The investigation of aesthetic processing has constituted a longstanding tradition in experimenta... more The investigation of aesthetic processing has constituted a longstanding tradition in experimental psychology, of which experimental aesthetics is the second-oldest branch. The status of this psychology of aesthetics, the science of aesthetic processing, is briefly reviewed here Building on this heritage and drawing on a host of related scientific disciplines, a framework for a strongly interdisciplinary psychology of aesthetics is proposed. It is argued that the topic can be fruitfully approached from at least seven different perspectives, each with multiple levels of analysis. diachroma, ipsichroma, mind, body, content, person and situation. Eventually, this work may coalesce into a unified theory of aesthetic processing.
Die vorliegende Dissertation basiert auf drei Zeitschriftenveröffentlichungen, in denen es um die... more Die vorliegende Dissertation basiert auf drei Zeitschriftenveröffentlichungen, in denen es um die empirische Untersuchung von Sprachverarbeitung geht. Für die Untersuchung prä-attentiver Verarbeitung von phonologischen Regeln des Deutschen wurden ereigniskorrelierte Potentiale verwendet. Das heißt, es wurden Hirnströme gemessen, während den Probanden ein Film präsentiert wurde. Die Versuchsteilnehmer wurden angehalten, die dargebotenen akustischen Reize zu ignorieren. Die präsentierten Stimuli waren sogenannte "standards" und "deviants". Bei den im Verhältnis selten vorkommenden deviants wurde ein Laut ausgetauscht und diese Veränderung bewirkt (gemittelt und subtrahiert von den gemessenen Hirnströmen der standards) einen Ausschlag im EEG-Signal. Diesen nennt man "Mismatch Negativity" (MMN). Studien haben gezeigt, dass ein zusätzlicher Ausschlag zu beobachten ist, wenn das Gehirn eine Verletzung einer phonologischen Regel erkannt hat. Die ersten beiden ...
Research on colour preferences in humans and non-human primates suggests similar patterns of bias... more Research on colour preferences in humans and non-human primates suggests similar patterns of biases for and avoidance of specific colours, indicating that these colours are connected to a psychological reaction. Similarly, in the acoustic domain, approach reactions to consonant sounds (considered as positive) and avoidance reactions to dissonant sounds (considered as negative) have been found in human adults and children, and it has been demonstrated that non-human primates are able to discriminate between consonant and dissonant sounds. Yet it remains unclear whether the visual and acoustic approach-avoidance patterns remain consistent when both types of stimuli are combined, how they relate to and influence each other, and whether these are similar for humans and other primates. Therefore, to investigate whether gaze duration biases for colours are similar across primates and whether reactions to consonant and dissonant sounds cumulate with reactions to specific colours, we conduc...
We report an event-related brain potential (ERP) study comparing descriptive (symmetry) and evalu... more We report an event-related brain potential (ERP) study comparing descriptive (symmetry) and evaluative (aesthetic) judgments. Physically identical stimuli were used for both judgment types in order to control for perceptual processes. Participants viewed novel symmetrical and asymmetrical two-dimensional patterns in a two-alternative forced-choice task setting. Aesthetic judgments ("beautiful" / "not beautiful") and symmetry judgments ("symmetric" / "not symmetric" ) were precued in a mixed design. Detailed paramorphic models of the individual judges' cognitive systems as well as a group model were derived using multiple regression analyses of behavioral data. The symmetry feature of the stimuli and aesthetic judgments were strongly correlated for all participants and descriptive judgments were performed faster than evaluative judgments. The event-related potentials revealed a phasic frontal negativity for the "not beautiful" jud...
Why are negative emotions so central in art reception far beyond tragedy? Revisiting classical ae... more Why are negative emotions so central in art reception far beyond tragedy? Revisiting classical aesthetics in light of recent psychological research, we present a novel model to explain this much-discussed (apparent) paradox. We argue that negative emotions are an important resource for the arts in general rather than a special license for exceptional art forms only. The underlying rationale is that negative emotions have been shown to be particularly powerful in securing attention, intense emotional involvement, and high memorability—and hence precisely in what artworks strive for. Two groups of processing mechanisms are identified that conjointly adopt the particular powers of negative emotions for art's purposes. The first group consists of psychological distancing mechanisms that are activated along with the cognitive schemata of art, representation, and fiction. These schemata imply personal safety and control over continuing or discontinuing exposure to artworks, thereby pr...
