Ph.D. in History of Islamic Turkish Arts (Area Of Study: Great Seljuk Architecture and Ornaments), Turkey M.A. in Art research, Iran B.A. in Archeology, Iran A.A. in Archeology, Iran
Fırat Üniversitesi sosyal bilimler dergisi, Jan 20, 2021
Birinci Turanşâh'ın yaptırdığı Kirmân’ın en eski camisi Mescid-i Melik’tir. Caminin alçı mihr... more Birinci Turanşâh'ın yaptırdığı Kirmân’ın en eski camisi Mescid-i Melik’tir. Caminin alçı mihrapları, Büyük Selçuklu döneminin zengin süsleme ve kitâbelerini içermesine rağmen, bu alçı süsleme ve kitâbeler üzerine yapılan ayrıntılı çalışmaların sayısı oldukça azdır. Buradan hareketle “Kirman Mescid-i Melik'in Büyük Selçuklu alçı mihrapları” başlığıyla hazırlanmış olan bu makalenin amacı, yapının alçı mihraplarını tanıtarak, böylece bu mihraplarının değerlerini ortaya koymaktır. Bu alçı mihraplarının çoğu kitâbe ve süslemeleri, zamanla harap olmuştur. Araştırmamız neticesinde, söz konusu yapının süsleme kompozisyonunun, yazı, bitkisel ve geometrik bezemeler içerdiği; bunun yanı sıra kabartma, kazıma ve ajur tekniğinde yapıldığı fark edilmiştir. Bu alçı süsleme ve kiâbelerin sanatçısı ile ilgili herhengi bir bilgi bu çalışmada tespit edilememiştir. Mihraplarda işlenen bazı alçı süslemeler, İran'ın Sasani dönemine (226-651) ait alçı süslemeleri, Nîşâbur’da yapılan kazı çalışmalarından çıkan İran’ın ilk İslâmî devirlerine (X. yüzyıl) ait süslemeler, Karahanlı (840-1212), Gazneli (963-1186), Anadolu Selçuklu (1075-1308) ve İran’ın İlhanlı dönemi (1256-1353) alçı süslemeleri ile benzerlik sergilemektedir.
Baçini Sanat Dergisi/ Baçini Art Journal (Bayburt University), 2024
This article delves into the intricate interconnections among philosophy, science, and art throug... more This article delves into the intricate interconnections among philosophy, science, and art throughout the course of history, with particular emphasis on contemporary visual artists. In the realm of contemporary art, the demarcation between philosophy and science has become increasingly blurred, as numerous artists embark upon explorations that intersect these disciplines. The article's objective is to undertake a comprehensive investigation into the impact of philosophy and science on the artistic works of fifteen internationally acclaimed contemporary artists. Employing qualitative analysis, an extensive review of relevant literature, and a meticulous examination of artists' statements and critical reception, this study endeavours to elucidate insights into the dynamic relationship between philosophy, science, and art in the realm of contemporary artistic expression. The artists such as Olafur Eliasson, Anicka Yi, M.C. Escher, James Turrell, Richard Serra, Mark Dion, Yves Klein, Robert Rauschenberg, Yayoi Kusama, Ana Mendieta, Damien Hirst, William Kentridge, Ai Weiwei, Jenny Holzer, Gerhard Richter, Patricia Piccinini, Kara Walker, Dorothy Cross, John Gerrard, and Christine Borland exemplify this fusion, seamlessly integrating philosophical and scientific concepts into their artistic endeavours. By exploring diverse domains such as perception, reality, ecology, identity, mathematics, and other arenas, these artists adopt a multidisciplinary approach that fosters intellectual contemplation and captivating sensory experiences. Through the harmonization of philosophy and science, they actively challenge established conventions, thereby broadening and enriching our comprehension of the world at large.
