Timea Boros

The aim of this study is to analyze and compare The Shining, the 1977 novel written by Stephen King and the 1980 film adaptation produced and directed by Stanley Kubrick. The main issue considered is the subjective perception observable in the work of each of these artists. While Kubrick deliberately changed a myriad of elements to fit his own narrative, King was concomitantly quite upset with Kubrick’s interpretation of the novel and the artistic liberty he took with writing the screenplay. An investigation into the theory of adaptation studies and the underlying issues concerning the adaptation process will be conducted and applied to the analysis of the novel and film. The viewpoints and criticism, from both the novelist and filmmaker will be taken into consideration to further explore the general issue of film adaptations. This study should point out the fundamental issues such as “faithfulness” to the novel, the filmmaker’s conveyance of the story, and the artistic differences ...

The aim of this study is to analyze and compare The Shining, the 1977 novel written by Stephen King and the 1980 film adaptation produced and directed by Stanley Kubrick. The main issue considered is the subjective perception observable in the work of each of these artists. While Kubrick deliberately changed a myriad of elements to fit his own narrative, King was concomitantly quite upset with Kubrick's interpretation of the novel and the artistic liberty he took with writing the screenplay. An investigation into the theory of adaptation studies and the underlying issues concerning the adaptation process will be conducted and applied to the analysis of the novel and film. The viewpoints and criticism, from both the novelist and filmmaker will be taken into consideration to further explore the general issue of film adaptations. This study should point out the fundamental issues such as "faithfulness" to the novel, the filmmaker's conveyance of the story, and the artistic differences in both works of art.