The spatial machines of performing arts follow the principle
of Alain Badiou’s restlessness, emb... more The spatial machines of performing arts follow the principle
of Alain Badiou’s restlessness, embody new interpretations of the classical stage, and establish
new variants of utopian concepts of the (neo) avant-garde such as empty space, total theatre, and
lieu unique (let us only think of Dragan Živadinov and his concept of the theatre in zero gravity).
The spatial machines of performing arts follow the principle
of Alain Badiou’s restlessness, emb... more The spatial machines of performing arts follow the principle
of Alain Badiou’s restlessness, embody new interpretations of the classical stage, and establish
new variants of utopian concepts of the (neo) avant-garde such as empty space, total theatre, and
lieu unique (let us only think of Dragan Živadinov and his concept of the theatre in zero gravity).
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Papers by Ema Kugler
of Alain Badiou’s restlessness, embody new interpretations of the classical stage, and establish
new variants of utopian concepts of the (neo) avant-garde such as empty space, total theatre, and
lieu unique (let us only think of Dragan Živadinov and his concept of the theatre in zero gravity).
of Alain Badiou’s restlessness, embody new interpretations of the classical stage, and establish
new variants of utopian concepts of the (neo) avant-garde such as empty space, total theatre, and
lieu unique (let us only think of Dragan Živadinov and his concept of the theatre in zero gravity).