Visual attention can be adjusted to task requirements. We asked participants to switch between ju... more Visual attention can be adjusted to task requirements. We asked participants to switch between judging the symmetry of vertically presented three-letter strings and identifying the central stimulus (i.e., Eriksen task) to investigate anticipatory adjustment of attention. Our experiments provide evidence for anticipatory adjustment of visual attention, depending on the cued task (i.e., focusing and defocusing of attention after the Eriksen task cue and after the symmetry task cue, respectively). Although, symmetry judgments were, overall, considerably slower than the identification of the central letter, the effects of response congruency between tasks were comparable in the two tasks, which suggested strong response priming from concurrent symmetry judgment in Eriksen task trials. Symmetry judgment performance was best for homogeneous letter strings (e.g., HHH), worst for strings that were symmetrical and inhomogeneous (e.g., XHX), and intermediate for asymmetrical strings (e.g., HH...
While covering all commentaries, our response specifically focuses on the following issues: How c... more While covering all commentaries, our response specifically focuses on the following issues: How can the hypothesis of emotional distancing (qua art framing) be compatible with stipulating high levels of felt negative emotions in art reception? Which concept of altogether pleasurable mixed emotions does our model involve? Can mechanisms of predictive coding, social sharing, and immersion enhance the power of our model?
People can experience different emotions when listening to music. A growing number of studies hav... more People can experience different emotions when listening to music. A growing number of studies have investigated the brain structures and neural connectivities associated with perceived emotions. However, very little is known about the effect of an explicit act of judgment on the neural processing of emotionally-valenced music. In this study, we adopted the novel consensus clustering paradigm, called binarisation of consensus partition matrices (Bi-CoPaM), to study whether and how the conscious aesthetic evaluation of the music would modulate brain connectivity networks related to emotion and reward processing. Participants listened to music under three conditions - one involving a non-evaluative judgment, one involving an explicit evaluative aesthetic judgment, and one involving no judgment at all (passive listening only). During non-evaluative attentive listening we obtained auditory-limbic connectivity whereas when participants were asked to decide explicitly whether they liked or...
Evidence from behavioral and physiological studies suggests attentional weighting of stimulus inf... more Evidence from behavioral and physiological studies suggests attentional weighting of stimulus information from different sources, according to task demands. We investigated the adoption of task-specific attentional sets by administering a flanker task, which required responding to a centrally presented letter while ignoring two adjacent letters, and a same-different judgment task, which required a homogenous/heterogeneous classification concerning the complete three-letter string. To assess the distribution of attentional weights across the letter locations we intermixed trials of a visual search task, in which a target stimulus occurred randomly in any of these locations. Search task reaction times displayed a stronger center-to periphery gradient, indicating focusing of visual attention on the central location, when the search task was intermixed into blocks of trials of the flanker task than into blocks of trials of the same-different task (Experiment 1) and when a cue indicated ...
Switching between tasks associated with different requirements of stimulus selection may suffer i... more Switching between tasks associated with different requirements of stimulus selection may suffer interference from persisting attentional settings or processes of reconfiguration, possibly constituting a source of task switch costs (i.e., impaired performance in task switch trials compared to task repetition trials). To explore the processes involved in task switching with and without a switch in stimulus selection requirements, we administered a task-switching paradigm that involved task-unique sets of hierarchical (Navon) stimuli, preventing stimulus-related proactive interference (i.e., impaired responding to a stimulus that was previously processed in the context of a different task), and varied, between groups of participants, whether the target stimulus level (i.e., global vs. local) was held constant or varied between the tasks. Mixing target levels impaired performance overall and increased the task switch costs. Moreover, (within-task) global-local congruency effects were la...
Social cognitive and affective neuroscience, Jan 28, 2017
It is a common experience-and well established experimentally-that music can engage us emotionall... more It is a common experience-and well established experimentally-that music can engage us emotionally in a compelling manner. The mechanisms underlying these experiences are receiving increasing scrutiny. However, the extent to which other domains of aesthetic experience can similarly elicit strong emotions is unknown. Using psychophysiology, neuroimaging, and behavioral responses, we show that recited poetry can act as a powerful stimulus for eliciting peak emotional responses, including chills and objectively measurable goosebumps that engage the primary reward circuitry. Importantly, while these responses to poetry are largely analogous to those found our music, their neural underpinnings show important differences, specifically with regard to the crucial role of the nucleus accumbens. We also go beyond replicating previous music-related studies by showing that peak aesthetic pleasure can co-occur with physiological markers of negative affect. Finally, the distribution of chills acr...
