Books by Daniel Holcombe
University of Toronto Press. ISBN 9781487556891 , 2024
Book Chapters by Daniel Holcombe
Bodies Beyoond Labels: Finding Joy in the Shadows of Imperial Spain, 2024
"In “Secret Intimacies: Eternal Homoeroticism in Cervantes’s El curioso impertinente,” Daniel Hol... more "In “Secret Intimacies: Eternal Homoeroticism in Cervantes’s El curioso impertinente,” Daniel Holcombe explores Miguel de Cervantes’s interpolated Italian-style novella, which begins with public expressions of intense intimacy and male friendship. Many scholars have found that the two male protagonists are much more than friends, that their relationship is homoerotic. In this chapter Holcombe signals an early point in the plot that he refers to as a homoaffective calm before the heteronormative storm instigated by Anselmo’s marriage to Camila. The critic explores aspects of their relationship, both explicitly public (homoaffective) and implicitly private (potentially homoerotic), by analysing renderings of both in book illustrations of the two friends that span over a century. He maintains that these illustrations render the men in a manner that signals a secret intimacy. To explain this, he proposes the concept of a queered continuum, decidedly not based in queer essentialism, that showcases homoerotic potentialities in which readers and illustrators of Don Quixote reduplicate the friends’ private, yet perpetually potential, homoerotic relationship" (Bodies 13).
Intimate Relationships in Cinema, Literature and Visual Culture. , 2017
The Argentinian film director Marco Berger’s (b. 1977) films are arguably more erotic than curren... more The Argentinian film director Marco Berger’s (b. 1977) films are arguably more erotic than current mainstream queer cinema. The director composes intense mise-en-scène homoaffective potentialities that build in intensity but are never consummated. This technique perpetually engages both protagonists and viewers in homoerotic potential, visually akin to “edging” or “Venus Butterflying” sexual practices that control orgasm. Berger signals homoerotic potentiality through visual and auditory signs, inverting their referents, and transforming scenes into perceived safe zones in which spectators experience homoerotic fantasy without a normalizing heterosexual gaze. Within this queered continuum, in which any spectator can employ a homoaffective gaze, jouissance is postponed and intensified through coitus reservatus, creating ongoing potential homoerotic fantasy by what is not yet present in the scene. Building upon works by Tim Dean and Todd McGowan that link queer theory with Jacques Lacan’s psychoanalytical theory of l’objet petit a, this chapter reveals how Berger edges the viewer into a queered gaze through what is yet to come.
Narratología y discursos múltiples. Homenaje a David William Foster, 2013
Peer Reviewed Articles by Daniel Holcombe
Chasqui revista de literatura latinoamericana, 2021
Part of an homage to David William Foster.
Brasiliana, 2017
This essay identifies influential and prominent twenty-first century Brazilian graphic novels and... more This essay identifies influential and prominent twenty-first century Brazilian graphic novels and associated sociocultural affects, such as racial inequality, gender disparities, and social dysfunctionality, as this Post-Boom literary genre expands into a global market. A specific selection of influential texts, key citations, provocative images, and disturbing themes is analyzed, revealing humanistic leitmotifs such as fear of death, violence, and disease, as well as fear of life, immigrant acculturation, futurism, and authoritarianism. The selection is limited to Brazilian graphic novels produced so far in the twenty-first century that have achieved a significant international readership: Daytripper (2014) by Fábio Moon and Gabriel Bá; Two Brothers (2015) by Moon, Bá and Milton Hatoum; Pixu (2009) by Moon, Bá, Becky Cloonan, and Vasilis Lolos; V.I.S.H.N.U (2012) by Eric Archer, Ronaldo Bressane, and Fabio Cobiaco; and Notas de um tempo silenciado (2015) by Robson Vilalba.
Cervantes. Bulletin of the Cervantes Society of America, 2017
Mexican Studies/Estudios Mexicanos, 2017
Este trabajo analiza la utilización del vocablo queer en los análisis socioculturales del cronist... more Este trabajo analiza la utilización del vocablo queer en los análisis socioculturales del cronista mexicano Carlos Monsiváis. Mientras que en Estados Unidos y Europa lo queer se convierte en teoría deconstructivista, en México Monsiváis (erudito por excelencia de los estudios sobre la sexualidad) emplea dicho término para estudiar la feminidad de algunos homosexuales en el ambiente gay. Dado que Monsiváis jamás pretende ser un académico o teórico queer, el término le sirve como herramienta para revelar la feminización de la imagen nacional mexicana y los discursos machistas mexicanos que se oponen a ella. El presente trabajo estudia los niveles sociales y las geografías queer como referentes que Monsiváis utiliza para manejar este concepto.
