Potential of the Gap has been about method and place. In site-specific, contextual or relational art, the relationships between and relationships to are critical to the critical artistic licence. That is, relations between or to man,... more
Potential of the Gap has been about method and place. In site-specific, contextual or relational art, the relationships between and relationships to are critical to the critical artistic licence. That is, relations between or to man, object, situation and context. I have engaged with the relationship between place, language and identity in relation to systems and logic. Convention and function. It has taken place in, about and alongside the public space and semi-public space. The work has been performative, with place and audience as a material in it self, and the gap as a tool and artistic device for challenging what is taken for granted, exposing structures, to enable a rethink and thinking afresh. In addition to developing and strengthening the method, I also wanted to review the terminology of the site-specific field, to make it more accessible and enable multidisciplinary interaction. To simplify certain concepts and to add others in order to more easily be able to share process and result.
Potential of Gap has part(s) with co-authors: Paper I: Torell, L. (Edt.). (2016). Plats till plats – 9 konstärers reflektion kring platsrelaterat arbete. Stockholm, Konstfrämjandet. ISBN 978-91-637-8863-5. Co-authors: Kajsa Dahlberg, Henrik Andersson, Annika Eriksson, Martin Tebus, Johanna gustafsson Fürst, Hans Rosenström and Eva Arnqvist. Also available at https://issuu.com/researchanddevelopment/docs/plats_till_plats. Paper II: Torell, L. (Edt.). (2017). Place to place: 9 Artistic Reflection about Site-specificity and Place-related Processes. Stockholm, Konstfrämjandet. ISBN 978-91-982834-4-0. Paper III: Torell, L. (2016).
Figure 2224. In Paper III: Between Place by Naz cuguoğlu and Susanne Ewerlöf (Edt.). Between Places. Reflections on identity and place. (p. 36-45). Norrköping, Sweden, Verkstad konsthall. Also available at https://issuu.com/creativecukurcuma/docs/between_places_final_ebook.
Paper IV: Torell, L. (2017). On Highway 25, Shared Society Means a Common Debt, How We Were Thinking and With What?. In Fürst & Kaur (Edt.). Inte det molnet | Not That Cloud. Stockholm, Mount Analogue. ISBN 978-91-983195-3-8.
Paper V: Torell, L. (2015). Närmandet, ironi och metod. Paletten Art Journal, 3(301), 2–8. Also available at https://paletten.net/. Publisher UiT The Arctic University of Norway Doktorgradsavhandlinger (UMAK) [1]
Potential of Gap has part(s) with co-authors: Paper I: Torell, L. (Edt.). (2016). Plats till plats – 9 konstärers reflektion kring platsrelaterat arbete. Stockholm, Konstfrämjandet. ISBN 978-91-637-8863-5. Co-authors: Kajsa Dahlberg, Henrik Andersson, Annika Eriksson, Martin Tebus, Johanna gustafsson Fürst, Hans Rosenström and Eva Arnqvist. Also available at https://issuu.com/researchanddevelopment/docs/plats_till_plats. Paper II: Torell, L. (Edt.). (2017). Place to place: 9 Artistic Reflection about Site-specificity and Place-related Processes. Stockholm, Konstfrämjandet. ISBN 978-91-982834-4-0. Paper III: Torell, L. (2016).
Figure 2224. In Paper III: Between Place by Naz cuguoğlu and Susanne Ewerlöf (Edt.). Between Places. Reflections on identity and place. (p. 36-45). Norrköping, Sweden, Verkstad konsthall. Also available at https://issuu.com/creativecukurcuma/docs/between_places_final_ebook.
Paper IV: Torell, L. (2017). On Highway 25, Shared Society Means a Common Debt, How We Were Thinking and With What?. In Fürst & Kaur (Edt.). Inte det molnet | Not That Cloud. Stockholm, Mount Analogue. ISBN 978-91-983195-3-8.
Paper V: Torell, L. (2015). Närmandet, ironi och metod. Paletten Art Journal, 3(301), 2–8. Also available at https://paletten.net/. Publisher UiT The Arctic University of Norway Doktorgradsavhandlinger (UMAK) [1]