This psychophysiological study is the first to examine the relationship between emotional tears a... more This psychophysiological study is the first to examine the relationship between emotional tears and emotional piloerection (i.e., goosebumps). Although both phenomena have been related to peak states of being moved, details about their temporal occurrence and the associated levels of physiological arousal have remained unknown. In our study, we used emotionally powerful film scenes that were self-selected by participants. Our findings show that even within peak moments of emotional arousal, a gradation of intensity is possible. The overlap of tears and goosebumps signifies a maximal climax within peak moments. On the side of the stimulus, we found that displays of prosocial behavior play a crucial role in the elicitation of tears and goosebumps. Finally, based on the results of a formal film analysis of the tears-eliciting clips provided by our participants, as compared to randomly extracted, equally long control clips from the same films, we show how the technical and artistic maki...
Changes in room acoustics provide important clues about the environment of sound source-perceiver... more Changes in room acoustics provide important clues about the environment of sound source-perceiver systems, for example, by indicating changes in the reflecting characteristics of surrounding objects. To study the detection of auditory irregularities brought about by a change in room acoustics, a passive oddball protocol with participants watching a movie was applied in this study. Acoustic stimuli were presented via headphones. Standards and deviants were created by modelling rooms of different sizes, keeping the values of the basic acoustic dimensions (e.g., frequency, duration, sound pressure, and sound source location) as constant as possible. In the first experiment, each standard and deviant stimulus consisted of sequences of three short sounds derived from sinusoidal tones, resulting in three onsets during each stimulus. Deviant stimuli elicited a Mismatch Negativity (MMN) as well as two additional negative deflections corresponding to the three onset peaks. In the second experiment, only one sound was used; the stimuli were otherwise identical to the ones used in the first experiment. Again, an MMN was observed, followed by an additional negative deflection. These results provide further support for the hypothesis of automatic detection of unattended changes in room acoustics, extending previous work by demonstrating the elicitation of an MMN by changes in room acoustics.
Journal of Experimental Psychology: Learning, Memory, and Cognition, 2016
In choice reaction time (RT) tasks, performance is often influenced by the presence of nominally ... more In choice reaction time (RT) tasks, performance is often influenced by the presence of nominally irrelevant stimuli, referred to as distractors. Recent research provided evidence that distractor processing can be adjusted to the utility of the distractors: Distractors predictive of the upcoming target/response were more attended to and also elicited stronger motor responses. In an event-related potential (ERP) study, we investigated whether not only the extent of distractor processing (as suggested by these previous results), but also the timing of distractor-based response activation is subject to strategic control. In a temporal flanker task, in which a distractor stimulus preceded the target, we manipulated distractor utility (i.e., by varying the proportion of congruent distractor-target combinations, 75% vs. 25%) as well as the stimulus onset asynchrony (SOA) between distractors and targets (350 ms vs. 1,000 ms) in different blocks of trials. The distractor-locked lateralized readiness potential (LRP) was overall larger in blocks with a high proportion of congruent trials indicating stronger distractor-based response activation when distractor utility was high. Of importance, the LRPs occurred overall later when the SOA was long. This suggests that distractor-based response activation can be postponed and thus adjusted to the temporal factors of the context. Modulations of early visual potentials (P1 and N1) indicate that this postponement of motor activation is related to both sensory-perceptual downgrading of distractor stimuli and reduced activation of task-relevant stimulus-response transformation processes at the time of distractor perception. (PsycINFO Database Record
The investigation of aesthetic processing has constituted a longstanding tradition in experimenta... more The investigation of aesthetic processing has constituted a longstanding tradition in experimental psychology, of which experimental aesthetics is the second-oldest branch. The status of this psychology of aesthetics, the science of aesthetic processing, is briefly reviewed here Building on this heritage and drawing on a host of related scientific disciplines, a framework for a strongly interdisciplinary psychology of aesthetics is proposed. It is argued that the topic can be fruitfully approached from at least seven different perspectives, each with multiple levels of analysis. diachroma, ipsichroma, mind, body, content, person and situation. Eventually, this work may coalesce into a unified theory of aesthetic processing.