This essay analyzes how Mexican chronicler Carlos Monsiváis wields the term queer in his sociocultural analyses. Whereas in the United States and Europe queer is transformed into a deconstructivist theory, Monsiváis (expert par excellence within Mexican sexual studies) uses the term to study feminized homosexuals in gay environments. Since Monsiváis never claims to be a queer academic or theoretician, the term serves as a tool to reveal the feminization of the Mexican national image within Mexican male chauvinist discourses. This essay analyzes social status and queer geographies as framing referents that define how Monsiváis utilizes queer conceptually.
Cuadernos de literatura del Caribe e Hispanoamérica, Jun 2013
Hispanic Journal, Sep 2013
Studies in Latin American Popular Culture, Jan 1, 2012
Conference Proceedings by Daniel Holcombe
Aureae Litterae Ovetenses. Actas del XIII Congreso de la AISO, 2024
Encyclopedia Articles by Daniel Holcombe
The Palgrave Encyclopedia of Urban Literary Studies., 2022
Slumming was an expression, primarily in the late-nineteenth and early-twentieth centuries, tha... more Slumming was an expression, primarily in the late-nineteenth and early-twentieth centuries, that described a form of thrilling entertainment that was based entirely within the framing referents of middle and lower social classes. In what could today be called a social spectator sport, upper- and middle-class urban residents and tourists sought to observe and interact with working- class citizens in their daily environments. A definitively metropolitan tradition, slumming was also known as slum tourism. Seth Koven (2004) observes that slumming was already popular in London a full century before the onset of World War II. Beginning as a form of public service and social welfare, workers felt obligated to observe the people they sought to help. Yet by the late-nineteenth century, notes Koven (2004: 1, original emphasis), London tourist guide books were not only pointing out the cultural and religious urban attractions, but also directing the reader to urban spaces where “scenes of human misery and sexual degradation made famous, the world over by the serial murderer Jack the Ripper”could be observed first-hand. The first slumming maps were created, which identified urban spaces where human suffering represented the main attraction for slummers and slum tourism. These maps and guides underscored the thrill of what Koven describes as “excursions to world renowned philanthropic institutions located in notorious slum districts such as Whitechapel and Shoreditch” (2004: 1).
Spreading to the Americas, slumming also became popular in New York City, where, as Chad Heap (2009: 1) explains, the term acquired a “pejorative” connotation that evoked images of white, elite tourists who visited “the cabarets of Prohibition-era Harlem.” Yet Heap (2009: 2) underscores that despite slumming’s “horrifyingly exploitative” acceptation, both the word “slum- ming” and the concept it represented had a profound effect on the entire US society, moving from New York to Chicago and then to all major cities in the United States: “[T]he tendency to remember this complex practice as a Prohibition-era, New York-centered encounter between whites and blacks hardly does justice to the crucial role slumming played in shaping the popular conceptualization of race, sexuality, and urban space in the United States over the course of the late nineteenth and early twentieth centuries.” (For a US Chicano perspective in New York City, see David William Foster 2014).
Slumming also became popular in Mexico City, where it represented – for its urban, post-Mexican revolutionary society – not only a night out on the town, but also a social practice and concept that authors could utilize to observe and express social, sexual, and gender disparities not observable through other means.
The Palgrave Encyclopedia of Urban Literary Studies, 2021
One of the first Mexican chroniclers to describe Mexico City was priest and poet Bernardo de Balb... more One of the first Mexican chroniclers to describe Mexico City was priest and poet Bernardo de Balbuena (Valdepeñas, Spain 1561 – San Juan, Puerto Rico 1627), who wrote the original Grandeza mexicana (Mexican Grandeur) in 1604. In this text, Balbuena focused on the beauty of Mexico City for his readers, utilizing the very elaborate Baroque language of his time to describe urban spaces of the capital of New Spain (now Mexico City). He also utilized the literary figure of the narratee or narratario in Spanish (the person to whom the narrator directs his observations). In 1946, with the publication of Nueva grandeza mexicana, Salvador Novo continued this literary tradition. First, the author paid homage to Balbuena by borrowing seven lines from Grandeza mexicana to name the first six chapters in Nueva grandeza mexicana (Monsiváis 2001: 14). Second, Novo’s narrator directs his observations to a male friend who visits the city from Monterrey, Mexico – Novo’s narratee – as a direct homage to Balbuena.
