Riccardo Wanke, author of the book "Sound in The Ecstatic-Materialist Perspective on Experimental Music" (2021, Routledge, Taylor & Francis), is a multidisciplinary experienced researcher, having conducted research in historical musicology, art practices and natural sciences, supervised both students and research teams. His central interest is the 20th and 21st century music, sound and music perception, music aesthetic, analysis and theory. He is member of the European Society for the Cognitive Science of Music (ESCOM), and the Society for Education, Music and Psychology Research (SEMPRE). He has collaborated with Makis Solomos (Paris 8, FR), Michael Clarke (Huddersfield University , UK), Claude Alain (Toronto, CA), Marc Thompson (Jyväskylä, FI), Nicola Di Stefano (CNR-Rome, IT), Vincenzo Santarcangelo (Turin, IT). Since 2015, he has authored (and co-authored) more than 25 peer-reviewed contributions in musicology and related topics such as music theory, aesthetics, analysis, perception/cognition (1 book as author, 3 books as co-editor, 6 journal articles, 3 book chapters, 14 proceeding papers) and published 10 releases as music actor (composer, performer, music editor). As a composer and performer, he explores the electronic manipulation of sound, having performed live worldwide and published music for international labels (USA, CH, IT, PT, MX). His diversity of scientific and artistic skills allows him to excel in inter- and transdisciplinary research approaches. Bibliometric data (Citations/H-index): Google Scholar: 522/12; SCOPUS: 508/11; WOS: 493/12.
Address: Portugal
Address: Portugal
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musical elements (e.g. pulse, spectral properties, dynamic contrast, spatial arrangements) their characteristics and effects. This method has been applied to post-spectralist and minimalist compositions (e.g. G. F. Haas, B. Lang R. Nova, G. Verrando), as well as glitch, electronic and basic-channel style pieces (Pan Sonic, R. Ikeda, Raime). The analysis reveals nine musical attributes that are common within the selection of pieces. These attributes
indicate parallels, similar perspectives and a common affnity among different genres. The study contributes essentially by minimising artistic distances and establishing shared musical conceptions.