Die vorliegende Dissertation basiert auf drei Zeitschriftenveröffentlichungen, in denen es um die... more Die vorliegende Dissertation basiert auf drei Zeitschriftenveröffentlichungen, in denen es um die empirische Untersuchung von Sprachverarbeitung geht. Für die Untersuchung prä-attentiver Verarbeitung von phonologischen Regeln des Deutschen wurden ereigniskorrelierte Potentiale verwendet. Das heißt, es wurden Hirnströme gemessen, während den Probanden ein Film präsentiert wurde. Die Versuchsteilnehmer wurden angehalten, die dargebotenen akustischen Reize zu ignorieren. Die präsentierten Stimuli waren sogenannte "standards" und "deviants". Bei den im Verhältnis selten vorkommenden deviants wurde ein Laut ausgetauscht und diese Veränderung bewirkt (gemittelt und subtrahiert von den gemessenen Hirnströmen der standards) einen Ausschlag im EEG-Signal. Diesen nennt man "Mismatch Negativity" (MMN). Studien haben gezeigt, dass ein zusätzlicher Ausschlag zu beobachten ist, wenn das Gehirn eine Verletzung einer phonologischen Regel erkannt hat. Die ersten beiden ...
Research on colour preferences in humans and non-human primates suggests similar patterns of bias... more Research on colour preferences in humans and non-human primates suggests similar patterns of biases for and avoidance of specific colours, indicating that these colours are connected to a psychological reaction. Similarly, in the acoustic domain, approach reactions to consonant sounds (considered as positive) and avoidance reactions to dissonant sounds (considered as negative) have been found in human adults and children, and it has been demonstrated that non-human primates are able to discriminate between consonant and dissonant sounds. Yet it remains unclear whether the visual and acoustic approach-avoidance patterns remain consistent when both types of stimuli are combined, how they relate to and influence each other, and whether these are similar for humans and other primates. Therefore, to investigate whether gaze duration biases for colours are similar across primates and whether reactions to consonant and dissonant sounds cumulate with reactions to specific colours, we conduc...
We report an event-related brain potential (ERP) study comparing descriptive (symmetry) and evalu... more We report an event-related brain potential (ERP) study comparing descriptive (symmetry) and evaluative (aesthetic) judgments. Physically identical stimuli were used for both judgment types in order to control for perceptual processes. Participants viewed novel symmetrical and asymmetrical two-dimensional patterns in a two-alternative forced-choice task setting. Aesthetic judgments ("beautiful" / "not beautiful") and symmetry judgments ("symmetric" / "not symmetric" ) were precued in a mixed design. Detailed paramorphic models of the individual judges' cognitive systems as well as a group model were derived using multiple regression analyses of behavioral data. The symmetry feature of the stimuli and aesthetic judgments were strongly correlated for all participants and descriptive judgments were performed faster than evaluative judgments. The event-related potentials revealed a phasic frontal negativity for the "not beautiful" jud...
Why are negative emotions so central in art reception far beyond tragedy? Revisiting classical ae... more Why are negative emotions so central in art reception far beyond tragedy? Revisiting classical aesthetics in light of recent psychological research, we present a novel model to explain this much-discussed (apparent) paradox. We argue that negative emotions are an important resource for the arts in general rather than a special license for exceptional art forms only. The underlying rationale is that negative emotions have been shown to be particularly powerful in securing attention, intense emotional involvement, and high memorability—and hence precisely in what artworks strive for. Two groups of processing mechanisms are identified that conjointly adopt the particular powers of negative emotions for art's purposes. The first group consists of psychological distancing mechanisms that are activated along with the cognitive schemata of art, representation, and fiction. These schemata imply personal safety and control over continuing or discontinuing exposure to artworks, thereby pr...
Visual attention can be adjusted to task requirements. We asked participants to switch between ju... more Visual attention can be adjusted to task requirements. We asked participants to switch between judging the symmetry of vertically presented three-letter strings and identifying the central stimulus (i.e., Eriksen task) to investigate anticipatory adjustment of attention. Our experiments provide evidence for anticipatory adjustment of visual attention, depending on the cued task (i.e., focusing and defocusing of attention after the Eriksen task cue and after the symmetry task cue, respectively). Although, symmetry judgments were, overall, considerably slower than the identification of the central letter, the effects of response congruency between tasks were comparable in the two tasks, which suggested strong response priming from concurrent symmetry judgment in Eriksen task trials. Symmetry judgment performance was best for homogeneous letter strings (e.g., HHH), worst for strings that were symmetrical and inhomogeneous (e.g., XHX), and intermediate for asymmetrical strings (e.g., HH...
