Papers by Laetitia da Silva
Video: https://youtu.be/Lfn0ayyR9VY?t=856
EnglishThe sculptor Delfim Maya has a very vast work, dispersed within the family and national mu... more EnglishThe sculptor Delfim Maya has a very vast work, dispersed within the family and national museums. The IPT’s Paper Conservation and Restoration Laboratory intervened in a set of drawings and caricatures belonging to one granddaughter, Maria Jose Maya, for three exhibitions within the framework of the 130 years’ artist’s birth celebrations. The oeuvres showed identical pathologies – dirt, stains, glues, tears, lacunae. The conservation and restoration intervention was carried out by students of the Masters in Conservation and Restoration during the first half of 2016-17. The diversity of paper types found – foolscap, bond, trancing, letter, and others – led to the development of a wider study of the paper supports that this artist used. This article intends to make known the work done so far, paper characteristics showed, and the fourteen Portuguese and foreign watermarks found. portuguesA obra do escultor Delfim Maya e bastante vasta e encontra-se dispersa pela familia e por mu...
In Actas del XII Congreso Internacional História del Papel en la Península Ibérica, Tomo II, Asociación Hispánica de Historiadores del Papel, Câmara Municipal de Santa Maria da Feira, Santa Maria da Feira, 2017, pp. 433-456., 2017
A obra do escultor Delfim Maya é bastante vasta e encontra-se dispersa pela família e por museus ... more A obra do escultor Delfim Maya é bastante vasta e encontra-se dispersa pela família e por museus nacionais. O Laboratório de Conservação e Restauro de Documentos Gráficos do Instituto Politécnico de Tomar teve a oportunidade de intervencionar um conjunto desenhos e caricaturas pertencentes à sua neta Maria José Maya, para as exposições no âmbito das comemorações dos 130 anos do nascimento do artista.
Acondicionadas de modo semelhante, apresentavam patologias idênticas – sujidades, manchas, colas, rasgões, lacunas. A intervenção de conservação e restauro foi efectuada pelas alunas do Mestrado em Conservação e Restauro, durante o primeiro semestre de 2016-17.
A diversidade de papéis encontrados – almaço, bond, vegetal, carta e outros – levou ao desenvolvimento de um estudo mais alargado dos suportes em papel que este artista utilizou. Este artigo pretende divulgar o trabalho até agora efectuado, algumas características dos papéis utilizados e as quatorze marcas de água portuguesas e estrangeiras encontradas.
The sculptor Delfim Maya has a very vast work, dispersed within the family and national museums. The IPT’s Paper Conservation and Restoration Laboratory intervened in a set of drawings and caricatures belonging to one granddaughter, Maria José Maya, for three exhibitions within the framework of the 130 years’ artist's birth celebrations.
The oeuvres showed identical pathologies – dirt, stains, glues, tears, lacunae. The conservation and restoration intervention was carried out by students of the Masters in Conservation and Restoration during the first half of 2016-17.
The diversity of paper types found – foolscap, bond, tracing, letter, and others – led to the development of a wider study of the paper supports that this artist used. This article intends to make known the work done so far, paper characteristics showed, and the fourteen Portuguese and foreign watermarks found.
Conference Presentations by Laetitia da Silva
IV Jornadas da Rede dos Museus do Algarve, 2021
Video: https://youtu.be/Lfn0ayyR9VY?t=856
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Papers by Laetitia da Silva
Acondicionadas de modo semelhante, apresentavam patologias idênticas – sujidades, manchas, colas, rasgões, lacunas. A intervenção de conservação e restauro foi efectuada pelas alunas do Mestrado em Conservação e Restauro, durante o primeiro semestre de 2016-17.
A diversidade de papéis encontrados – almaço, bond, vegetal, carta e outros – levou ao desenvolvimento de um estudo mais alargado dos suportes em papel que este artista utilizou. Este artigo pretende divulgar o trabalho até agora efectuado, algumas características dos papéis utilizados e as quatorze marcas de água portuguesas e estrangeiras encontradas.
The sculptor Delfim Maya has a very vast work, dispersed within the family and national museums. The IPT’s Paper Conservation and Restoration Laboratory intervened in a set of drawings and caricatures belonging to one granddaughter, Maria José Maya, for three exhibitions within the framework of the 130 years’ artist's birth celebrations.
The oeuvres showed identical pathologies – dirt, stains, glues, tears, lacunae. The conservation and restoration intervention was carried out by students of the Masters in Conservation and Restoration during the first half of 2016-17.
The diversity of paper types found – foolscap, bond, tracing, letter, and others – led to the development of a wider study of the paper supports that this artist used. This article intends to make known the work done so far, paper characteristics showed, and the fourteen Portuguese and foreign watermarks found.
Conference Presentations by Laetitia da Silva
Acondicionadas de modo semelhante, apresentavam patologias idênticas – sujidades, manchas, colas, rasgões, lacunas. A intervenção de conservação e restauro foi efectuada pelas alunas do Mestrado em Conservação e Restauro, durante o primeiro semestre de 2016-17.
A diversidade de papéis encontrados – almaço, bond, vegetal, carta e outros – levou ao desenvolvimento de um estudo mais alargado dos suportes em papel que este artista utilizou. Este artigo pretende divulgar o trabalho até agora efectuado, algumas características dos papéis utilizados e as quatorze marcas de água portuguesas e estrangeiras encontradas.
The sculptor Delfim Maya has a very vast work, dispersed within the family and national museums. The IPT’s Paper Conservation and Restoration Laboratory intervened in a set of drawings and caricatures belonging to one granddaughter, Maria José Maya, for three exhibitions within the framework of the 130 years’ artist's birth celebrations.
The oeuvres showed identical pathologies – dirt, stains, glues, tears, lacunae. The conservation and restoration intervention was carried out by students of the Masters in Conservation and Restoration during the first half of 2016-17.
The diversity of paper types found – foolscap, bond, tracing, letter, and others – led to the development of a wider study of the paper supports that this artist used. This article intends to make known the work done so far, paper characteristics showed, and the fourteen Portuguese and foreign watermarks found.