In Nueva grandeza mexicana, Novo drew public attention to an ironic urban relationship of cause-and-effect within early-twentieth- century Mexico City which, in the end, created inevitable – yet unwanted – social change. For example, beginning in the 1920s, the city’s modernization was made possible by foreign influences that permitted its exponential growth in infrastructure, while old traditions gave way to new ones that developed as an inevitable reaction to these influences. It was a period that Mary K. Long (1995: 175) considers utopic; the city was suddenly free to explore its new “opportunity for playful exploration and discovery.” Long concludes that at that time: “New technologies are still toys, not yet overwhelming/overpowering their surroundings.” Yet the foreign influence on the city was significant because Mexico’s national image had historically been considered an internal affair, analyzed below, which was specifically defined by virile Mexicans and not influenced by extraneous factors (a mindset that continues in the twenty-first century). Novo’s text documented that the very opposite was occurring and that Mexico’s national image and urban transformations were heavily influenced by the USA and Europe. The author focused on the effect of new social customs on Mexico City’s society, underscoring how women began to occupy public urban spaces from which they were previously prohibited.
Book and Film Reviews by Daniel Holcombe
Renaissance Quarterly, 2022
Chasqui revista de literatura latinoamericana, 2022
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Books by Daniel Holcombe
Book Chapters by Daniel Holcombe
Peer Reviewed Articles by Daniel Holcombe
This essay analyzes how Mexican chronicler Carlos Monsiváis wields the term queer in his sociocultural analyses. Whereas in the United States and Europe queer is transformed into a deconstructivist theory, Monsiváis (expert par excellence within Mexican sexual studies) uses the term to study feminized homosexuals in gay environments. Since Monsiváis never claims to be a queer academic or theoretician, the term serves as a tool to reveal the feminization of the Mexican national image within Mexican male chauvinist discourses. This essay analyzes social status and queer geographies as framing referents that define how Monsiváis utilizes queer conceptually.
Conference Proceedings by Daniel Holcombe
Encyclopedia Articles by Daniel Holcombe
Spreading to the Americas, slumming also became popular in New York City, where, as Chad Heap (2009: 1) explains, the term acquired a “pejorative” connotation that evoked images of white, elite tourists who visited “the cabarets of Prohibition-era Harlem.” Yet Heap (2009: 2) underscores that despite slumming’s “horrifyingly exploitative” acceptation, both the word “slum- ming” and the concept it represented had a profound effect on the entire US society, moving from New York to Chicago and then to all major cities in the United States: “[T]he tendency to remember this complex practice as a Prohibition-era, New York-centered encounter between whites and blacks hardly does justice to the crucial role slumming played in shaping the popular conceptualization of race, sexuality, and urban space in the United States over the course of the late nineteenth and early twentieth centuries.” (For a US Chicano perspective in New York City, see David William Foster 2014).
Slumming also became popular in Mexico City, where it represented – for its urban, post-Mexican revolutionary society – not only a night out on the town, but also a social practice and concept that authors could utilize to observe and express social, sexual, and gender disparities not observable through other means.
In Nueva grandeza mexicana, Novo drew public attention to an ironic urban relationship of cause-and-effect within early-twentieth- century Mexico City which, in the end, created inevitable – yet unwanted – social change. For example, beginning in the 1920s, the city’s modernization was made possible by foreign influences that permitted its exponential growth in infrastructure, while old traditions gave way to new ones that developed as an inevitable reaction to these influences. It was a period that Mary K. Long (1995: 175) considers utopic; the city was suddenly free to explore its new “opportunity for playful exploration and discovery.” Long concludes that at that time: “New technologies are still toys, not yet overwhelming/overpowering their surroundings.” Yet the foreign influence on the city was significant because Mexico’s national image had historically been considered an internal affair, analyzed below, which was specifically defined by virile Mexicans and not influenced by extraneous factors (a mindset that continues in the twenty-first century). Novo’s text documented that the very opposite was occurring and that Mexico’s national image and urban transformations were heavily influenced by the USA and Europe. The author focused on the effect of new social customs on Mexico City’s society, underscoring how women began to occupy public urban spaces from which they were previously prohibited.