While covering all commentaries, our response specifically focuses on the following issues: How c... more While covering all commentaries, our response specifically focuses on the following issues: How can the hypothesis of emotional distancing (qua art framing) be compatible with stipulating high levels of felt negative emotions in art reception? Which concept of altogether pleasurable mixed emotions does our model involve? Can mechanisms of predictive coding, social sharing, and immersion enhance the power of our model?
People can experience different emotions when listening to music. A growing number of studies hav... more People can experience different emotions when listening to music. A growing number of studies have investigated the brain structures and neural connectivities associated with perceived emotions. However, very little is known about the effect of an explicit act of judgment on the neural processing of emotionally-valenced music. In this study, we adopted the novel consensus clustering paradigm, called binarisation of consensus partition matrices (Bi-CoPaM), to study whether and how the conscious aesthetic evaluation of the music would modulate brain connectivity networks related to emotion and reward processing. Participants listened to music under three conditions - one involving a non-evaluative judgment, one involving an explicit evaluative aesthetic judgment, and one involving no judgment at all (passive listening only). During non-evaluative attentive listening we obtained auditory-limbic connectivity whereas when participants were asked to decide explicitly whether they liked or...
Evidence from behavioral and physiological studies suggests attentional weighting of stimulus inf... more Evidence from behavioral and physiological studies suggests attentional weighting of stimulus information from different sources, according to task demands. We investigated the adoption of task-specific attentional sets by administering a flanker task, which required responding to a centrally presented letter while ignoring two adjacent letters, and a same-different judgment task, which required a homogenous/heterogeneous classification concerning the complete three-letter string. To assess the distribution of attentional weights across the letter locations we intermixed trials of a visual search task, in which a target stimulus occurred randomly in any of these locations. Search task reaction times displayed a stronger center-to periphery gradient, indicating focusing of visual attention on the central location, when the search task was intermixed into blocks of trials of the flanker task than into blocks of trials of the same-different task (Experiment 1) and when a cue indicated ...
Switching between tasks associated with different requirements of stimulus selection may suffer i... more Switching between tasks associated with different requirements of stimulus selection may suffer interference from persisting attentional settings or processes of reconfiguration, possibly constituting a source of task switch costs (i.e., impaired performance in task switch trials compared to task repetition trials). To explore the processes involved in task switching with and without a switch in stimulus selection requirements, we administered a task-switching paradigm that involved task-unique sets of hierarchical (Navon) stimuli, preventing stimulus-related proactive interference (i.e., impaired responding to a stimulus that was previously processed in the context of a different task), and varied, between groups of participants, whether the target stimulus level (i.e., global vs. local) was held constant or varied between the tasks. Mixing target levels impaired performance overall and increased the task switch costs. Moreover, (within-task) global-local congruency effects were la...
Social cognitive and affective neuroscience, Jan 28, 2017
It is a common experience-and well established experimentally-that music can engage us emotionall... more It is a common experience-and well established experimentally-that music can engage us emotionally in a compelling manner. The mechanisms underlying these experiences are receiving increasing scrutiny. However, the extent to which other domains of aesthetic experience can similarly elicit strong emotions is unknown. Using psychophysiology, neuroimaging, and behavioral responses, we show that recited poetry can act as a powerful stimulus for eliciting peak emotional responses, including chills and objectively measurable goosebumps that engage the primary reward circuitry. Importantly, while these responses to poetry are largely analogous to those found our music, their neural underpinnings show important differences, specifically with regard to the crucial role of the nucleus accumbens. We also go beyond replicating previous music-related studies by showing that peak aesthetic pleasure can co-occur with physiological markers of negative affect. Finally, the distribution of chills acr...
