Jean-Thomas Martelli (jtm.martelli@gmail.com) is a postdoctoral fellow at the Centre for Internat... more Jean-Thomas Martelli (jtm.martelli@gmail.com) is a postdoctoral fellow at the Centre for International Studies and Research (CERI) at Sciences Po Paris. Khaliq Parkar (khaliq.parkar@gmail.com) is at the Symbiosis School for Liberal Arts, Pune. Both authors are alumni of the Jawaharlal Nehru University. Neither author has affiliation to any political or social organisation. Vol. 53, Issue No. 11, 17 Mar, 2018
An exposition on the interplay between the Image, Memory and History in Alain Resnais’ Guernica (... more An exposition on the interplay between the Image, Memory and History in Alain Resnais’ Guernica (1950); Night and Fog (1955); and Hiroshima, Mon Amour (1959).
This paper will analyze the depiction of trauma in children located in the Iran-Iraq conflict are... more This paper will analyze the depiction of trauma in children located in the Iran-Iraq conflict area with the above two films of Bahman Ghobadi. We shall briefly look at the notion of trauma and look at it in the context of warfare that involves children. The paper will analyze the use of the film as a chronicle of immediate history through the themes of the films and the neo-realism and postmodern influences which enhance the context. We will see how the children are not only survivors of trauma but also have
Jean-Thomas Martelli (jtm.martelli@gmail.com) is a postdoctoral fellow at the Centre for Internat... more Jean-Thomas Martelli (jtm.martelli@gmail.com) is a postdoctoral fellow at the Centre for International Studies and Research (CERI) at Sciences Po Paris. Khaliq Parkar (khaliq.parkar@gmail.com) is at the Symbiosis School for Liberal Arts, Pune. Both authors are alumni of the Jawaharlal Nehru University. Neither author has affiliation to any political or social organisation. Vol. 53, Issue No. 11, 17 Mar, 2018
An exposition on the interplay between the Image, Memory and History in Alain Resnais’ Guernica (... more An exposition on the interplay between the Image, Memory and History in Alain Resnais’ Guernica (1950); Night and Fog (1955); and Hiroshima, Mon Amour (1959).
This paper will analyze the depiction of trauma in children located in the Iran-Iraq conflict are... more This paper will analyze the depiction of trauma in children located in the Iran-Iraq conflict area with the above two films of Bahman Ghobadi. We shall briefly look at the notion of trauma and look at it in the context of warfare that involves children. The paper will analyze the use of the film as a chronicle of immediate history through the themes of the films and the neo-realism and postmodern influences which enhance the context. We will see how the children are not only survivors of trauma but also have
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