Book and Film Reviews by Daniel Holcombe
This essay analyzes how Mexican chronicler Carlos Monsiváis wields the term queer in his sociocultural analyses. Whereas in the United States and Europe queer is transformed into a deconstructivist theory, Monsiváis (expert par excellence within Mexican sexual studies) uses the term to study feminized homosexuals in gay environments. Since Monsiváis never claims to be a queer academic or theoretician, the term serves as a tool to reveal the feminization of the Mexican national image within Mexican male chauvinist discourses. This essay analyzes social status and queer geographies as framing referents that define how Monsiváis utilizes queer conceptually.
Spreading to the Americas, slumming also became popular in New York City, where, as Chad Heap (2009: 1) explains, the term acquired a “pejorative” connotation that evoked images of white, elite tourists who visited “the cabarets of Prohibition-era Harlem.” Yet Heap (2009: 2) underscores that despite slumming’s “horrifyingly exploitative” acceptation, both the word “slum- ming” and the concept it represented had a profound effect on the entire US society, moving from New York to Chicago and then to all major cities in the United States: “[T]he tendency to remember this complex practice as a Prohibition-era, New York-centered encounter between whites and blacks hardly does justice to the crucial role slumming played in shaping the popular conceptualization of race, sexuality, and urban space in the United States over the course of the late nineteenth and early twentieth centuries.” (For a US Chicano perspective in New York City, see David William Foster 2014).
Slumming also became popular in Mexico City, where it represented – for its urban, post-Mexican revolutionary society – not only a night out on the town, but also a social practice and concept that authors could utilize to observe and express social, sexual, and gender disparities not observable through other means.
In Nueva grandeza mexicana, Novo drew public attention to an ironic urban relationship of cause-and-effect within early-twentieth- century Mexico City which, in the end, created inevitable – yet unwanted – social change. For example, beginning in the 1920s, the city’s modernization was made possible by foreign influences that permitted its exponential growth in infrastructure, while old traditions gave way to new ones that developed as an inevitable reaction to these influences. It was a period that Mary K. Long (1995: 175) considers utopic; the city was suddenly free to explore its new “opportunity for playful exploration and discovery.” Long concludes that at that time: “New technologies are still toys, not yet overwhelming/overpowering their surroundings.” Yet the foreign influence on the city was significant because Mexico’s national image had historically been considered an internal affair, analyzed below, which was specifically defined by virile Mexicans and not influenced by extraneous factors (a mindset that continues in the twenty-first century). Novo’s text documented that the very opposite was occurring and that Mexico’s national image and urban transformations were heavily influenced by the USA and Europe. The author focused on the effect of new social customs on Mexico City’s society, underscoring how women began to occupy public urban spaces from which they were previously prohibited.
Viajeros y cronistas en el Madrid de las letras: nuevas vistas panorámicas Enrique García Santo-Tomás, University of Michigan, Ann Arbor......5
An Ambivalent Female Voice: Translating Lope de Vega's Los melindres de
Belisa
Mindy E. Badía, Indiana University Southeast........................................11 Reviews
Frederick A. de Armas. Cervantes’ Architectures: The Dangers Outside. Toronto Iberic 76. Toronto—Buffalo—London: University of Toronto Press,
2022. ISBN: 978-1-4875-4239-9. 363 pp.
Juan Pablo Gil-Osle, Arizona State University........................................30
Victoria M. Muñoz, Spanish Romance in the Battle for Global Supremacy. Tudor and Stuart Black Legends. London: Anthem Press, 2022. ISBN: 1-78527-330-2. 231 pp.
Marina Brownlee, Princeton University...................................................33
Jeremy Robbins, Incomparable Realms: Spain During the Golden Age, 1500- 1700. London: Reaktion Books, 2022. ISBN: 9781789145373. 367 pp.