This psychophysiological study is the first to examine the relationship between emotional tears a... more This psychophysiological study is the first to examine the relationship between emotional tears and emotional piloerection (i.e., goosebumps). Although both phenomena have been related to peak states of being moved, details about their temporal occurrence and the associated levels of physiological arousal have remained unknown. In our study, we used emotionally powerful film scenes that were self-selected by participants. Our findings show that even within peak moments of emotional arousal, a gradation of intensity is possible. The overlap of tears and goosebumps signifies a maximal climax within peak moments. On the side of the stimulus, we found that displays of prosocial behavior play a crucial role in the elicitation of tears and goosebumps. Finally, based on the results of a formal film analysis of the tears-eliciting clips provided by our participants, as compared to randomly extracted, equally long control clips from the same films, we show how the technical and artistic maki...
Changes in room acoustics provide important clues about the environment of sound source-perceiver... more Changes in room acoustics provide important clues about the environment of sound source-perceiver systems, for example, by indicating changes in the reflecting characteristics of surrounding objects. To study the detection of auditory irregularities brought about by a change in room acoustics, a passive oddball protocol with participants watching a movie was applied in this study. Acoustic stimuli were presented via headphones. Standards and deviants were created by modelling rooms of different sizes, keeping the values of the basic acoustic dimensions (e.g., frequency, duration, sound pressure, and sound source location) as constant as possible. In the first experiment, each standard and deviant stimulus consisted of sequences of three short sounds derived from sinusoidal tones, resulting in three onsets during each stimulus. Deviant stimuli elicited a Mismatch Negativity (MMN) as well as two additional negative deflections corresponding to the three onset peaks. In the second experiment, only one sound was used; the stimuli were otherwise identical to the ones used in the first experiment. Again, an MMN was observed, followed by an additional negative deflection. These results provide further support for the hypothesis of automatic detection of unattended changes in room acoustics, extending previous work by demonstrating the elicitation of an MMN by changes in room acoustics.
Journal of Experimental Psychology: Learning, Memory, and Cognition, 2016
In choice reaction time (RT) tasks, performance is often influenced by the presence of nominally ... more In choice reaction time (RT) tasks, performance is often influenced by the presence of nominally irrelevant stimuli, referred to as distractors. Recent research provided evidence that distractor processing can be adjusted to the utility of the distractors: Distractors predictive of the upcoming target/response were more attended to and also elicited stronger motor responses. In an event-related potential (ERP) study, we investigated whether not only the extent of distractor processing (as suggested by these previous results), but also the timing of distractor-based response activation is subject to strategic control. In a temporal flanker task, in which a distractor stimulus preceded the target, we manipulated distractor utility (i.e., by varying the proportion of congruent distractor-target combinations, 75% vs. 25%) as well as the stimulus onset asynchrony (SOA) between distractors and targets (350 ms vs. 1,000 ms) in different blocks of trials. The distractor-locked lateralized readiness potential (LRP) was overall larger in blocks with a high proportion of congruent trials indicating stronger distractor-based response activation when distractor utility was high. Of importance, the LRPs occurred overall later when the SOA was long. This suggests that distractor-based response activation can be postponed and thus adjusted to the temporal factors of the context. Modulations of early visual potentials (P1 and N1) indicate that this postponement of motor activation is related to both sensory-perceptual downgrading of distractor stimuli and reduced activation of task-relevant stimulus-response transformation processes at the time of distractor perception. (PsycINFO Database Record
The emotional state of being moved, though frequently referred to in both classical rhetoric and ... more The emotional state of being moved, though frequently referred to in both classical rhetoric and current language use, is far from established as a well-defined psychological construct. In a series of three studies, we investigated eliciting scenarios, emotional ingredients, appraisal patterns, feeling qualities, and the affective signature of being moved and related emotional states. The great majority of the eliciting scenarios can be assigned to significant relationship and critical life events (especially death, birth, marriage, separation, and reunion). Sadness and joy turned out to be the two preeminent emotions involved in episodes of being moved. Both the sad and the joyful variants of being moved showed a coactivation of positive and negative affect and can thus be ranked among the mixed emotions. Moreover, being moved, while featuring only low-to-mid arousal levels, was experienced as an emotional state of high intensity; this applied to responses to fictional artworks no less than to own-life and other real, but media-represented, events. The most distinctive findings regarding cognitive appraisal dimensions were very low ratings for causation of the event by oneself and for having the power to change its outcome, along with very high ratings for appraisals of compatibility with social norms and self-ideals. Putting together the characteristics identified and discussed throughout the three studies, the paper ends with a sketch of a psychological construct of being moved.
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Papers by Thomas Jacobsen