Iraida Costin

Creanga's narrative model is an important subject in the investigation of some fundamental aspects of the prosaic phenomenon in the Dniester and Prut area. At different periods of the evolution of Bessarabian prose, Creanga is a standard of artistic transfigurations. Critics have tried to prove that namely the orality, the paramiological erudition, the brilliant instinctive sense of language and folk ethos, the pleasure of storytelling are sure marks of an indubitable narrative model - Creanga. Creanga's narrative model has a decisive impact in Bessarabian prose in affirming a dialogue of texts.

Creanga's narrative model is an important subject in the investigation of some fundamental aspects of the prosaic phenomenon in the Dniester and Prut area. At different periods of the evolution of Bessarabian prose, Creanga is a standard of artistic transfigurations. Critics have tried to prove that namely the orality, the paramiological erudition, the brilliant instinctive sense of language and folk ethos, the pleasure of storytelling are sure marks of an indubitable narrative model - Creanga. Creanga's narrative model has a decisive impact in Bessarabian prose in affirming a dialogue of texts.

In the history of Romanian literature in Bessarabia Creangă's modelling role is exem¬pli¬fied especially during the turning periods, when the concept of literature is radicalized (years 20-30, 60, 80). Across different searches and wanderings of prose writers, namely, the organicist perspective of the structure of the Bessarabian literary phenomenon elucidates the importance of the Creangă model in overcoming the different complexes, among which, especially, of the narrow-minded Romanian.

This paragraph examines the impact of Creangă' narrative modelon Paul Goma's prose. The relationship between the character and the author, the narrative figures, the stylistic dominants of the story "Amintiri din copilărie" by Ion Creangă and the novel "Din calidor"by Paul Goma are analysed. It examines the dialogical poetics of the novel, the dialectical relations of the bivoc word, the hybrid construction, plurilingvism, the instinctive genius sense of the language, the intrinsec elements of the narrative model in the line of the Creangă-Sadoveanu tradition.