Enrique García Santo-Tomás, University of Michigan, Ann Arbor...35
Enrique García Santo-Tomás. María de Zayas y la imaginación crítica: bibliografía razonada y comentada. Teatro del Siglo de Oro: Bibliografías y catálogos 56. Kassel: Reichenberger, 2022. ISBN: 9783967280418. 408 pp.
Juan Pablo Gil-Osle, Arizona State University........................................38 Edward H. Friedman, editor. A Companion to the Spanish Picaresque
Novel. Woodbridge, Suffolk: Tamesis, 2022. ISBN: 978-1855663671. 240 pp. Mónica Covarrubias Velázquez, Arizona State University....................40
LABERINTO JOURNAL 16 (2023)
Nutrición maternal versus fagocitación: el doble circuito de la alimentación en Día y Noche de Madrid
Nicolás Vivalda, Vassar College .............................................................................7
La (im)perfecta amistad entre Don Quijote y Sancho: Honor de Cavalleria (2006) de Albert Serra
Juliana Fillies, Claremont McKenna College
...................................................31
Binging Cervantes: Una lectura biosemiótica de Don Quijote a partir de la serie de televisión The Expanse (Amazon Prime)
Belén Sánchez, Arizona State University ...........................................................47
Windmill to Bridle in the Epic of the Bourgeoisie: Temperance and Commerce in Don Quijote de la Mancha, Part 1
Eric Clifford Graf, Independent Scholar
...........................................................61
Reviews
Enrique García Santo-Tomás. Signos vitales: procreación e imagen en la narrativa áurea. Tiempo Emulado: Historia de América y España 76. Iberoamericana-Vervuert, 2020. 364 pp. ISBN: 978-84-9192-169-1.
Juan Pablo Gil-Osle, Arizona State University ...................................................71
Millennial Cervantes: New Currents in Cervantes Studies. Ed. Bruce R. Burningham. New Hispanisms. Lincoln: University of Nebraska Press, 2020. 264 pp. ISBN: 978-14 9621-762-2.
Christopher Weimer, Oklahoma State University
............................................75
Beatriz Carolina Peña Núñez. 26 Años de Esclavitud: Juan Miranda y otros negros españoles en la Nueva York colonial. Bogotá: Universidad del Rosario, 2021. 427 pp. ISBN: 978-958-784-798-7.
Juan Pablo Gil-Osle, Arizona State University ...................................................79
N. Michelle Murray. Home Away from Home: Immigrant Narratives, Domesticity, and Coloniality in Contemporary Spanish Culture. Department of Romance Studies, The
University of North Carolina at Chapel Hill, 2018.
225 pp. ISBN: 978-1-4696-4746-3.
Edurne Beltrán de Heredia Carmona, Coastal Carolina University .............81
Articles
Sor Juana’s Birth and the Mexican Racial Imaginary: The Enigmas of her Family, Putative “Sisters” and other Blind Spots in Criticism
Emil Volek, Arizona State University ................................. 4
El Festejo de los Empeños de Una Casa: The Negotiation of a Social Contract for the American Colonies of Spain
Dulce María González-Estévez, Arizona S. University..............23
Slumming Don Quixote in Luis Lucia's Rocío de la Mancha (1963)
Daniel Holcombe, Georgia College & State University
(Alumnus, Arizona State University).................................. .54
Barroco, amistad y metonimia en “El Licenciado Vidriera”
Juan Pablo Gil-Osle, Arizona State University......................103
Reviews
The Spanish Pacific, 1521-1815: A Reader of Primary Sources. Ed. Christina H. Lee and Ricardo Padrón. Amsterdam University Press, 2020. 249 pp. ISBN: 978-94-6372-064-9.
Robert Richmond Ellis, Occidental College .........................131
Vélez de Guevara, Luis. La conquista de Orán. Edición crítica y anotada de C. George Peale y Javier J. González Martínez. Newark, Delaware: Juan de la Cuesta-Hispanic Monographs, 2020. 210 pp.
Ana M. Rodríguez Rodríguez, University of Iowa...................137
Pornographic Sensibilities: Imagining Sex and the Visceral in Premodern and Early Modern Spanish Cultural Production. Ed. Nicholas R. Jones and Chad Leahy. Routledge, 2021. 269 pp. ISBN: 978-0-367-50353-6.