Baçini Sanat Dergisi / Baçini Art Journal (Bayburt University), 2024
This article delves into the intricate interconnections among philosophy, science, and art throug... more This article delves into the intricate interconnections among philosophy, science, and art throughout the course of history, with particular emphasis on contemporary visual artists. In the realm of contemporary art, the demarcation between philosophy and science has become increasingly blurred, as numerous artists embark upon explorations that intersect these disciplines. The article's objective is to undertake a comprehensive investigation into the impact of philosophy and science on the artistic works of fifteen internationally acclaimed contemporary artists. Employing qualitative analysis, an extensive review of relevant literature, and a meticulous examination of artists' statements and critical reception, this study endeavours to elucidate insights into the dynamic relationship between philosophy, science, and art in the realm of contemporary artistic expression. The artists such as Olafur Eliasson, Anicka Yi, M.C. Escher, James Turrell, Richard Serra, Mark Dion, Yves Klein, Robert Rauschenberg, Yayoi Kusama, Ana Mendieta, Damien Hirst, William Kentridge, Ai Weiwei, Jenny Holzer, Gerhard Richter, Patricia Piccinini, Kara Walker, Dorothy Cross, John Gerrard, and Christine Borland exemplify this fusion, seamlessly integrating philosophical and scientific concepts into their artistic endeavours. By exploring diverse domains such as perception, reality, ecology, identity, mathematics, and other arenas, these artists adopt a multidisciplinary approach that fosters intellectual contemplation and captivating sensory experiences. Through the harmonization of philosophy and science, they actively challenge established conventions, thereby broadening and enriching our comprehension of the world at large.
Hacettepe Üniversitesi Edebiyat Fakültesi Dergisi, 2022
The art forms of the Great Seljuk period is an independent category within Islamic art. During th... more The art forms of the Great Seljuk period is an independent category within Islamic art. During the Great Seljuk period, plaster workmanship developed like other arts. Few studies have been done on the Great Seljuk art in Turkey and Iran, which is more related to the architecture of this period than the decorations of this building. According to this, one of the aims of this article, prepared with the title of the stucco inscription and ornaments of the Jāme' Mosque of Zavara, is to introduce the art of stucco decorations of the Jāme' Mosque of Zavara. Another aim of this article is to rediscover the exceptional value of the decorations of this mosque and understanding the interaction scopes of the decoration of this mosque. According to the results, the stucco decorations in this mosque include inscriptions, vegetal and geometric decorations made using embossing, engraving, and stamping techniques. These decorations are generally located on the mihrabs, the inscription band covering the upper part of the walls, the pointings between the bricks and intradoses. Any source of information about the stucco decorations artist of this mosque is not available. Also according to the results of this research, the stucco decorations in this mosque, it is very similar to the decoration of the Sassanid period of Iran (61- 226), the stucco decorations discovered from Samarra Exploration (836-892), architectural ornaments of the Qarakhanid period (840-1212), stucco decorations from the Tulunid period (868-905), the decoration of the first Islamic era of Iran (around the tenth century AD), which were from Neyshabur excavations, Anatolian Seljuk Architectural decorations (1075-1308) and stucco decorations of the Ilkhanid Period of Iran (1256-1353).
FSM İlmî Araştırmalar İnsan ve Toplum Bilimleri Dergisi / FSM Scholarly Studies Journal of Humanities and Social Sciences, 2021
Stucco Ornaments and Inscriptions of the Great Mosque of Ardestan as One of the Masterpieces of t... more Stucco Ornaments and Inscriptions of the Great Mosque of Ardestan as One of the Masterpieces of the Great Seljuk Period
Yakın Doğu Üniversitesi İlahiyat Fakültesi Dergisi / Near East University Journal of Theology , 2021
Stucco Inscriptions and Ornaments of the Great Seljuk Mihrab of Rey /
کتیبه ها و تزیینات گچبری م... more Stucco Inscriptions and Ornaments of the Great Seljuk Mihrab of Rey / کتیبه ها و تزیینات گچبری محرابِ سلجوقیِ ری
Fırat Üniversitesi sosyal bilimler dergisi, Jan 20, 2021
