ISAIAS CAPETILLO LOPEZ

La cancion que une a la poesia y la musica de las parrandas navidenas conforma una de las manifestaciones mas arraigadas de la literatura oral y la religiosidad popular venezolana. Para explicar su actual proyeccion se desarrollo un diseno cualitativo etnografico multidisciplinario segun Martinez (2000), Barrera Linares (2003) y AnderEgg (2004), a fin de analizar (hasta el 2005) los simbolos poeticos mas reiterados del cancionero del grupo de parrandas La Flor de Cojedes, el mas antiguo de Venezuela. Como sistema de datacion se uso fuentes textuales, producciones discograficas junto a entrevistas y recorridos de campo facilitadas por tres informantes clave, todos miembros destacados de La Flor de Cojedes. ABSTRACT The song that unifies Christmass parrandas ’ poetry with music is one of the most deeplyrooted expressions of the religious oral literature of Venezuela, being La flor de Cojedes the oldest known performing group. To undertand its practice it was nescessary to develop a qualitative, ethnographic and multidisciplinary methodology based on Martinez’ (2000), Barrera Linares’ (2003) and Ander-Egg’ (2004) studies that helped me to analyze (form the first recording data until 2005) its most repeated symbolisms [used]. As a data system, I haved employed textual sources and discography, as well as interviews and other [field] recordings provided by three informants, all of which are remarkable members of La Flor de Cojedes.

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