The aim of this research was to collect any document to be found in the Venice Archivio di Stato ... more The aim of this research was to collect any document to be found in the Venice Archivio di Stato concerning the measures for the conservation of the pictorial heritage in the territories of the Venice Republic at the end of the Eighteenth century. As a matter of fact, the project of a widespread network of "ispettori" in charge of the conservation of paintings was first conceived by the librarian of the Marciana Anton Maria Zanetti the Younger in 1773, and carried out by the Consiglio dei Dieci in the following years. Research results provided a broader understanding of this pioneering experience in cultural heritage conservation policies.
This dissertation focuses on the late activity of Paolo Veronese's workshop (1570-1598), especial... more This dissertation focuses on the late activity of Paolo Veronese's workshop (1570-1598), especially on Haeredes Pauli's artistic production in the Veneto ("Paolo's Heirs", i.e. Benedetto, Carlo and Gabriele Caliari).
Edition of some newly discovered documents concerning the sculptor Giovanni Battista Carboni and ... more Edition of some newly discovered documents concerning the sculptor Giovanni Battista Carboni and art collector Faustino Lechi, both designated "ispettori alle pubbliche pitture" in Brescia in 1773.
This essay focuses on the commission of Giuseppe Porta Salviati's altarpiece of the Purification ... more This essay focuses on the commission of Giuseppe Porta Salviati's altarpiece of the Purification of the Virgin in the church of Santa Maria Gloriosa dei Frari in Venice. A new iconological interpretation of the painting is provided, based on a detailed iconographic analysis.
The aim of this paper is to suggest the accomplishment of an uptodate cataloguing campaign of the... more The aim of this paper is to suggest the accomplishment of an uptodate cataloguing campaign of the ancient decorated façades still visible in the city of Feltre, one of the most renowned "urbes pictae" (i. e. "painted cities") in the Veneto. It is also suggested the development of a web-based catalogue, which can be used both as a research and promotion tool.
The aim of this research was to collect any document to be found in the Venice Archivio di Stato ... more The aim of this research was to collect any document to be found in the Venice Archivio di Stato concerning the measures for the conservation of the pictorial heritage in the territories of the Venice Republic at the end of the Eighteenth century. As a matter of fact, the project of a widespread network of "ispettori" in charge of the conservation of paintings was first conceived by the librarian of the Marciana Anton Maria Zanetti the Younger in 1773, and carried out by the Consiglio dei Dieci in the following years. Research results provided a broader understanding of this pioneering experience in cultural heritage conservation policies.
This dissertation focuses on the late activity of Paolo Veronese's workshop (1570-1598), especial... more This dissertation focuses on the late activity of Paolo Veronese's workshop (1570-1598), especially on Haeredes Pauli's artistic production in the Veneto ("Paolo's Heirs", i.e. Benedetto, Carlo and Gabriele Caliari).
Edition of some newly discovered documents concerning the sculptor Giovanni Battista Carboni and ... more Edition of some newly discovered documents concerning the sculptor Giovanni Battista Carboni and art collector Faustino Lechi, both designated "ispettori alle pubbliche pitture" in Brescia in 1773.
This essay focuses on the commission of Giuseppe Porta Salviati's altarpiece of the Purification ... more This essay focuses on the commission of Giuseppe Porta Salviati's altarpiece of the Purification of the Virgin in the church of Santa Maria Gloriosa dei Frari in Venice. A new iconological interpretation of the painting is provided, based on a detailed iconographic analysis.
The aim of this paper is to suggest the accomplishment of an uptodate cataloguing campaign of the... more The aim of this paper is to suggest the accomplishment of an uptodate cataloguing campaign of the ancient decorated façades still visible in the city of Feltre, one of the most renowned "urbes pictae" (i. e. "painted cities") in the Veneto. It is also suggested the development of a web-based catalogue, which can be used both as a research and promotion tool.
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