Birinci Turanşâh'ın yaptırdığı Kirmân’ın en eski camisi Mescid-i Melik’tir. Caminin alçı mihr... more Birinci Turanşâh'ın yaptırdığı Kirmân’ın en eski camisi Mescid-i Melik’tir. Caminin alçı mihrapları, Büyük Selçuklu döneminin zengin süsleme ve kitâbelerini içermesine rağmen, bu alçı süsleme ve kitâbeler üzerine yapılan ayrıntılı çalışmaların sayısı oldukça azdır. Buradan hareketle “Kirman Mescid-i Melik'in Büyük Selçuklu alçı mihrapları” başlığıyla hazırlanmış olan bu makalenin amacı, yapının alçı mihraplarını tanıtarak, böylece bu mihraplarının değerlerini ortaya koymaktır. Bu alçı mihraplarının çoğu kitâbe ve süslemeleri, zamanla harap olmuştur. Araştırmamız neticesinde, söz konusu yapının süsleme kompozisyonunun, yazı, bitkisel ve geometrik bezemeler içerdiği; bunun yanı sıra kabartma, kazıma ve ajur tekniğinde yapıldığı fark edilmiştir. Bu alçı süsleme ve kiâbelerin sanatçısı ile ilgili herhengi bir bilgi bu çalışmada tespit edilememiştir. Mihraplarda işlenen bazı alçı süslemeler, İran'ın Sasani dönemine (226-651) ait alçı süslemeleri, Nîşâbur’da yapılan kazı çalışmalarından çıkan İran’ın ilk İslâmî devirlerine (X. yüzyıl) ait süslemeler, Karahanlı (840-1212), Gazneli (963-1186), Anadolu Selçuklu (1075-1308) ve İran’ın İlhanlı dönemi (1256-1353) alçı süslemeleri ile benzerlik sergilemektedir.
Baçini Sanat Dergisi/ Baçini Art Journal (Bayburt University), 2024
This article delves into the intricate interconnections among philosophy, science, and art throug... more This article delves into the intricate interconnections among philosophy, science, and art throughout the course of history, with particular emphasis on contemporary visual artists. In the realm of contemporary art, the demarcation between philosophy and science has become increasingly blurred, as numerous artists embark upon explorations that intersect these disciplines. The article's objective is to undertake a comprehensive investigation into the impact of philosophy and science on the artistic works of fifteen internationally acclaimed contemporary artists. Employing qualitative analysis, an extensive review of relevant literature, and a meticulous examination of artists' statements and critical reception, this study endeavours to elucidate insights into the dynamic relationship between philosophy, science, and art in the realm of contemporary artistic expression. The artists such as Olafur Eliasson, Anicka Yi, M.C. Escher, James Turrell, Richard Serra, Mark Dion, Yves Klein, Robert Rauschenberg, Yayoi Kusama, Ana Mendieta, Damien Hirst, William Kentridge, Ai Weiwei, Jenny Holzer, Gerhard Richter, Patricia Piccinini, Kara Walker, Dorothy Cross, John Gerrard, and Christine Borland exemplify this fusion, seamlessly integrating philosophical and scientific concepts into their artistic endeavours. By exploring diverse domains such as perception, reality, ecology, identity, mathematics, and other arenas, these artists adopt a multidisciplinary approach that fosters intellectual contemplation and captivating sensory experiences. Through the harmonization of philosophy and science, they actively challenge established conventions, thereby broadening and enriching our comprehension of the world at large.
Baçini Sanat Dergisi / Baçini Art Journal (Bayburt University), 2024
This article delves into the intricate interconnections among philosophy, science, and art throug... more This article delves into the intricate interconnections among philosophy, science, and art throughout the course of history, with particular emphasis on contemporary visual artists. In the realm of contemporary art, the demarcation between philosophy and science has become increasingly blurred, as numerous artists embark upon explorations that intersect these disciplines. The article's objective is to undertake a comprehensive investigation into the impact of philosophy and science on the artistic works of fifteen internationally acclaimed contemporary artists. Employing qualitative analysis, an extensive review of relevant literature, and a meticulous examination of artists' statements and critical reception, this study endeavours to elucidate insights into the dynamic relationship between philosophy, science, and art in the realm of contemporary artistic expression. The artists such as Olafur Eliasson, Anicka Yi, M.C. Escher, James Turrell, Richard Serra, Mark Dion, Yves Klein, Robert Rauschenberg, Yayoi Kusama, Ana Mendieta, Damien Hirst, William Kentridge, Ai Weiwei, Jenny Holzer, Gerhard Richter, Patricia Piccinini, Kara Walker, Dorothy Cross, John Gerrard, and Christine Borland exemplify this fusion, seamlessly integrating philosophical and scientific concepts into their artistic endeavours. By exploring diverse domains such as perception, reality, ecology, identity, mathematics, and other arenas, these artists adopt a multidisciplinary approach that fosters intellectual contemplation and captivating sensory experiences. Through the harmonization of philosophy and science, they actively challenge established conventions, thereby broadening and enriching our comprehension of the world at large.
