REPRESENTATION OF THE CONCEPTS “COURT, TRIAL” IN THE SHORT STORIES BY RUSSIAN WRITERS OF THE END OF THE 19th – THE BEGGINNING OF THE 20th CENTURIES., 2018
Русская филология: Вестник Харьковского национального педагогического университета имени Г.С. Ско... more Русская филология: Вестник Харьковского национального педагогического университета имени Г.С. Сковороды. 2018. № 1 (63) 3 ЯЗЫКОЗНАНИЕ УДК 811.161.1 К. В. Нестеренко РЕПРЕЗЕНТАЦИЯ КОНЦЕПТА «СУД» В РАССКАЗАХ РУССКИХ ПИСАТЕЛЕЙ КОНЦА ХIХ-НАЧАЛА ХХ ВЕКОВ К. В. НЕСТЕРЕНКО. РЕПРЕЗЕНТАЦІЯ КОНЦЕПТУ «СУД» В ОПОВІДАННЯХ РОСІЙСЬКИХ ПИСЬМЕННИКІВ КІНЦЯ Х1Х-ПОЧАТКУ ХХ ВІКІВ. Мета статті-аналіз репрезентації концепту «суд», який є важливою складовою цілісної правової картини світу, в оповіданнях російських письменників. В аспектах зображення і художніх характеристиках цієї суспільної інституції також виявляються індивідуально-авторські погляди і ідеї письменників. Для Чехова опис суду-це можливість показати людські типи і соціальні ситуації. Андрєєв викриває рутинність судової тяганини, суспільне і церковне лицемірство щодо долі людини, яка стоїть перед судом, обмеженість людей, занятих у судочинстві. Купрін також вимальовує формальну і бездушну процедуру суду, але й показує, яким насправді може бути суд-справедливим і неупередженим. Ключові слова: концепт, суд, репрезентація, правова картина світу, авторська характеристика, оповідання. К. В. НЕСТЕРЕНКО. РЕПРЕЗЕНТАЦИЯ КОНЦЕПТА «СУД» В РАССКАЗАХ РУССКИХ ПИСАТЕЛЕЙ КОНЦА Х1Х-НАЧАЛА ХХ ВЕКОВ. Цель статьи-анализ репрезентации концепта «суд» как важнейшей составляющей целостной правовой картины мира в рассказах русских писателей. В аспектах изображения и художественных характеристиках данного общественного института проявляются индивидуально-авторские взгляды и идеи писателей. Для Чехова описание суда-это возможность показать человеческие типы и социальные ситуации. Андреев вскрывает рутину судебных тяжб, общественное и церковное лицемерие, ограниченность людей, занятых в судопроизводстве. Куприн также изображает формальную и бездушную процедуру суда, но и показывает, каким на самом деле может быть суд-справедливым и непредвзятым. Ключевые слова: концепт, суд, репрезентация, правовая картина мира, авторская характеристика, рассказ. К. V. NESTERENKO. REPRESENTATION realistic description of life and people in different literary genres. There also a great social impact of the literature of the stated period should be considered that can mean the development of social and legal awareness. The genre of short story allows concentrating on a particular character or episode and assessing it by the means of artistic description. The short stories by A. Chekhov, L. Andreev and A. Kuprin have their individual specifics, style and grounds for writing. That is what unites them is not only the period of creation, literary and historic meaning, but the attitude to the court and trial, the ability of the authors to see and to depict different sides in court functioning and trials of the Imperial
To the issue of the typology of psychopathological characters in literature (Based on the works of Russian writers of the turn of the 19th – 20th centuries), 2019
The article raises the question of the possibility of creating a typology of psychopathological
c... more The article raises the question of the possibility of creating a typology of psychopathological characters, which are often found in the works of the writers of the turn of the 19th – 20th centuries. The realism in describing mental illness symptoms and manifestations in the characters of V. Garshin, L. Andreev, and A. Chekhov’s literary works is noted, which, on the one hand, is explained by the authors’ direct acquaintance with mental ailments. On the other hand, the specified images are created to embody the authors’ certain philosophical and moral ideas, the identification of which can also become the basis of the typology of psychopathological images. The article argues characterization of literary characters in terms of psychiatric symptoms and diagnosis manifestations. Even taking into account the integrated approach which is necessary in such kinds of works, determining the diagnosis of a character, taking into account his way of thinking and behaviour, will not give enough reason to identify his place in the structure of a piece of literature and his role in the ideological and artistic meaning of it. There is also insufficient to classify so called “yurodivyi” (blessed) as insane or mentally ill characters as they already have acquired the stable position as the Russian culturally specific phenomenon. The article contains a brief analysis of some famous short stories by V. Garshin, L. Andreev and A. Chekhov with some psychopathological characters acting. The article also offers some typological foundations (one author’s creativity, literary direction, sociality / anti-sociality of the character’s behaviour) for creating the typology of psychopathological characters in the literary works.
