SOURCES + RESOURCES_ These thirty-six documents have been assembled from books, libraries and archives, transcribed, scanned and processed into pdf files so that they could be posted on the internet and thus made easily available to... more
SOURCES + RESOURCES_ These thirty-six documents have been assembled from books, libraries and archives, transcribed, scanned and processed into pdf files so that they could be posted on the internet and thus made easily available to Readers. They are listed in alphabetic order by title, followed by year. These texts enable a Reader to arrive at a broad enough grasp of The Duchamp Paradigm; a network of thought things, objects, ideas and observations which seeks to represent the nature of human creativity, among other things…
L. Brandon Krall facit CHANGEchance_ The Duchamp Paradigm
L. Brandon Krall facit CHANGEchance_ The Duchamp Paradigm
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These texts are a collection of statements and interviews in English with M. Duchamp. They are rendred here to aid the Reader in knowing this material without having to seek it in libraries and archives.
CHANGEchance_ The Duchamp Paradigm
CHANGEchance_ The Duchamp Paradigm
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The Sage family contributed important elements to the development of modern culture. This article includes discussions of first cousins Kay Sage and David Hare and a cameo of Elsa Schiaparelli with relevant discussion of woks by Marcel... more
The Sage family contributed important elements to the development of modern culture. This article includes discussions of first cousins Kay Sage and David Hare and a cameo of Elsa Schiaparelli with relevant discussion of woks by Marcel Duchamp. _+* B
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Duchamp's lost ready-made of 1915-16... in depth. Shortly after arriving in New York for the first time in June 1915, and after his extraordinary 'success de scandal' in the Armory Show of 1913, Duchamp recognized a new kind of art, the... more
Duchamp's lost ready-made of 1915-16... in depth. Shortly after arriving in New York for the first time in June 1915, and after his extraordinary 'success de scandal' in the Armory Show of 1913, Duchamp recognized a new kind of art, the "ready-made." Within a span of time between June and before December 1915, he had chosen the snow shovel and also a chimney ventilator, inscribed, "Tiré à quatre épingles" (Pulled at Four Pins), which was given to Louise Norton and lost. This essay discusses the lost, and found, ready-made.
CHANGEchance_The Duchamp Paradigm, are a range of essays illustrating a thought field which corresponds to PERPETUUMmobile_ Enchanted Domain, an experimental theatre of sculptures and effects… The documents made available in Sources and... more
CHANGEchance_The Duchamp Paradigm, are a range of essays illustrating a thought field which corresponds to PERPETUUMmobile_ Enchanted Domain, an experimental theatre of sculptures and effects… The documents made available in Sources and Resources" were assembled form archives and libraries for ease of access to Readers. These texts are pivotal for the Reader to grasp the nature of the "Duchamp Paradigm" which attempts to address the nature of human creativity, among other things...
CHANGEchance_ The Duchamp Paradigm
CHANGEchance_ The Duchamp Paradigm
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The most salient passages from an utterly fascinating and critically central account of Marcel Duchamp are rendered here. Written by his first wife and commissioned by the Centre George Pompidou, the seminal influence of Julia Bertrand,... more
The most salient passages from an utterly fascinating and critically central account of Marcel Duchamp are rendered here. Written by his first wife and commissioned by the Centre George Pompidou, the seminal influence of Julia Bertrand, a highly educated aunt to the Duchamp children is made known with so many additional elements of acute interest that are revealed in the book. The passages selected reveal a great deal about the social mores of 1927 in France and provide a deeper understanding of the character of M. Duchamp.
CHANGEchance_ The Duchamp Paradigm
CHANGEchance_ The Duchamp Paradigm
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It is likely that Leonardo Da Vinci was the first artist to use the sign of the pointing hand. In this essay the symbol is examined in depth from the earliest uses of hand gestures through the painting by R. Klang in Duchamp's "Tu m'."... more
It is likely that Leonardo Da Vinci was the first artist to use the sign of the pointing hand. In this essay the symbol is examined in depth from the earliest uses of hand gestures through the painting by R. Klang in Duchamp's "Tu m'."
CHANGEchance_ The Duchamp Paradigm
CHANGEchance_ The Duchamp Paradigm
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In the posthumously published "NOTES", we find Duchamp's often used "thought thing," “Grammar_ my niece is cold because my knees are cold…” This is one a number of risque word plays that is here studied very closely...
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The essential Marcel Duchamp; these are his own words. Collected from a range of interviews and published sources these statements are direct transmission; there is no interpretation. "By and About Marcel Duchamp" works symbiotically... more
The essential Marcel Duchamp; these are his own words. Collected from a range of interviews and published sources these statements are direct transmission; there is no interpretation. "By and About Marcel Duchamp" works symbiotically with, "ACETICaesthetic_ What Is Art" in the essay series "CHANGEchance_ The Duchamp Paradigm."