Hacettepe Üniversitesi Edebiyat Fakültesi Dergisi, 2022
The art forms of the Great Seljuk period is an independent category within Islamic art. During th... more The art forms of the Great Seljuk period is an independent category within Islamic art. During the Great Seljuk period, plaster workmanship developed like other arts. Few studies have been done on the Great Seljuk art in Turkey and Iran, which is more related to the architecture of this period than the decorations of this building. According to this, one of the aims of this article, prepared with the title of the stucco inscription and ornaments of the Jāme' Mosque of Zavara, is to introduce the art of stucco decorations of the Jāme' Mosque of Zavara. Another aim of this article is to rediscover the exceptional value of the decorations of this mosque and understanding the interaction scopes of the decoration of this mosque. According to the results, the stucco decorations in this mosque include inscriptions, vegetal and geometric decorations made using embossing, engraving, and stamping techniques. These decorations are generally located on the mihrabs, the inscription band covering the upper part of the walls, the pointings between the bricks and intradoses. Any source of information about the stucco decorations artist of this mosque is not available. Also according to the results of this research, the stucco decorations in this mosque, it is very similar to the decoration of the Sassanid period of Iran (61- 226), the stucco decorations discovered from Samarra Exploration (836-892), architectural ornaments of the Qarakhanid period (840-1212), stucco decorations from the Tulunid period (868-905), the decoration of the first Islamic era of Iran (around the tenth century AD), which were from Neyshabur excavations, Anatolian Seljuk Architectural decorations (1075-1308) and stucco decorations of the Ilkhanid Period of Iran (1256-1353).
FSM İlmî Araştırmalar İnsan ve Toplum Bilimleri Dergisi / FSM Scholarly Studies Journal of Humanities and Social Sciences, 2021
Stucco Ornaments and Inscriptions of the Great Mosque of Ardestan as One of the Masterpieces of t... more Stucco Ornaments and Inscriptions of the Great Mosque of Ardestan as One of the Masterpieces of the Great Seljuk Period
Yakın Doğu Üniversitesi İlahiyat Fakültesi Dergisi / Near East University Journal of Theology , 2021
Stucco Inscriptions and Ornaments of the Great Seljuk Mihrab of Rey /
کتیبه ها و تزیینات گچبری م... more Stucco Inscriptions and Ornaments of the Great Seljuk Mihrab of Rey / کتیبه ها و تزیینات گچبری محرابِ سلجوقیِ ری
در این پژوهش، در راستای بررسی و بازشناسی روابط و مناسبات اجتماعی مرتبط با معماری
دوره اسلامی، بنا... more در این پژوهش، در راستای بررسی و بازشناسی روابط و مناسبات اجتماعی مرتبط با معماری دوره اسلامی، بناهای اسلامی شهر اردبیل كه از نخستین سده های ورود اسلام به ایران، یکی - از كانون های شکل گیری و رشد گونه های مختلف معماری ایرانی بوده است مورد مطالعه - قرار گرفته است
Sokhanpardaz, Kamran, Büyük Selçuklu Dönemi Camilerinde Alçı Kitabe ve Tezyinat, Uluslararasi Tür... more Sokhanpardaz, Kamran, Büyük Selçuklu Dönemi Camilerinde Alçı Kitabe ve Tezyinat, Uluslararasi Türk Kültür ve Sanatı Sempozyumu Kitabı, Cilt 3 (ISBN: 978-9944-0677-8-2), Ankara: Etimesgut Belediyesi, 2020, 206-265.
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کتیبه ها و تزیینات گچبری محرابِ سلجوقیِ ری
کتیبه ها و تزیینات گچبری محرابِ سلجوقیِ ری
دوره اسلامی، بناهای اسلامی شهر اردبیل كه از نخستین سده های ورود اسلام به ایران، یکی -
از كانون های شکل گیری و رشد گونه های مختلف معماری ایرانی بوده است مورد مطالعه -
قرار گرفته است