REPRESENTATION OF THE CONCEPTS “COURT, TRIAL” IN THE SHORT STORIES BY RUSSIAN WRITERS OF THE END OF THE 19th – THE BEGGINNING OF THE 20th CENTURIES., 2018
Русская филология: Вестник Харьковского национального педагогического университета имени Г.С. Ско... more Русская филология: Вестник Харьковского национального педагогического университета имени Г.С. Сковороды. 2018. № 1 (63) 3 ЯЗЫКОЗНАНИЕ УДК 811.161.1 К. В. Нестеренко РЕПРЕЗЕНТАЦИЯ КОНЦЕПТА «СУД» В РАССКАЗАХ РУССКИХ ПИСАТЕЛЕЙ КОНЦА ХIХ-НАЧАЛА ХХ ВЕКОВ К. В. НЕСТЕРЕНКО. РЕПРЕЗЕНТАЦІЯ КОНЦЕПТУ «СУД» В ОПОВІДАННЯХ РОСІЙСЬКИХ ПИСЬМЕННИКІВ КІНЦЯ Х1Х-ПОЧАТКУ ХХ ВІКІВ. Мета статті-аналіз репрезентації концепту «суд», який є важливою складовою цілісної правової картини світу, в оповіданнях російських письменників. В аспектах зображення і художніх характеристиках цієї суспільної інституції також виявляються індивідуально-авторські погляди і ідеї письменників. Для Чехова опис суду-це можливість показати людські типи і соціальні ситуації. Андрєєв викриває рутинність судової тяганини, суспільне і церковне лицемірство щодо долі людини, яка стоїть перед судом, обмеженість людей, занятих у судочинстві. Купрін також вимальовує формальну і бездушну процедуру суду, але й показує, яким насправді може бути суд-справедливим і неупередженим. Ключові слова: концепт, суд, репрезентація, правова картина світу, авторська характеристика, оповідання. К. В. НЕСТЕРЕНКО. РЕПРЕЗЕНТАЦИЯ КОНЦЕПТА «СУД» В РАССКАЗАХ РУССКИХ ПИСАТЕЛЕЙ КОНЦА Х1Х-НАЧАЛА ХХ ВЕКОВ. Цель статьи-анализ репрезентации концепта «суд» как важнейшей составляющей целостной правовой картины мира в рассказах русских писателей. В аспектах изображения и художественных характеристиках данного общественного института проявляются индивидуально-авторские взгляды и идеи писателей. Для Чехова описание суда-это возможность показать человеческие типы и социальные ситуации. Андреев вскрывает рутину судебных тяжб, общественное и церковное лицемерие, ограниченность людей, занятых в судопроизводстве. Куприн также изображает формальную и бездушную процедуру суда, но и показывает, каким на самом деле может быть суд-справедливым и непредвзятым. Ключевые слова: концепт, суд, репрезентация, правовая картина мира, авторская характеристика, рассказ. К. V. NESTERENKO. REPRESENTATION realistic description of life and people in different literary genres. There also a great social impact of the literature of the stated period should be considered that can mean the development of social and legal awareness. The genre of short story allows concentrating on a particular character or episode and assessing it by the means of artistic description. The short stories by A. Chekhov, L. Andreev and A. Kuprin have their individual specifics, style and grounds for writing. That is what unites them is not only the period of creation, literary and historic meaning, but the attitude to the court and trial, the ability of the authors to see and to depict different sides in court functioning and trials of the Imperial
To the issue of the typology of psychopathological characters in literature (Based on the works of Russian writers of the turn of the 19th – 20th centuries), 2019
The article raises the question of the possibility of creating a typology of psychopathological
c... more The article raises the question of the possibility of creating a typology of psychopathological characters, which are often found in the works of the writers of the turn of the 19th – 20th centuries. The realism in describing mental illness symptoms and manifestations in the characters of V. Garshin, L. Andreev, and A. Chekhov’s literary works is noted, which, on the one hand, is explained by the authors’ direct acquaintance with mental ailments. On the other hand, the specified images are created to embody the authors’ certain philosophical and moral ideas, the identification of which can also become the basis of the typology of psychopathological images. The article argues characterization of literary characters in terms of psychiatric symptoms and diagnosis manifestations. Even taking into account the integrated approach which is necessary in such kinds of