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Rezultat dugogodišnjih autorkinih istraživanja evropskih okvira nacionalne muzike, doktorska disertacija Katarine Tomašević, postavlja u centar pažnje one pojave koje su inicirale, prouzrokovale i značajno obeležile razvojne tokove... more
Rezultat dugogodišnjih autorkinih istraživanja evropskih okvira nacionalne muzike, doktorska disertacija Katarine Tomašević, postavlja u centar pažnje one pojave koje su inicirale, prouzrokovale i značajno obeležile razvojne tokove stvaralaštva i zbivanja u srpskoj muzici u decenijama između dva svetska rata..
The main aim of this paper is to re-examine the modalities of Béla Bartók’s influence as a composer during the first half of the 20th century to the main, dominantly “nationally oriented style” in the former Yugoslavia, focusing on two of... more
The main aim of this paper is to re-examine the modalities of Béla Bartók’s influence as a composer during the first half of the 20th century to the main, dominantly “nationally oriented style” in the former Yugoslavia, focusing on two of Bartók’s somewhat younger contemporaries – the composers Josip Slavenski (1896–1955) and Marko Tajčević (1900–1984), prominent representatives of European interwar musical modernism.
A result of many years of the author’s research of European frameworks of national music, Katarina Tomašević’s doctoral dissertation focuses on the phenomena that initiated, provoked and significantly marked the lines of development of... more
A result of many years of the author’s research of European frameworks of national music, Katarina Tomašević’s doctoral dissertation focuses on the phenomena that initiated, provoked and significantly marked the lines of development of musical output and the circumstances in Serbian music in the decades between the two World Wars. The analyses in this study have been carried out for the purpose of isolating and differentiating precisely those phenomena which, being dominant and crucial in the processes of transcending the previous music tradition and practice, exerted vital influence on the transformation of the physiognomy of Serbian music towards its modernization. The essential method of the comparative analytical procedure – determining the types of relationships established between innovation and tradition – is also the basic criteria for deriving various typologies, those arising from monitoring micro-changes within the very structure of music works and their stylistic aspect ...
The main goal of this paper, devoted to the contribution of Czech Musicians to the Serbian Music in the 19th Century is to point out the facts which will contribute to the better understanding of the migration as an important cultural... more
The main goal of this paper, devoted to the contribution of Czech Musicians to the Serbian Music in the 19th Century is to point out the facts which will contribute to the better understanding of the migration as an important cultural phenomenon. Particular attention will be paid to several musicians whose biographies and achievements are notable.