Daniel Holcombe, Georgia College and State University .........141
Cirnigliaro, Noelia S. Domus. Ficción y mundo doméstico en el Barroco español. Tamesis, 2015. 197 pp. ISBN: 978-1-85566-293-3.
William Worden, University of Alabama............................144
Faraway Settings: Spanish and Chinese Theaters of the 16th and 17th Centuries. Juan Pablo Gil-Osle & Frederick A. de Armas, editors. Iberoamericana Vervuert, 2021
Dakota Tucker & John Beusterien, Texas Tech University.......147
(Dis)Arming Marital (Dis)Harmony: Sancho and Teresa Panza Discuss Marriage in Don Quijote
Stacey L. Parker Aronson, University of Minnesota Morris………..3
Ecopedagogía y la enseñanza de Don Quijote
Gabriela R. Dongo Arévalo, Arizona State University……….…..22
Reviews
John K. Moore. Mulatto.Outlaw.Pilgrim.Priest. The Legal Case of José Soller, Accused of Impersonating a Pastor and Other Crimes in Seventeenth-Century Spain. The Medieval and Early Modern Iberian World 75. Leiden and Boston: Brill, 2020. 359 pp. ISBN 978-90-04-41777-9.
Frederick A. de Armas, University of Chicago….…………….34
Anna Caballé and Randolph D. Pope, ed. ¿Por qué España?: Memorias del hispanismo estadounidense. Barcelona: Galaxia Gutenberg, 2014. 654 pp. ISBN: 978-84-16252-13-8.
Bill Worden, The University of Alabama………………….….38
David William Foster. Picturing the Barrio: Ten Chicano Photographers. Pittsburgh: University of Pittsburgh P, 2017. 186 pp. ISBN: 978-0-8229-6439-1.
Daniel Holcombe, Georgia College and State University…...…44
Leahy, Chad and Ken Tully, ed. and trans. Jerusalem Afflicted: Quaresmius, Spain, and the Idea of a 17th-Century Crusade. Oxon-New York: Routledge, 2019. 210 pp. ISBN: 978-0367260101
Juan Pablo Gil-Oslé, Arizona State University………………….51
Sor Juana Inés de la Cruz, El sueño (1690) (nuevo texto establecido). Colección Visor de Poesía, volumen 1067. Ed. Emil Volek. Madrid: Visor Libros, 2019. 133 pp. ISBN: 9788498953671
Christopher D. Johnson, Arizona State University……………...53
Articles and Talks
Why Cervantes in China?: Hyperreality and Cevantine Cultural encounters in Beijing 2016 (Tang Xianzu, Shakespeare, Cervantes, and Borges)
Juan Pablo Gil-Osle, Arizona State University…………………….3
Salvador Dalí’s Don Quixote: High Art or Kitsch?
William Daniel Holcombe, Clemson University…………………13
Mammoth Woolly Migrations: Transhumance, Extinction, and the Cervantine Shepherd
Margaret Marek, Illinois College…………………………………27
Transcendental metagenre travelers: a background of the reception of Cervantes’ Don Quixote in Spain and France
Vicente Pérez de León, University of Glasgow
Véronique Duché, University of Melbourne……………………53
“ . . . And things that go bump in the night:” Narrative Deferral, the Supernatural, and the Metafictive Uncanny in Don Quijote
Christopher Weimer, Oklahoma State University………………74
La enseñanza y la aceptación de las obras de Cervantes en China desde métodos multidisciplinarios
Zhang Jingting, Universidad de Estudios Internacionales de Shanghái………………………………………………………....94
“Yo sé quién soy:” La quijotización de Dulcinea y la dulcinización de Don
Quijote en una película de Vicente Escrivá
María José Domínguez, Arizona State University………………114
21st-Century Quixotes: Interdisciplinary Approaches and Global Classrooms
Rogelio Miñana, Drexel University……………………………..122
Program of the Conference at the University in Chicago Center in Beijing: “Cervantes in his 400th Anniversary in China.”