works, determining the diagnosis of a character, taking into account his way of thinking and behaviour, will not give enough reason to identify his place in the structure of a piece of literature and his role in the ideological and artistic meaning of it. There is also insufficient to classify so called “yurodivyi” (blessed) as insane or mentally ill characters as they already have acquired the stable position as the Russian culturally specific phenomenon. The article contains a brief analysis of some famous short stories by V. Garshin, L. Andreev and A. Chekhov with some psychopathological characters acting. The article also offers some typological foundations (one author’s creativity, literary direction, sociality / anti-sociality of the character’s behaviour) for creating the typology of psychopathological characters in the literary works.
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characters, which are often found in the works of the writers of the turn of the 19th – 20th centuries.
The realism in describing mental illness symptoms and manifestations in the characters
of V. Garshin, L. Andreev, and A. Chekhov’s literary works is noted, which, on the one hand,
is explained by the authors’ direct acquaintance with mental ailments. On the other hand, the
specified images are created to embody the authors’ certain philosophical and moral ideas, the
identification of which can also become the basis of the typology of psychopathological images.
The article argues characterization of literary characters in terms of psychiatric symptoms and
diagnosis manifestations. Even taking into account the integrated approach which is necessary
in such kinds of works, determining the diagnosis of a character, taking into account his way of
thinking and behaviour, will not give enough reason to identify his place in the structure of a piece
of literature and his role in the ideological and artistic meaning of it. There is also insufficient to
classify so called “yurodivyi” (blessed) as insane or mentally ill characters as they already have
acquired the stable position as the Russian culturally specific phenomenon. The article contains
a brief analysis of some famous short stories by V. Garshin, L. Andreev and A. Chekhov with
some psychopathological characters acting. The article also offers some typological foundations
(one author’s creativity, literary direction, sociality / anti-sociality of the character’s behaviour)
for creating the typology of psychopathological characters in the literary works.
characters, which are often found in the works of the writers of the turn of the 19th – 20th centuries.
The realism in describing mental illness symptoms and manifestations in the characters
of V. Garshin, L. Andreev, and A. Chekhov’s literary works is noted, which, on the one hand,
is explained by the authors’ direct acquaintance with mental ailments. On the other hand, the
specified images are created to embody the authors’ certain philosophical and moral ideas, the
identification of which can also become the basis of the typology of psychopathological images.
The article argues characterization of literary characters in terms of psychiatric symptoms and
diagnosis manifestations. Even taking into account the integrated approach which is necessary
in such kinds of works, determining the diagnosis of a character, taking into account his way of
thinking and behaviour, will not give enough reason to identify his place in the structure of a piece
of literature and his role in the ideological and artistic meaning of it. There is also insufficient to
classify so called “yurodivyi” (blessed) as insane or mentally ill characters as they already have
acquired the stable position as the Russian culturally specific phenomenon. The article contains
a brief analysis of some famous short stories by V. Garshin, L. Andreev and A. Chekhov with
some psychopathological characters acting. The article also offers some typological foundations
(one author’s creativity, literary direction, sociality / anti-sociality of the character’s behaviour)
for creating the typology of psychopathological characters in the literary works.