t a ruined man—and the tears ran down his face and Miss Lipscomb, clearing a space on the lodging-house table, wrote the whole story to her brother.
“The prejudice against Paris Green certainly seems to be dying down,” said Miss Ormerod when she read it.—“But now,” she sighed rather heavily, being no longer young and much afflicted with the gout, “now it’s the sparrows.”
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