………………………………...……..………………………...132
Book Reviews
David William Foster. Alexandre de Gusmão, The Story of the Predestined Pilgrim and His Brother Reprobate, in Which, through a Mysterious Parable, Is Told the Felicitous Success of the One Saved and the Unfortunate Lot of the One Condemned. Trans., with an introd. and Index by Christopher C. Lund. Tempe, AZ: Arizona Center for Medieval and Renaissance Studies, 2016. Xxxv, 137 pp., plates
……………………………………………………………… 139
Juan Pablo Gil-Osle. Barbara Fuchs, The Poetics of Piracy: Emulating Spain in English Literature. Philadelphia: University of Pennsylvania Press, 2013. pp. 186. ISBN: 9780812244755
…………………...…………………………………………… 142
Andrés F. Ruiz-Olaya. Franklin G.Y. Pease, El mar peruano: mitos andinos y europeos. Comp. Nicanor Domínguez Faura. Lima: Sociedad Geográfica de Lima, 2015
….……………………………………………………………...145
Articles
The Chinese Problem in the Early Modern
Missionary Project of the Spanish Philippines………………………. 5
Christina H. Lee, Princeton University
Diego de Molina en Jamestown, 1611-1616:
espía, prisionero, oráculo del fin del imperio………………………... 33
Kimberly Borchard, Randolph-Macon College
"Me cago en el gran Colón:”
Criticizing Global Projects in 19th-century Santo Domingo………… 55
Heather Allen, University of Mississippi
Mariología en defensa del Islam:
Cervantes, Zoraida y los libros plúmbeos………………..……………73
Jesus Botello, University of Delaware
Enrique Garcés y la continuidad de la
literatura política en los Andes, Iberia e Italia…………………………94
Tatiana Alvarado Teodorika, IUT--Université de Bordeaux Montaigne
The ‘Mother of Missions:’ The Duchess of Aveiro’s Global Correspondence on China and Japan, 1674-1694…………………….128
Jeanne Gillespie, The University of Southern Mississippi
Book Reviews
Maria José Domínguez. Julio Vélez Sainz, La defensa de la mujer en la literatura hispánica. Madrid: Cátedra, 2015. 424 pp. ISBN: 978843472…. 135
Veronika Ryjik. Vélez de Guevara, Luis. El cerco de Roma por el rey Desiderio. Eds. William R. Manson y C. George Peale. Hispanic Monographs: Ediciones críticas, 85. Newark, DE: Juan de la Cuesta, 2015. 181 pp.
………………………………..…………………………… 139
Ana Rodríguez Rodríguez. Vélez de Guevara, Luis. La niña de Gómez Arias. Edición crítica y anotada de William R. Manson y C. George Peale. Estudio introductorio de María M. Carrión. Newark, Delaware: Juan de la Cuesta-Hispanic Monographs, 2016. 229 pp. ISBN: ISBN: 9781588712684 ……………………………………. 142
— Mindy Badia, University of Arkansas
Who’s Telling This Story Anyhow? Framing Tales East and West: Panchatantra to Boccaccio to Zayas
— Margaret Greer, Duke University
Casta Painting: Identity and Social Stratification in Colonial Mexico
— Ilona Katzew, New York University
The Comedia in Seventeenth Century Amsterdam: Rodenburgh’s Adaptation of Aguilar’s La venganza honra
— Matthew Stroud, Trinity University
Discovery Spain and Portugal Series.
Mon., June 4 - Level 2 Interpreter Training for Health and Human Services: Skills Improvement, Ethics and Practical Study
Mon.–Tues., June 18–19 - Level 3 Spanish Interpreter: Introduction to Anatomy/Physiology and Medical Terminology
Mon., June 25 - Medical Interpreter Ethics and Standards of Practice; Sight Translation; and Introduction to Simultaneous Interpretation
Tues., June 26 - Overview of National Professional Medical Interpreter Certification Exams
Four levels of interpreter training that total just over 40 hours required to sit for either of the two national foreign language interpreter certification exams.
Level I - Foundations;
Level II - Skills Improvement & Ethics;
Level III - Intro to Anatomy/Physiology & Medical Terminology in Spanish;
Level IV - Interpreter Ethics, Standards of Practice, Sight Translation, and Introduction to Simultaneous Interpretation;
Workshop: Overview of National Professional Medical Interpreter Certification Exams
State conference for foreign language interpreters seeking certification. Testing criteria clarified.